Features

Showing 13 articles

Feature — 28.07.2017

From black screen to black screen (repeat).

Castlefield Gallery, Manchester

by Iris Priest

Feature — 02.06.2017

Art, Audience and Economy: How should we value the arts in the North of England?

BALTIC Centre for Contemporary Art, Gateshead; Hepworth Wakefield, Wakefield; Tate Liverpool, Liverpool

by Tom Hopkin

Feature — 11.04.2017

Things, Money, Art, Work, Class

by Matthew de Kersaint Giraudeau

Feature — 04.04.2017

The Learning Web: Thoughts on William Noel Clarke’s God Dead Confused

serf studios, Leeds

by Fred Mikardo-Greaves

Feature — 02.03.2017

Time’s ticking, that’s all.

Holden Gallery, Manchester; Idle Women, Lancashire

by Sara Jaspan

Feature — 14.02.2017

Latent Voices: How public art of the past can speak in the present

Henry Moore Institute, BALTIC, Bessie Surtees House

by Amelia Crouch

Feature — 09.02.2017

What if John Wayne were a woman?

Leeds College of Art, Leeds

by Elspeth Mitchell

Feature — 12.01.2017

Gourd Grief: Consuming without Conscience

The Tetley, Leeds

by Abi Mitchell

Feature — 07.12.2015

Bedrooms and Bombsites: Matthew Crawley’s Life Cycle of a Mould Mite and Thomas Hirschhorn’s In-Between

South London Gallery, London; Set the Controls for the Heart of the Sun, Leeds

by Lara Eggleton

Feature — 25.10.2015

Editorial: Creating a Cultural Corridor

by Lauren Velvick

Feature — 19.09.2015

Spotlight: Tuvalu Pavillion, La Biennale di Venezia

Venice, Italy

by Jane Lawson

Feature — 26.05.2015

Fay Ballard: House Clearance

&Model, Leeds

by Bob Dickinson

Feature — 06.08.2014

Clifford Owens, The Methods & The Man

Cornerhouse, Manchester

by Alexander Lester