Elspeth Mitchell

[javascript protected email address]

Showing 33 entries

Review — 10.01.2018

Saelia Aparicio: Your Consequences Have Actions

The Tetley, Leeds

by Robbie di Vito

Review — 06.01.2018

Jill & Josh & Their Dead Petz

BasementArtsProject, Leeds

by Saffron Ward

Review — 01.01.2018

Veronica Ryan: Salvage

The Art House, Wakefield

by Karen Tobias-Green

Review — 23.12.2017

Alfredo Jaar: The Garden of Good and Evil

Yorkshire Sculpture Park, Wakefield

by Selina Oakes

Feature — 11.12.2017

Beyond the Wilderness Years: Lubaina Himid and the Turner Prize 2017

Ferens Art Gallery, Hull

by Orla Foster

Review — 09.12.2017

A Feminist Space at Leeds: Looking Back to Think Forwards

University of Leeds Project Space, Leeds

by Lucy Holt

Review — 06.12.2017

These Northern Types

Left Bank, Leeds

by Jay Drinkall

Review — 28.11.2017

Michael Flechtner: Animating Neon

Neon Workshops, Wakefield

by Lisa-Marie Dickinson

Exploration — 18.11.2017

No Two People: Andrew Lister & Rosie Vohra

Assembly House, Leeds

by Liam McCabe

Review — 08.11.2017

Alina Szapocznikow: Human Landscapes

Hepworth Wakefield, Wakefield

by Liam McCabe

Review — 06.11.2017

Artist Rooms: Joseph Beuys

Leeds Art Gallery, Leeds

by Tessa Norton

Review — 02.11.2017

Lisa-Marie Dickinson: Mother Tongue

serf studios, Leeds

by Karen Tobias-Green

Review — 25.10.2017

David Sowerby: The Idles That Habit Forms

University of Leeds Project Space, Leeds

by Derek Horton

Review — 13.10.2017

Marine Art: Ernst Haeckel

The Deep, Hull

by Jay Drinkall

Review — 09.10.2017

Turner Prize 2017

Ferens Art Gallery, Hull

by Orla Foster

Review — 07.10.2017

Lucy Vann: Test Bed #1

Bloc Projects, Sheffield

by Lucy Holt

Review — 25.09.2017

Notes From Another India: Mark Lapore & Ruchir Joshi

Pavilion & Hyde Park Picture House, Leeds

by Richard Hudson-Miles

Feature — 21.09.2017

A Turn Out in Hull

Ferens Art Gallery, Hull

by Orla Foster

Review — 12.09.2017

Joseph Buckley: Brotherhood Tapestry

The Tetley, Leeds

by Georgia Taylor Aguilar

Review — 06.09.2017

Laurence Figgis: (After) After

Leeds Arts University, Leeds

by Karen Tobias-Green

Review — 02.09.2017

Jamie Reid: Ragged Kingdom

Humber Street Gallery, Hull

by Richard Hudson-Miles

Review — 29.08.2017

Jiro Takamatsu: The Temperature of Sculpture

Henry Moore Institute, Leeds

by Saffron Ward

Review — 09.08.2017

Anita Corbin: Visible Girls Revisited

Artlink, Hull

by Orla Foster

Review — 06.08.2017

Bethan Hughes: Bodies of Water

serf studios, Leeds

by David Steans

Review — 01.08.2017

Approaching Nocturne

Studio 24

by Karen Tobias-Green

Review — 03.07.2017

Refinding: Jessie Flood-Paddock with Kenneth Armitage

The Tetley, Leeds

by Karen Tobias-Green

Review — 02.07.2017

So What of the Future

University of Leeds Project Space, Leeds

by Saffron Ward

Review — 27.06.2017

Migration

The Art House, Wakefield

by Lisa-Marie Dickinson

Review — 24.06.2017

Mother River: Yan Wang Preston

Impressions Gallery, Bradford

by Abi Mitchell

Review — 21.06.2017

Barry Flanagan: Light Pieces and other works

&Model, Leeds

by Gertrude Gibbons

Review — 20.06.2017

Everything Flows

Millennium Gallery, Sheffield

by David McLeavy

Review — 29.05.2017

Bad Practice: A centre for collective action

Gallery II, Bradford

by Lara Eggleton

Review — 16.05.2017

Stella Baraklianou: Island. The Wind Constantly

Set the Controls for the Heart of the Sun, Leeds

by Karen Tobias-Green