Showing 1–36 of 437 articles

Review — 25.09.2017

Considering the Past and what has Passed – Coming Out: Sexuality, Gender & Identity

Walker Art Gallery

by Callan Waldron-Hall

Review — 25.09.2017

Notes From Another India: Mark Lapore & Ruchir Joshi

Pavilion & Hyde Park Picture House, Leeds

by Richard Hudson-Miles

Review — 23.09.2017

A Show About The Show

Bankley Studios and Gallery, Manchester

by Tom Emery

Review — 12.09.2017

Joseph Buckley: Brotherhood Tapestry

The Tetley, Leeds

by Georgia Taylor Aguilar

Review — 11.09.2017

In the Floating World: Edo Pop at Lady Lever Art Gallery

Lady Lever Art Gallery, Liverpool

by Jacob Bolton

Review — 06.09.2017

Laurence Figgis: (After) After

Leeds Arts University, Leeds

by Karen Tobias-Green

Review — 04.09.2017

Portraying a Nation: Germany 1919–1933

Tate Liverpool, Liverpool

by Jenny Gleadell

Review — 02.09.2017

Jamie Reid: Ragged Kingdom

Humber Street Gallery, Hull

by Richard Hudson-Miles

Review — 31.08.2017

Abacus, at Bluecoat

The Bluecoat, Liverpool

by Grace Edwards

Review — 29.08.2017

Jiro Takamatsu: The Temperature of Sculpture

Henry Moore Institute, Leeds

by Saffron Ward

Review — 24.08.2017

Bruce Rae: Shipbuilding on the Tyne

Side Gallery, Newcastle-upon-Tyne

by Selina Oakes

Review — 23.08.2017

You’re Reading Into It: Queering Contemporary Minimalism

Vane, Newcastle-upon-Tyne

by Andrea Allan

Review — 20.08.2017

Leanne Cook / Zarina Muhammad: Seen by Everyone

The Royal Standard, Liverpool

by Jacob Bolton

Review — 19.08.2017

Louisa Martin: Proxy

The Bluecoat, Liverpool

by James Harper

Review — 16.08.2017

Echoes of Abstraction II and The Bottomless Pit of Outros

Laing Art Gallery, Newcastle-upon-Tyne

by Kate Liston

Review — 09.08.2017

Anita Corbin: Visible Girls Revisited

Artlink, Hull

by Orla Foster

Review — 07.08.2017

The Sound of Adult Children Determined Not To Be Afraid

ICW, Blackpool

by Alison Criddle

Review — 06.08.2017

Bethan Hughes: Bodies of Water

serf studios, Leeds

by David Steans

Review — 05.08.2017

Random Archive

Bury Art Museum, Bury

by Daniel McMillan

Review — 04.08.2017

Manchester Street Poem


by Nathalie Mayer

Review — 03.08.2017

Lindsey Bull and Plastique Fantastique

Castlefield Gallery, Manchester

by Nathalie Mayer

Review — 02.08.2017


Grundy Art Gallery, Blackpool

by James Hedley Harper

Review — 01.08.2017

Approaching Nocturne

Studio 24

by Karen Tobias-Green

Review — 27.07.2017


Whitworth Art Gallery, Manchester

by Andy Broadey

Review — 22.07.2017

True Faith

Manchester Art Gallery, Manchester

by Chris Connolly

Review — 17.07.2017

Clare Kenny: Industrial Romantic

Touchstones Art Gallery, Rochdale

by Richard Hughes

Review — 03.07.2017

Refinding: Jessie Flood-Paddock with Kenneth Armitage

The Tetley, Leeds

by Karen Tobias-Green

Review — 02.07.2017

So What of the Future

University of Leeds Project Space, Leeds

by Saffron Ward

Review — 30.06.2017

i o u a e: is this real lyf??

B&D Gallery, Newcastle-upon-Tyne

by Sarah Davies

Review — 29.06.2017

La Movida

HOME, Manchester

by Claire Walker

Review — 27.06.2017


The Art House, Wakefield

by Lisa-Marie Dickinson

Review — 26.06.2017

Vertigo Sea

Whitworth Art Gallery, Manchester

by Selina Oakes

Review — 24.06.2017

Mother River: Yan Wang Preston

Impressions Gallery, Bradford

by Abi Mitchell

Review — 23.06.2017

Meikle, Frew & Raven: Ambiguous Utopia

The Northern Charter, Newcastle-upon-Tyne

by Liam McCabe

Review — 22.06.2017

Ruse: the artfulness of deceit

Holden Gallery, Manchester

by Claire Walker

Review — 21.06.2017

Barry Flanagan: Light Pieces and other works

&Model, Leeds

by Gertrude Gibbons