Reviews

Showing 37–72 of 497 articles

Review — 02.11.2017

Lisa-Marie Dickinson: Mother Tongue

serf studios, Leeds

by Karen Tobias-Green

Review — 02.11.2017

Abandon Normal Devices 2017 (2/2): AUDIO

Castleton, Peak District

by Jacob Bolton

Review — 01.11.2017

AND A 123

Castlefield Gallery, Manchester

by Ashleigh Owen

Review — 26.10.2017

Review: Frequency Festival 2017

Lincoln

by Jacob Bolton

Review — 25.10.2017

What is Socially Engaged Photographic Practice?

Open Eye Gallery, Liverpool

by Eli Regan

Review — 25.10.2017

David Sowerby: The Idles That Habit Forms

University of Leeds Project Space, Leeds

by Derek Horton

Review — 24.10.2017

Pioneers of Pop

Hatton Gallery, Newcastle-upon-Tyne

by Michaela Hall

Review — 24.10.2017

Bluecoat: In the Peaceful Dome

The Bluecoat, Liverpool

by Callan Waldron-Hall

Review — 20.10.2017

Bloomberg New Contemporaries 2017

BALTIC Centre for Contemporary Art, Gateshead; BALTIC 39, Newcastle-upon-Tyne

by Rosie Minney

Review — 20.10.2017

Preview: Log Book at Frequency Festival

The Chapter House, Lincoln

by Jacob Bolton

Review — 19.10.2017

The Worst Seats In The House

Capstan House, London

by William Clarke

Review — 18.10.2017

All Roads Lead to Wigan Pier

The Turnpike, Leigh

by Eli Regan

Review — 17.10.2017

This is Human

HOME, Manchester

by Emma Bosworth

Review — 16.10.2017

Artist Rooms: Roy Lichtenstein in Focus

by Carl Bishop

Review — 16.10.2017

Culture Shifts: Local at Open Eye Gallery

Open Eye Gallery, Liverpool

by Grace Edwards

Review — 13.10.2017

BALTIC Artists’ Award 2017

BALTIC Centre for Contemporary Art, Gateshead

by Liam McCabe

Review — 13.10.2017

Marine Art: Ernst Haeckel

The Deep, Hull

by Jay Drinkall

Review — 11.10.2017

Miami to Morecambe: This Building for Hope

Morecambe, Lancashire

by Jack Welsh

Review — 11.10.2017

Abandon Normal Devices 2017 (1/2): VISUAL

Castleton, Peak District

by Jacob Bolton

Review — 09.10.2017

Turner Prize 2017

Ferens Art Gallery, Hull

by Orla Foster

Review — 07.10.2017

Lucy Vann: Test Bed #1

Bloc Projects, Sheffield

by Lucy Holt

Review — 29.09.2017

Alphonse Mucha: In Quest of Beauty, Walker Art Gallery, Liverpool

Walker Art Gallery

by Claire Walker

Review — 28.09.2017

Capital P, capital ISIN

The Great Medical Disaster, Manchester

by Paul Cordwell

Review — 27.09.2017

Black Blossoms at The Royal Standard: If We’re Going To Heal, Let It Be Glorious

The Royal Standard, Liverpool

by Grace Edwards

Review — 25.09.2017

Considering the Past and what has Passed – Coming Out: Sexuality, Gender & Identity

Walker Art Gallery, Liverpool

by Callan Waldron-Hall

Review — 25.09.2017

Notes From Another India: Mark Lapore & Ruchir Joshi

Pavilion & Hyde Park Picture House, Leeds

by Richard Hudson-Miles

Review — 23.09.2017

A Show About The Show

Bankley Studios and Gallery, Manchester

by Tom Emery

Review — 12.09.2017

Joseph Buckley: Brotherhood Tapestry

The Tetley, Leeds

by Georgia Taylor Aguilar

Review — 11.09.2017

In the Floating World: Edo Pop at Lady Lever Art Gallery

Lady Lever Art Gallery, Liverpool

by Jacob Bolton

Review — 06.09.2017

Laurence Figgis: (After) After

Leeds Arts University, Leeds

by Karen Tobias-Green

Review — 04.09.2017

Portraying a Nation: Germany 1919–1933

Tate Liverpool, Liverpool

by Jenny Gleadell

Review — 02.09.2017

Jamie Reid: Ragged Kingdom

Humber Street Gallery, Hull

by Richard Hudson-Miles

Review — 31.08.2017

Abacus, at Bluecoat

The Bluecoat, Liverpool

by Grace Edwards

Review — 29.08.2017

Jiro Takamatsu: The Temperature of Sculpture

Henry Moore Institute, Leeds

by Saffron Ward

Review — 24.08.2017

Bruce Rae: Shipbuilding on the Tyne

Side Gallery, Newcastle-upon-Tyne

by Selina Oakes

Review — 23.08.2017

You’re Reading Into It: Queering Contemporary Minimalism

Vane, Newcastle-upon-Tyne

by Andrea Allan