Event
Andrew McDonald closing events at Castlefield Gallery
Corridor8 invites you to join our current residency partners Castlefield Gallery and The International 3 on …
Interview — 25.03.2020
Chris Alton: Throughout the Fragment of Infinity That We Have Come to Know
The NewBridge Project : Gateshead
by Lesley Guy
Opportunity
COVID-19 response, and a special call-out
Efforts to slow the spread of COVID-19 have brought public-facing arts activity in the UK to …
Feature — 28.02.2020
A City That Welcomes Art: Three Sheffield artists reflect on winning major prizes
Sheffield
by Orla Foster
Review — 28.02.2020
Empathic viewing in Mieke Bal’s Don Quichotte: Sad Countenances
Leeds Arts University, Leeds
by Jaroslava Tomanova
Publications
Nicola Dale: Figurehead
Produced during a writing residency marking the inaugural exhibition at Leeds Arts University's Blenheim Walk Gallery, 9 January – 31 January 2019.
Review — 12.01.2020
The North West Art School Record Machine
Bury Art Museum & Sculpture Centre, Bury
by Michael Orr
Page
Supported Content
From January 2020 we are relying on organisations to support our regular online content. Our editors …
Feature — 03.12.2019
Critic Turns Curator: Investigating Neutrality at OUTPUT Gallery
OUTPUT Gallery, Liverpool
by Sufea Mohamad Noor
Interview — 27.10.2019
The Dirt I’m Made Of: Two Interviews about OUTPUT Gallery
OUTPUT Gallery, Liverpool
by Callan Waldron-Hall
Review — 17.10.2019
Michael Mulvihill’s The Unblinking Eye: 55 Years of Space Operations on Fylingdales Moor
Whitby Museum, Whitby
by Lara Eggleton
Review — 17.10.2019
What Makes a Contemporary Art Centre? Finding the Formula at Bluecoat
The Bluecoat, Liverpool
by Ed Montana-Williams
Review — 03.10.2019
Community Not Commodities
Shieldfield Art Works, Newcastle upon Tyne
by Sarah Davies
Review — 26.09.2019
Alex Farrar: Fall, slump, drop on a bedside cabinet in water […]
Bloc Projects, Sheffield
by Jessica Piette
Feature — 18.09.2019
In response to changing practice: New Writing with New Contemporaries
An insider report on Corridor8's collaboration with New Contemporaries, and the growing need to support artists working with language
by Holly Grange
Review — 09.08.2019
John Akomfrah: Ballasts of Memory
BALTIC Centre for Contemporary Art, Gateshead
by Sara Makari-Aghdam
Review — 07.08.2019
Collette Rayner: Tests on Previsualisation. Tests on Dredging. Tests on Floaters.
Two Queens, Leicester
by Louis D'Arcy-Reed
Exploration — 30.07.2019
Surviving or Thriving? How visual artists in Yorkshire respond to being called ‘resilient’
by Alice Bradshaw
Exploration — 14.07.2019
She’s Eclectic: Women Artists of the Victoria Gallery & Museum Collection
Victoria Gallery and Museum, Liverpool
by Ed Montana-Williams
News
Chloë Brown: A Soft Rebellion in Paradise
‘A Soft Rebellion in Paradise’ is artist Chloë Brown’s most ambitious project to date. Involving over …
Review — 04.06.2019
Trojan Horse / Rainbow Flag
Star and Shadow Cinema, Newcastle upon Tyne
by Grace Denton
Review — 03.06.2019
Shieldfield Art Works Exhibition
The Holy Biscuit, Newcastle upon Tyne; Shieldfield Art Works, Newcastle upon Tyne
by Sarah Davies
Review — 27.05.2019
Baroque Art from Rome to England: A Poor Imitation of Mastery
Walker Art Gallery, Liverpool
by Ed Montana-Williams
Review — 03.05.2019
Using the Past to See the Future
Chapel Gallery, Liverpool
by Ed Montana-Williams
Review — 02.05.2019
Emma Cousin, ‘Song Drapes’: Super Glue
The Bluecoat, Liverpool
by Ed Montana-Williams
Review — 01.05.2019
Ilana Halperin: Minerals of New York
Leeds Arts University, Leeds
by Lauren Velvick