Leeds

Showing 1–36 of 92 articles

Review — 12.09.2017

Joseph Buckley: Brotherhood Tapestry

The Tetley, Leeds

by Georgia Taylor Aguilar

Review — 06.09.2017

Laurence Figgis: (After) After

Leeds Arts University, Leeds

by Karen Tobias-Green

Review — 29.08.2017

Jiro Takamatsu: The Temperature of Sculpture

Henry Moore Institute, Leeds

by Saffron Ward

Review — 06.08.2017

Bethan Hughes: Bodies of Water

serf studios, Leeds

by David Steans

Review — 01.08.2017

Approaching Nocturne

Studio 24

by Karen Tobias-Green

Review — 03.07.2017

Refinding: Jessie Flood-Paddock with Kenneth Armitage

The Tetley, Leeds

by Karen Tobias-Green

Review — 02.07.2017

So What of the Future

University of Leeds Project Space, Leeds

by Saffron Ward

Review — 21.06.2017

Barry Flanagan: Light Pieces and other works

&Model, Leeds

by Gertrude Gibbons

Review — 16.05.2017

Stella Baraklianou: Island. The Wind Constantly

Set the Controls for the Heart of the Sun, Leeds

by Karen Tobias-Green

Review — 02.05.2017

David Steans: Crime World

The Tetley, Leeds

by Bethan Hughes

Review — 11.04.2017

Aleksandra Domanović: Votives

Henry Moore Institute, Leeds

by Simon Boase

Review — 07.04.2017

X≠Y: How to put up a shelf (V)

Leeds College of Art, Leeds

by Karen Tobias-Green

Feature — 04.04.2017

The Learning Web: Thoughts on William Noel Clarke’s God Dead Confused

serf studios, Leeds

by Fred Mikardo-Greaves

Review — 20.03.2017

Bethan Hughes: Softbodies

University of Leeds Project Space, Leeds

by Hayley Toth

Review — 04.03.2017

PISIN: Works from the Carl Mooncalf Collection

serf studios, Leeds

by Lisa-Marie Dickinson

Review — 03.03.2017

Ailsa Read: The Witches Walk

Leeds College of Art, Leeds

by Karen Tobias-Green

Review — 22.02.2017

Dora García: These books were alive; they spoke to me!

The Tetley, Leeds

by Rebecca Levick

Feature — 14.02.2017

Latent Voices: How public art of the past can speak in the present

Henry Moore Institute, BALTIC, Bessie Surtees House

by Amelia Crouch

Review — 13.02.2017

X

blip blip blip, Leeds; East Street Arts, Leeds

by Jack Shirlaw

Feature — 09.02.2017

What if John Wayne were a woman?

Leeds College of Art, Leeds

by Elspeth Mitchell

Review — 02.02.2017

Floordrobe

Set the Controls for the Heart of the Sun, Leeds

by Lisa-Marie Dickinson

Review — 31.01.2017

The King and I

&Model, Leeds

by Richard Hudson-Miles

Opportunity

Micro Residency at serf Studios

Apply by 3 February for this funded writing residency at serf artist studios in Leeds

Feature — 12.01.2017

Gourd Grief: Consuming without Conscience

The Tetley, Leeds

by Abi Mitchell

Review — 22.11.2016

Painting, Fo’ Sho!

Lady Beck, Leeds

by David Steans

Review — 30.10.2016

2001

Leeds College of Art, Leeds

by Zoë Sawyer

Review — 22.10.2016

Eleanor Antin

Henry Moore Institute, Leeds

by Michaela Hall

Review — 18.10.2016

Pippa Eason: Set in Stone

BasementArtsProject, Leeds

by Alice Bradshaw

Review — 22.08.2016

Jonathan Trayte: Polyculture / Stass Paraskos: Lovers and Romances

The Tetley, Leeds

by Derek Horton

Review — 28.07.2016

Leonora Carrington / Lucy Skaer

Leeds College of Art, Leeds

by Derek Horton

Review — 13.05.2016

My Own Mag: Jeff Nuttall and the British Underground Scene

Henry Moore Institute, Leeds

by Thom Robinson

Review — 25.04.2016

A Lesson in Sculpture with John Latham

Henry Moore Institute, Leeds

by Laurence Piercy

Review — 14.03.2016

Picture Book

The Tetley, Leeds

by Abi Mitchell

Review — 26.02.2016

Seven Turns: Meditations on a Coffee Mill

&Model, Leeds

by Paul Bramley

Interview — 04.02.2016

Jesse Wine × Corridor8

Leeds

by James Schofield

Interview — 21.12.2015

Katrina Palmer, The Necropolitan Line

Henry Moore Institute, Leeds

by Anna Ratcliffe