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“Christie Yung-hei Chan”

Showing 7 entries

A dark place reminiscent of a cathedral with lots of small shapes of bright colour.

Peer to Peer: UK/HK – Online festivals as a gateway to intercultural exchange

13.11.2020, by Christie Yung-hei Chan

Review
CFCCA
Open Eye Gallery
University of Salford Art Collection
A black and white photo of a smiling woman playing a drum, pasted onto a cream coloured wall.

Resounding Diasporic Sonic Worlds

28.08.2025, by Christie Yung-hei Chan

Review
Newcastle upon Tyne
The NewBridge Project
A light skinned person with greying hair has their hands on a round pine table, they are wearing headphones, they are looking at the table in contemplation. Behind them is a drawing of a coastal landscape attached to a pine board with bulldog clips. There are blue and black bean bags near the table.

Blue Futures: In conversation with Suzy O’Hara

12.12.2023, by Christie Yung-hei Chan

Interview
South Shields
The Word
A white walled gallery space with a polished concrete floor. The view of the space encompasses three walls, there are three paintings on the left and right walls and one large painting on the wall facing. There are three benches in the centre of gallery space.

Kejie Lin: The Mind’s Garden

25.09.2023, by Christie Yung-hei Chan

Interview
Newcastle Contemporary Art
Newcastle upon Tyne
A large, high ceilinged gallery space with a polished pine floor. Large colourful abstract paintings cover most of the wall space. In one section of the gallery are hung small framed photographs.

Glaucus and Scylla: A Collaborative Painting Project

23.06.2022, by Christie Yung-hei Chan

Review
South Shields
The Customs House
A computer generated or enhanced microscopic image of human tissue. light pink and purple strands, knotty and with fine tendrils seem to float in a dark blue space. the microbial strands glow with a mysterious light and stand out against the murky backdrop. Similar material is floating in the background, out of focus. The image is etherial and fantastical.

One Cell At A Time

10.12.2021, by Christie Yung-hei Chan

Review
Review
Newcastle upon Tyne
Online
A large abstract collage made up of hundreds small coloured circles placed via a grid on an off-white background.

Weathering Covid-19: Emerging creatives discuss adaptation and recent practices

09.07.2020, by Christie Yung-hei Chan

Feature
Tyne and Wear