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Andrew McDonald closing events at Castlefield Gallery

03.06.2017

Event

News & Events

An older white man with white hair, glasses and wearing a checked shirt is facing away from the camera and writing on kitchen cabinet doors using paint markers. There is multi coloured writing all over the cabinets and a box of markers in the foreground.

Widening Participation? In conversation with two recent graduates

28.05.2021, by Lauren Velvick

Interview

Lancaster Institute for the Contemporary Arts

Liverpool Biennial: The Liquid Club

23.05.2021, by Anthony Ellis

Exploration

Liverpool

Liverpool Biennial

Unveiled: open submission roundup of reopenings

09.05.2021, by Corridor8

Feature

Across the North of England

Studio of Sanctuary writing residency callout

29.04.2021

Opportunity

Unveiled: callout for reopening plans across the North

12.04.2021

Event

News

Opportunity

Juneau Projects: Skyline, Shoreline, Treetop Messenger

24.03.2021, by Jay Drinkall

Review

Humber Museums Partnership

Invisible Dust

Sean Edwards: Undo Things Done

02.02.2021, by Edward Haynes

Review

Liverpool

The Bluecoat

Coincidence and Constellations

14.01.2021, by Cathy Garner

Exploration

Leeds Arts University

Rachel Goodyear: Of Wolves and Wild Women

Rachel Goodyear, ‘Dance’, 2017, pencil watercolour and gouache, collaged drawing on paper. Of Wolves and Wild …

Publications

HOME Artist Film Weekender 2020

21.12.2020, by Lucy Holt

Review

HOME

Manchester

Magnetic North: direction of travel at Compass Live Art

15.12.2020, by Pamela Crowe

Review

Leeds

Peer to Peer: UK/HK – Online festivals as a gateway to intercultural exchange

13.11.2020, by Christie Yung-hei Chan

Review

CFCCA

Open Eye Gallery

University of Salford Art Collection

photograph of white-walled gallery space with a black sofa face six paintings

Gordon Dalton: Dead Reckoning

09.10.2020, by Neil Greenhalgh

Review

The Auxiliary

a still image of a 3D render of a gallery space showing stairs leading up from the floor the viewer is on

Emerging Accessibility: Post-viral programming and disabled audiences

24.09.2020, by Izzy Kroese

Exploration

Same Ocean

28.08.2020, by Nick Stephens

Exploration

North West

Weathering Covid-19: Emerging creatives discuss adaptation and recent practices

09.07.2020, by Christie Yung-hei Chan

Feature

Tyne and Wear

The show must go on: The reinvention of Migration Matters Festival

02.07.2020, by Evie Muir

Review

Sheffield

Leeds Arts University: Nicola Dale

A residency and publication marking the inaugural exhibition at Leeds Arts University’s Blenheim Walk Gallery, Nicola …

Residencies

Leeds Arts University: Rachel Goodyear

Of Wolves and Wild Women was produced during the fourth annual writing residency with Leeds Arts …

Residencies

Why Are We Here? With Black Artists & Modernism

04.05.2020, by Sara Makari-Aghdam

Review

Middlesbrough

Middlesbrough Institute of Modern Art

Shuttered: Short Reflections on Closed Exhibitions

28.03.2020, by various contributors

Feature

Chris Alton: Throughout the Fragment of Infinity That We Have Come to Know

25.03.2020, by Lesley Guy

Interview

The NewBridge Project : Gateshead

COVID-19 response, and a special call-out

20.03.2020

News

Opportunity

A City That Welcomes Art: Three Sheffield artists reflect on winning major prizes

28.02.2020, by Orla Foster

Feature

Sheffield

Empathic viewing in Mieke Bal’s Don Quichotte: Sad Countenances

28.02.2020, by Jaroslava Tomanova

Review

Leeds

Leeds Arts University

Shy Girl

12.02.2020, by Jazmine Linklater

Review

Blackpool

Grundy Art Gallery

Nicola Dale: Figurehead

Produced during a writing residency marking the inaugural exhibition at Leeds Arts University's Blenheim Walk Gallery, 9 January – 31 January 2019.

Publications

The North West Art School Record Machine

12.01.2020, by Michael Orr

Review

Bury

Bury Art Museum & Sculpture Centre

Supported Content

From January 2020 we are relying on organisations to support our regular online content. Our editors …

Slow Painting

22.12.2019, by Derek Horton

Review

Leeds

Leeds Art Gallery

Critic Turns Curator: Investigating Neutrality at OUTPUT Gallery

03.12.2019, by Sufea Mohamad Noor

Feature

Liverpool

OUTPUT Gallery

The Dirt I’m Made Of: Two Interviews about OUTPUT Gallery

27.10.2019, by Callan Waldron-Hall

Interview

Liverpool

OUTPUT Gallery

Michael Mulvihill’s The Unblinking Eye: 55 Years of Space Operations on Fylingdales Moor

17.10.2019, by Lara Eggleton

Review

Whitby

Whitby Museum

What Makes a Contemporary Art Centre? Finding the Formula at Bluecoat

17.10.2019, by Ed Montana-Williams

Review

Liverpool

The Bluecoat

“Events”

Andrew McDonald closing events at Castlefield Gallery

News & Events

Widening Participation? In conversation with two recent graduates

Liverpool Biennial: The Liquid Club

Unveiled: open submission roundup of reopenings

Studio of Sanctuary writing residency callout

Unveiled: callout for reopening plans across the North

Juneau Projects: Skyline, Shoreline, Treetop Messenger

Sean Edwards: Undo Things Done

Coincidence and Constellations

Rachel Goodyear: Of Wolves and Wild Women

HOME Artist Film Weekender 2020

Magnetic North: direction of travel at Compass Live Art

Peer to Peer: UK/HK – Online festivals as a gateway to intercultural exchange

Gordon Dalton: Dead Reckoning

Emerging Accessibility: Post-viral programming and disabled audiences

Same Ocean

Weathering Covid-19: Emerging creatives discuss adaptation and recent practices

The show must go on: The reinvention of Migration Matters Festival

Leeds Arts University: Nicola Dale

Leeds Arts University: Rachel Goodyear

Why Are We Here? With Black Artists & Modernism

Shuttered: Short Reflections on Closed Exhibitions

Chris Alton: Throughout the Fragment of Infinity That We Have Come to Know

COVID-19 response, and a special call-out

A City That Welcomes Art: Three Sheffield artists reflect on winning major prizes

Empathic viewing in Mieke Bal’s Don Quichotte: Sad Countenances

Shy Girl

Nicola Dale: Figurehead

The North West Art School Record Machine

Supported Content

Slow Painting

Critic Turns Curator: Investigating Neutrality at OUTPUT Gallery

The Dirt I’m Made Of: Two Interviews about OUTPUT Gallery

Michael Mulvihill’s The Unblinking Eye: 55 Years of Space Operations on Fylingdales Moor

What Makes a Contemporary Art Centre? Finding the Formula at Bluecoat