Reviews

Showing 1–36 of 470 articles

Review — 21.11.2017

Material Remains

Holden Gallery, Manchester

by Andy Broadey

Review — 17.11.2017

Politics of Paradise

Paradise Works, Salford

by Jacob Bolton

Review — 16.11.2017

Impermanent Durations: On Painting and Time

Lancaster University, Lancaster

by Robbie di Vito

Review — 16.11.2017

Jessica Rankin: Stone/Folding

Touchstones Art Gallery, Rochdale

by Robbie di Vito

Review — 15.11.2017

Look Up

Manchester

by Beth Dawson

Review — 09.11.2017

Starless Midnight

BALTIC Centre for Contemporary Art, Gateshead

by Rosie Minney

Review — 09.11.2017

Wu Tsang: Under Cinema at FACT

FACT, Liverpool

by Aoife Robinson

Review — 08.11.2017

Alina Szapocznikow: Human Landscapes

Hepworth Wakefield, Wakefield

by Liam McCabe

Review — 06.11.2017

Artist Rooms: Joseph Beuys

Leeds Art Gallery, Leeds

by Tessa Norton

Review — 03.11.2017

Reality Check

The NewBridge Project : Gateshead, Gateshead

by Elisabetta Fabrizi

Review — 02.11.2017

Lisa-Marie Dickinson: Mother Tongue

serf studios, Leeds

by Karen Tobias-Green

Review — 02.11.2017

Abandon Normal Devices 2017 (2/2): AUDIO

Castleton, Peak District

by Jacob Bolton

Review — 01.11.2017

AND A 123

Castlefield Gallery, Manchester

by Ashleigh Owen

Review — 26.10.2017

Review: Frequency Festival 2017

Lincoln

by Jacob Bolton

Review — 25.10.2017

What is Socially Engaged Photographic Practice?

Open Eye Gallery, Liverpool

by Eli Regan

Review — 25.10.2017

David Sowerby: The Idles That Habit Forms

University of Leeds Project Space, Leeds

by Derek Horton

Review — 24.10.2017

Pioneers of Pop

Hatton Gallery, Newcastle-upon-Tyne

by Michaela Hall

Review — 24.10.2017

Bluecoat: In the Peaceful Dome

The Bluecoat, Liverpool

by Callan Waldron-Hall

Review — 20.10.2017

Bloomberg New Contemporaries 2017

BALTIC Centre for Contemporary Art, Gateshead; BALTIC 39, Newcastle-upon-Tyne

by Rosie Minney

Review — 20.10.2017

Preview: Log Book at Frequency Festival

The Chapter House, Lincoln

by Jacob Bolton

Review — 19.10.2017

The Worst Seats In The House

Capstan House, London

by William Clarke

Review — 18.10.2017

All Roads Lead to Wigan Pier

The Turnpike, Leigh

by Eli Regan

Review — 17.10.2017

This is Human

HOME, Manchester

by Emma Bosworth

Review — 16.10.2017

Artist Rooms: Roy Lichtenstein in Focus

by Carl Bishop

Review — 16.10.2017

Culture Shifts: Local at Open Eye Gallery

Open Eye Gallery, Liverpool

by Grace Edwards

Review — 13.10.2017

BALTIC Artists’ Award 2017

BALTIC Centre for Contemporary Art, Gateshead

by Liam McCabe

Review — 13.10.2017

Marine Art: Ernst Haeckel

The Deep, Hull

by Jay Drinkall

Review — 11.10.2017

Miami to Morecambe: This Building for Hope

Morecambe, Lancashire

by Jack Welsh

Review — 11.10.2017

Abandon Normal Devices 2017 (1/2): VISUAL

Castleton, Peak District

by Jacob Bolton

Review — 09.10.2017

Turner Prize 2017

Ferens Art Gallery, Hull

by Orla Foster

Review — 29.09.2017

Alphonse Mucha: In Quest of Beauty, Walker Art Gallery, Liverpool

Walker Art Gallery

by Claire Walker

Review — 28.09.2017

Capital P, capital ISIN

The Great Medical Disaster, Manchester

by Paul Cordwell

Review — 27.09.2017

Black Blossoms at The Royal Standard: If We’re Going To Heal, Let It Be Glorious

The Royal Standard, Liverpool

by Grace Edwards

Review — 25.09.2017

Considering the Past and what has Passed – Coming Out: Sexuality, Gender & Identity

Walker Art Gallery, Liverpool

by Callan Waldron-Hall

Review — 25.09.2017

Notes From Another India: Mark Lapore & Ruchir Joshi

Pavilion & Hyde Park Picture House, Leeds

by Richard Hudson-Miles

Review — 23.09.2017

A Show About The Show

Bankley Studios and Gallery, Manchester

by Tom Emery