Leeds

Showing 1–36 of 80 articles

Review — 20.03.2017

Bethan Hughes: Softbodies

University of Leeds Project Space, Leeds
by Hayley Toth

Review — 04.03.2017

PISIN: Works from the Carl Mooncalf Collection

serf studios, Leeds
by Lisa-Marie Dickinson

Review — 03.03.2017

Ailsa Read: The Witches Walk

Leeds College of Art, Leeds
by Karen Tobias-Green

Review — 22.02.2017

Dora García: These books were alive; they spoke to me!

The Tetley, Leeds
by Rebecca Levick

Exploration — 14.02.2017

Latent Voices: How public art of the past can speak in the present

Henry Moore Institute, BALTIC, Bessie Surtees House
by Amelia Crouch

Review — 13.02.2017

X

blip blip blip, Leeds; East Street Arts, Leeds
by Jack Shirlaw

Feature — 09.02.2017

What if John Wayne were a woman?

Leeds College of Art, Leeds
by Elspeth Mitchell

Review — 02.02.2017

Floordrobe

Set the Controls for the Heart of the Sun, Leeds
by Lisa-Marie Dickinson

Review — 31.01.2017

The King and I

&Model, Leeds
by Richard Hudson-Miles

Opportunity

Micro Residency at serf Studios

Apply by 3 February for this funded writing residency at serf artist studios in Leeds

Feature — 12.01.2017

Gourd Grief: Consuming without Conscience

The Tetley, Leeds
by Abi Mitchell

Review — 22.11.2016

Painting, Fo’ Sho!

Lady Beck, Leeds
by David Steans

Review — 30.10.2016

2001

Leeds College of Art, Leeds
by Zoë Sawyer

Review — 22.10.2016

Eleanor Antin

Henry Moore Institute, Leeds
by Michaela Hall

Review — 18.10.2016

Pippa Eason: Set in Stone

BasementArtsProject, Leeds
by Alice Bradshaw

Review — 22.08.2016

Jonathan Trayte: Polyculture / Stass Paraskos: Lovers and Romances

The Tetley, Leeds
by Derek Horton

Review — 28.07.2016

Leonora Carrington / Lucy Skaer

Leeds College of Art, Leeds
by Derek Horton

Review — 13.05.2016

My Own Mag: Jeff Nuttall and the British Underground Scene

Henry Moore Institute, Leeds
by Thom Robinson

Review — 25.04.2016

A Lesson in Sculpture with John Latham

Henry Moore Institute, Leeds
by Laurence Piercy

Review — 14.03.2016

Picture Book

The Tetley, Leeds
by Abi Mitchell

Review — 26.02.2016

Seven Turns: Meditations on a Coffee Mill

&Model, Leeds
by Paul Bramley

Interview — 04.02.2016

Jesse Wine × Corridor8

Leeds
by James Schofield

Interview — 21.12.2015

Katrina Palmer, The Necropolitan Line

Henry Moore Institute, Leeds
by Anna Ratcliffe

Feature — 07.12.2015

Bedrooms and Bombsites: Matthew Crawley’s Life Cycle of a Mould Mite and Thomas Hirschhorn’s In-Between

South London Gallery, London; Set the Controls for the Heart of the Sun, Leeds
by Lara Eggleton

Review — 19.11.2015

Paul Neagu: Palpable Sculpture

Henry Moore Institute, Leeds
by Clare Nadal

Review — 26.10.2015

The Feast Wagon

The Tetley, Leeds
by Lara Eggleton

Review — 28.08.2015

More room for error: Nicola Ellis

&Model, Leeds
by Clare Nadal

Review — 04.08.2015

Lucy Beech: Me and Mine

The Tetley, Leeds
by Elspeth Mitchell

Review — 13.07.2015

Common Bodies

East Street Arts, Leeds
by Ashleigh Owen

Exploration — 19.06.2015

Going to Ost, Book Launch and Exhibition

&Model, Leeds
by Michael Butterworth

Review — 17.06.2015

Simeon Barclay: Man’s Not Ready

Set the Controls for the Heart of the Sun, Leeds
by Hatty Nestor

Review — 12.06.2015

Gary Barker: New Territories of the Filth Dimension

Assembly House, Leeds
by Paul Bramley

Feature — 26.05.2015

Fay Ballard: House Clearance

&Model, Leeds
by Bob Dickinson

Review — 25.05.2015

Roadside Museum

BasementArtsProject, Leeds
by Alice Bradshaw

Review — 18.05.2015

Painting in Time

The Tetley, Leeds
by Paul Bramley