Reviews

Showing 1–36 of 497 articles

Review — 17.01.2018

Indicator

The NewBridge Project : Gateshead, Gateshead

by Andrea Allan

Review — 12.01.2018

Sofia Stevi: turning forty winks into a decade

BALTIC Centre for Contemporary Art, Gateshead

by Adam Heardman

Review — 11.01.2018

…into the labyrinth

The International 3, Salford

by Tom Emery

Review — 10.01.2018

John Piper at Tate Liverpool

Tate Liverpool, Liverpool

by Sean Ketteringham

Review — 10.01.2018

Saelia Aparicio: Your Consequences Have Actions

The Tetley, Leeds

by Robbie di Vito

Review — 06.01.2018

Jill & Josh & Their Dead Petz

BasementArtsProject, Leeds

by Saffron Ward

Review — 04.01.2018

The Return of Memory

HOME, Manchester

by Anna Ratcliffe

Review — 03.01.2018

Odd One Out/In

PS Mirabel, Manchester

by Chris Connolly

Review — 01.01.2018

Veronica Ryan: Salvage

The Art House, Wakefield

by Karen Tobias-Green

Review — 23.12.2017

Alfredo Jaar: The Garden of Good and Evil

Yorkshire Sculpture Park, Wakefield

by Selina Oakes

Review — 20.12.2017

I Can’t Remember the Last Time I Used Cardamom

TESTT Space, Durham

by Adam Heardman

Review — 15.12.2017

Making Himself Claire: Grayson Perry at Walker Art Gallery

Walker Art Gallery, Liverpool

by Claire Walker

Review — 14.12.2017

Raqs Media Collective: Twilight Language

Whitworth Art Gallery, Manchester

by Natasha Stallard

Review — 13.12.2017

Venture Arts presents

The Manchester Contemporary, Manchester

by Chris Connolly

Review — 09.12.2017

A Feminist Space at Leeds: Looking Back to Think Forwards

University of Leeds Project Space, Leeds

by Lucy Holt

Review — 07.12.2017

Susan Philipsz: A Single Voice

BALTIC Centre for Contemporary Art, Gateshead

by Lesley Guy

Review — 06.12.2017

These Northern Types

Left Bank, Leeds

by Jay Drinkall

Review — 04.12.2017

Doremi Artist Residency and Open Weekend 2017

Cumbria

by Sam Pickett

Review — 04.12.2017

Brass Art: Gestured

Chetham's Library, Manchester

by Catriona McAra

Review — 01.12.2017

Sam Meech: Time Back Way Back

Barrow-in-Furness

by Natalie Bradbury

Review — 30.11.2017

Kathryn Elkin: Shelter from the Storm

Gallery North, Newcastle-upon-Tyne

by Elisabetta Fabrizi

Review — 28.11.2017

Michael Flechtner: Animating Neon

Neon Workshops, Wakefield

by Lisa-Marie Dickinson

Review — 27.11.2017

Holly Rowan Hesson: Echo | Pyramid Arts Centre

Warrington

by Robbie di Vitto

Review — 27.11.2017

Sabina Sallis: Drawing Close – Voynich Series

The Customs House, South Shields

by Dave Pritchard

Review — 27.11.2017

Bedwyr Williams: Hypercaust at Storyhouse

Storyhouse

by Bob Dickinson

Review — 25.11.2017

Mary Reid Kelley & Patrick Kelley at Tate Liverpool

Tate Liverpool, Liverpool

by Julia Johnson

Review — 21.11.2017

Material Remains

Holden Gallery, Manchester

by Andy Broadey

Review — 17.11.2017

Politics of Paradise

Paradise Works, Salford

by Jacob Bolton

Review — 16.11.2017

Impermanent Durations: On Painting and Time

Lancaster University, Lancaster

by Robbie di Vito

Review — 16.11.2017

Jessica Rankin: Stone/Folding

Touchstones Art Gallery, Rochdale

by Robbie di Vito

Review — 15.11.2017

Look Up

Manchester

by Beth Dawson

Review — 09.11.2017

Starless Midnight

BALTIC Centre for Contemporary Art, Gateshead

by Rosie Minney

Review — 09.11.2017

Wu Tsang: Under Cinema at FACT

FACT, Liverpool

by Aoife Robinson

Review — 08.11.2017

Alina Szapocznikow: Human Landscapes

Hepworth Wakefield, Wakefield

by Liam McCabe

Review — 06.11.2017

Artist Rooms: Joseph Beuys

Leeds Art Gallery, Leeds

by Tessa Norton

Review — 03.11.2017

Reality Check

The NewBridge Project : Gateshead, Gateshead

by Elisabetta Fabrizi