Reviews

Showing 37–72 of 382 articles

Review — 31.10.2016

21st Anniversary Rogue Open Studios

Rogue Artists’ Studios, Manchester

by Claire Walker

Review — 30.10.2016

Rosie Morris: Circles are Slices of Spheres

Laing Art Gallery, Newcastle-upon-Tyne

by Camilla Irvine-Fortescue

Review — 30.10.2016

2001

Leeds College of Art, Leeds

by Zoë Sawyer

Review — 29.10.2016

Head to Head: Vasilis Asimakopoulos and Christian Falsnaes

Castlefield Gallery, Manchester

by Claire Walker

Review — 24.10.2016

Jen Southern: Skylines

Queen’s Hall Arts Centre, Northumberland

by Dave Pritchard

Review — 23.10.2016

Elizabeth Price Curates: IN A DREAM YOU SAW A WAY TO SURVIVE AND YOU WERE FULL OF JOY

Whitworth Art Gallery, Manchester

by Andy Broadey

Review — 22.10.2016

Eleanor Antin

Henry Moore Institute, Leeds

by Michaela Hall

Review — 21.10.2016

STEAM Ahead

South Square Gallery, Thornton

by Bruce Davies

Review — 18.10.2016

Pippa Eason: Set in Stone

BasementArtsProject, Leeds

by Alice Bradshaw

Review — 18.10.2016

Peter Martin: Self Service

Biggins Brothers, Sheffield

by Orla Foster

Review — 18.10.2016

Tracey Emin and William Blake: In Focus

Tate Liverpool, Liverpool

by Claire Walker

Review — 16.10.2016

Hidden Civil War

The NewBridge Project, Newcastle-upon-Tyne

by Iris Priest

Review — 15.10.2016

ABC Cinema, Liverpool Biennial 2016

Liverpool

by Anthony Ellis

Review — 06.10.2016

Peter Mitchell: Planet Yorkshire

Impressions Gallery, Bradford

by Jack Shirlaw

Review — 04.10.2016

Different Trains

Metal Liverpool, Liverpool

by Simon Ward

Review — 24.09.2016

Caroline Achaintre

BALTIC Centre for Contemporary Art, Gateshead

by Dave Pritchard

Review — 12.09.2016

Dark Matter Symposium: The Unseen World of Artist Led Activity

The Royal Standard, Liverpool

by Sean Ketteringham

Review — 12.09.2016

Behind the lights: All blonde people should be shot

Kulttuurikeskus Vanha Paukku, Finland

by Tarja Kojola and Tommi Brem

Review — 08.09.2016

Reply All

Grosvenor Gallery, Manchester

by Claire Walker

Review — 22.08.2016

Jonathan Trayte: Polyculture / Stass Paraskos: Lovers and Romances

The Tetley, Leeds

by Derek Horton

Review — 21.08.2016

Vox Pop, Christopher Rollen

Vane, Newcastle-upon-Tyne

by Christopher Little

Review — 03.08.2016

From The Rocks Above The Pass, MILK Collective

House of Blah Blah, Middlesbrough

by Annie O'Donnell

Review — 03.08.2016

Cracked Egg (Exhibition & Publication Launch), In Certain Places

Preston

by Michael D’Este

Review — 28.07.2016

Leonora Carrington / Lucy Skaer

Leeds College of Art, Leeds

by Derek Horton

Review — 11.07.2016

Alex Charrington, Push Me Pull You

Platform A Gallery, Middlesbrough

by Annie O'Donnell

Review — 17.06.2016

Hannah Leighton-Boyce: Instruments of Industry

Touchstones Art Gallery, Rochdale

by Laura Mansfield

Review — 16.06.2016

On to the next, MUESLI

The Royal Standard, Liverpool

by Jonathan Ferguson

Review — 15.06.2016

Rufus Newell, Hercules and his Club

South Square Gallery, Thornton

by Abi Mitchell

Review — 13.06.2016

Jumana Emil Abboud

BALTIC Centre for Contemporary Art, Gateshead

by Camilla Irvine Fortescue

Review — 09.06.2016

Light Night Commission: Afloat, in Land, Leggate Theatre

Victoria Gallery and Museum, Liverpool

by Claire Walker

Review — 19.05.2016

Francis Bacon: Invisible Rooms

Tate Liverpool, Liverpool

by Eli Regan

Review — 13.05.2016

My Own Mag: Jeff Nuttall and the British Underground Scene

Henry Moore Institute, Leeds

by Thom Robinson

Review — 10.05.2016

Open 2: Pieces of You

Open Eye Gallery, Liverpool

by Claire Walker

Review — 10.05.2016

Art Sheffield

Sheffield

by Orla Foster