Reviews

Showing 37–72 of 373 articles

Review — 18.10.2016

Peter Martin: Self Service

Biggins Brothers, Sheffield
by Orla Foster

Review — 18.10.2016

Tracey Emin and William Blake: In Focus

Tate Liverpool, Liverpool
by Claire Walker

Review — 16.10.2016

Hidden Civil War

The NewBridge Project, Newcastle-upon-Tyne
by Iris Priest

Review — 15.10.2016

ABC Cinema, Liverpool Biennial 2016

Liverpool
by Anthony Ellis

Review — 06.10.2016

Peter Mitchell: Planet Yorkshire

Impressions Gallery, Bradford
by Jack Shirlaw

Review — 04.10.2016

Different Trains

Metal Liverpool, Liverpool
by Simon Ward

Review — 24.09.2016

Caroline Achaintre

BALTIC Centre for Contemporary Art, Gateshead
by Dave Pritchard

Review — 12.09.2016

Dark Matter Symposium: The Unseen World of Artist Led Activity

The Royal Standard, Liverpool
by Sean Ketteringham

Review — 12.09.2016

Behind the lights: All blonde people should be shot

Kulttuurikeskus Vanha Paukku, Finland
by Tarja Kojola and Tommi Brem

Review — 08.09.2016

Reply All

Grosvenor Gallery, Manchester
by Claire Walker

Review — 22.08.2016

Jonathan Trayte: Polyculture / Stass Paraskos: Lovers and Romances

The Tetley, Leeds
by Derek Horton

Review — 21.08.2016

Vox Pop, Christopher Rollen

Vane, Newcastle-upon-Tyne
by Christopher Little

Review — 03.08.2016

From The Rocks Above The Pass, MILK Collective

House of Blah Blah, Middlesbrough
by Annie O'Donnell

Review — 03.08.2016

Cracked Egg (Exhibition & Publication Launch), In Certain Places

Preston
by Michael D’Este

Review — 28.07.2016

Leonora Carrington / Lucy Skaer

Leeds College of Art, Leeds
by Derek Horton

Review — 11.07.2016

Alex Charrington, Push Me Pull You

Platform A Gallery, Middlesbrough
by Annie O'Donnell

Review — 17.06.2016

Hannah Leighton-Boyce: Instruments of Industry

Touchstones Art Gallery, Rochdale
by Laura Mansfield

Review — 16.06.2016

On to the next, MUESLI

The Royal Standard, Liverpool
by Jonathan Ferguson

Review — 15.06.2016

Rufus Newell, Hercules and his Club

South Square Gallery, Thornton
by Abi Mitchell

Review — 13.06.2016

Jumana Emil Abboud

BALTIC Centre for Contemporary Art, Gateshead
by Camilla Irvine Fortescue

Review — 09.06.2016

Light Night Commission: Afloat, in Land, Leggate Theatre

Victoria Gallery and Museum, Liverpool
by Claire Walker

Review — 19.05.2016

Francis Bacon: Invisible Rooms

Tate Liverpool, Liverpool
by Eli Regan

Review — 13.05.2016

My Own Mag: Jeff Nuttall and the British Underground Scene

Henry Moore Institute, Leeds
by Thom Robinson

Review — 10.05.2016

Open 2: Pieces of You

Open Eye Gallery, Liverpool
by Claire Walker

Review — 10.05.2016

Art Sheffield

Sheffield
by Orla Foster

Review — 08.05.2016

Vinyl Icons: Persian Pop and Turkish Psychedelia

Vane, Newcastle-upon-Tyne
by Camilla Irvine-Fortescue

Review — 06.05.2016

-Scape: Constructing Nature

Holden Gallery, Manchester
by Claire Walker

Review — 05.05.2016

Maud Sulter: Passion

Impressions Gallery, Bradford
by Derek Horton

Review — 28.04.2016

Nathaniel Mellors, Ourhouse Episode -1: Time

Harris Museum and Art Gallery, Preston
by Holly Grange

Review — 27.04.2016

Joe Fletcher Orr: Mummy’s Boy

The International 3, Salford
by Daniel McMillan

Review — 25.04.2016

A Lesson in Sculpture with John Latham

Henry Moore Institute, Leeds
by Laurence Piercy

Review — 22.04.2016

Double Act: Art and Comedy

The Bluecoat, Liverpool
by Anthony Ellis

Review — 11.04.2016

S1 Introduces

S1 Artspace, Sheffield
by David McLeavy

Review — 28.03.2016

Omer Fast: Present Continuous

BALTIC Centre for Contemporary Art, Gateshead
by Dave Pritchard