Reviews

Showing 1–36 of 381 articles

Review — 26.04.2017

ARTIST ROOMS: Martin Creed

The Harris Museum & Art Gallery, Preston

by Sam Pickett

Review — 18.04.2017

LOOK/17: Liverpool International Photography Festival

Museum of Liverpool; Open Eye Gallery

by Jack Roe

Review — 11.04.2017

Aleksandra Domanović: Votives

Henry Moore Institute, Leeds

by Simon Boase

Review — 10.04.2017

…in Dark Times

Castlefield Gallery, Manchester

by Bob Dickinson

Review — 07.04.2017

X≠Y: How to put up a shelf (V)

Leeds College of Art, Leeds

by Karen Tobias-Green

Review — 05.04.2017

Tony Charles: Unpainted

Platform A Gallery, Middlesbrough

by Annie O'Donnell

Review — 04.04.2017

Rodney Graham: That’s Not Me

BALTIC Centre for Contemporary Art, Gateshead

by Nathan Anthony

Review — 01.04.2017

Fancy a cuppa?

Vane, Newcastle-upon-Tyne

by Andrea Allan

Review — 24.03.2017

Disobedient Bodies: JW Anderson Curates The Hepworth Wakefield

Hepworth Wakefield, Wakefield

by Elspeth Mitchell

Review — 24.03.2017

FYI: Rory Macbeth × Institutional Collaborative Systems

Surtsey Projects, Liverpool

by Maja Lorkowska

Review — 22.03.2017

John Hyatt: Rock Art

HOME, Manchester

by Neil Greenhalgh

Review — 20.03.2017

Stephen Forge: Downwards

Cactus Gallery, Liverpool

by Devon Forrester-Jones

Review — 20.03.2017

Bethan Hughes: Softbodies

University of Leeds Project Space, Leeds

by Hayley Toth

Review — 17.03.2017

Disappearance at Sea: Mare Nostrum

BALTIC Centre for Contemporary Art, Gateshead

by Dave Pritchard

Review — 14.03.2017

Mick Peter: 110%

Workplace Gallery, Gateshead

by Claire Lavender

Review — 09.03.2017

Assume An Open Posture

Collar, Manchester

by Ashleigh Owen

Review — 04.03.2017

PISIN: Works from the Carl Mooncalf Collection

serf studios, Leeds

by Lisa-Marie Dickinson

Review — 03.03.2017

Ailsa Read: The Witches Walk

Leeds College of Art, Leeds

by Karen Tobias-Green

Review — 22.02.2017

Dora García: These books were alive; they spoke to me!

The Tetley, Leeds

by Rebecca Levick

Review — 20.02.2017

Public View

The Bluecoat, Liverpool

by Laura Rushton

Review — 13.02.2017

X

blip blip blip, Leeds; East Street Arts, Leeds

by Jack Shirlaw

Review — 06.02.2017

Open Depot

Depot Art Studios, Manchester

by Bruce Davies

Review — 02.02.2017

Floordrobe

Set the Controls for the Heart of the Sun, Leeds

by Lisa-Marie Dickinson

Review — 31.01.2017

The King and I

&Model, Leeds

by Richard Hudson-Miles

Review — 30.01.2017

North: Identity, Photography, Fashion

Open Eye Gallery, Liverpool

by Anthony Ellis

Review — 25.01.2017

On Our Backs: An Archive

The NewBridge Project, Newcastle-upon-Tyne

by Niomi Fitzsimmons Fairweather

Review — 10.01.2017

My 5-Year-Old Could Have Done That

Gallery North, Newcastle-upon-Tyne

by Liam McCabe

Review — 19.12.2016

Division of Labour

Rogue Artists’ Studios, Manchester

by Polly Checkland Harding

Review — 15.12.2016

Not For Navigation, The International 3, Salford

The International 3

by Simon Marginson

Review — 09.12.2016

Rachel Maclean: Wot u :-) about?

HOME, Manchester

by James Schofield

Review — 26.11.2016

Deimantas Narkevičius: Doubled Youth

BALTIC Centre for Contemporary Art, Gateshead

by Dave Pritchard

Review — 25.11.2016

Polyspace

The NewBridge Project, Newcastle-upon-Tyne

by Liam McCabe

Review — 24.11.2016

OutsiderXchanges overview

BALTIC Centre for Contemporary Art; Whitworth Art Gallery; Castlefield Gallery

by Sara Jaspan

Review — 22.11.2016

Painting, Fo’ Sho!

Lady Beck, Leeds

by David Steans

Review — 22.11.2016

Flesh

York Art Gallery, York

by Jack Shirlaw

Review — 31.10.2016

21st Anniversary Rogue Open Studios

Rogue Artists’ Studios, Manchester

by Claire Walker