Reviews

Showing 37–72 of 409 articles

Review — 20.02.2017

Public View

The Bluecoat, Liverpool

by Laura Rushton

Review — 13.02.2017

X

blip blip blip, Leeds; East Street Arts, Leeds

by Jack Shirlaw

Review — 06.02.2017

Open Depot

Depot Art Studios, Manchester

by Bruce Davies

Review — 02.02.2017

Floordrobe

Set the Controls for the Heart of the Sun, Leeds

by Lisa-Marie Dickinson

Review — 31.01.2017

The King and I

&Model, Leeds

by Richard Hudson-Miles

Review — 30.01.2017

North: Identity, Photography, Fashion

Open Eye Gallery, Liverpool

by Anthony Ellis

Review — 25.01.2017

On Our Backs: An Archive

The NewBridge Project, Newcastle-upon-Tyne

by Niomi Fitzsimmons Fairweather

Review — 10.01.2017

My 5-Year-Old Could Have Done That

Gallery North, Newcastle-upon-Tyne

by Liam McCabe

Review — 19.12.2016

Division of Labour

Rogue Artists’ Studios, Manchester

by Polly Checkland Harding

Review — 15.12.2016

Not For Navigation, The International 3, Salford

The International 3

by Simon Marginson

Review — 09.12.2016

Rachel Maclean: Wot u :-) about?

HOME, Manchester

by James Schofield

Review — 26.11.2016

Deimantas Narkevičius: Doubled Youth

BALTIC Centre for Contemporary Art, Gateshead

by Dave Pritchard

Review — 25.11.2016

Polyspace

The NewBridge Project, Newcastle-upon-Tyne

by Liam McCabe

Review — 24.11.2016

OutsiderXchanges overview

BALTIC Centre for Contemporary Art; Whitworth Art Gallery; Castlefield Gallery

by Sara Jaspan

Review — 22.11.2016

Painting, Fo’ Sho!

Lady Beck, Leeds

by David Steans

Review — 22.11.2016

Flesh

York Art Gallery, York

by Jack Shirlaw

Review — 31.10.2016

21st Anniversary Rogue Open Studios

Rogue Artists’ Studios, Manchester

by Claire Walker

Review — 30.10.2016

Rosie Morris: Circles are Slices of Spheres

Laing Art Gallery, Newcastle-upon-Tyne

by Camilla Irvine-Fortescue

Review — 30.10.2016

2001

Leeds College of Art, Leeds

by Zoë Sawyer

Review — 29.10.2016

Head to Head: Vasilis Asimakopoulos and Christian Falsnaes

Castlefield Gallery, Manchester

by Claire Walker

Review — 24.10.2016

Jen Southern: Skylines

Queen’s Hall Arts Centre, Northumberland

by Dave Pritchard

Review — 23.10.2016

Elizabeth Price Curates: IN A DREAM YOU SAW A WAY TO SURVIVE AND YOU WERE FULL OF JOY

Whitworth Art Gallery, Manchester

by Andy Broadey

Review — 22.10.2016

Eleanor Antin

Henry Moore Institute, Leeds

by Michaela Hall

Review — 21.10.2016

STEAM Ahead

South Square Gallery, Thornton

by Bruce Davies

Review — 18.10.2016

Pippa Eason: Set in Stone

BasementArtsProject, Leeds

by Alice Bradshaw

Review — 18.10.2016

Peter Martin: Self Service

Biggins Brothers, Sheffield

by Orla Foster

Review — 18.10.2016

Tracey Emin and William Blake: In Focus

Tate Liverpool, Liverpool

by Claire Walker

Review — 16.10.2016

Hidden Civil War

The NewBridge Project, Newcastle-upon-Tyne

by Iris Priest

Review — 15.10.2016

ABC Cinema, Liverpool Biennial 2016

Liverpool

by Anthony Ellis

Review — 06.10.2016

Peter Mitchell: Planet Yorkshire

Impressions Gallery, Bradford

by Jack Shirlaw

Review — 04.10.2016

Different Trains

Metal Liverpool, Liverpool

by Simon Ward

Review — 24.09.2016

Caroline Achaintre

BALTIC Centre for Contemporary Art, Gateshead

by Dave Pritchard

Review — 12.09.2016

Dark Matter Symposium: The Unseen World of Artist Led Activity

The Royal Standard, Liverpool

by Sean Ketteringham

Review — 12.09.2016

Behind the lights: All blonde people should be shot

Kulttuurikeskus Vanha Paukku, Finland

by Tarja Kojola and Tommi Brem