Event
Andrew McDonald closing events at Castlefield Gallery
Corridor8 invites you to join our current residency partners Castlefield Gallery and The International 3 on …
Publications
Rachel Goodyear: Of Wolves and Wild Women
Of Wolves and Wild Women was produced during the fourth annual writing residency with Leeds Arts …
Review — 13.11.2020
Peer to Peer: UK/HK – Online festivals as a gateway to intercultural exchange
University of Salford Art Collection; CFCCA; Open Eye Gallery
by Christie Yung-hei Chan
Exploration — 24.09.2020
Emerging Accessibility: Post-viral programming and disabled audiences
by Izzy Kroese
Feature — 09.07.2020
Weathering Covid-19: Emerging creatives discuss adaptation and recent practices
Tyne and Wear
by Christie Yung-hei Chan
Review — 02.07.2020
The show must go on: The reinvention of Migration Matters Festival
Sheffield
by Evie Muir
Residencies
Leeds Arts University: Nicola Dale
A residency and publication marking the inaugural exhibition at Leeds Arts University’s Blenheim Walk Gallery, Nicola …
Residencies
Leeds Arts University: Rachel Goodyear
Of Wolves and Wild Women was produced during the fourth annual writing residency with Leeds Arts …
Review — 04.05.2020
Why Are We Here? With Black Artists & Modernism
Middlesbrough Institute of Modern Art, Middlesbrough
by Sara Makari-Aghdam
Interview — 25.03.2020
Chris Alton: Throughout the Fragment of Infinity That We Have Come to Know
The NewBridge Project : Gateshead
by Lesley Guy
Opportunity
COVID-19 response, and a special call-out
Efforts to slow the spread of COVID-19 have brought public-facing arts activity in the UK to …
Feature — 28.02.2020
A City That Welcomes Art: Three Sheffield artists reflect on winning major prizes
Sheffield
by Orla Foster
Review — 28.02.2020
Empathic viewing in Mieke Bal’s Don Quichotte: Sad Countenances
Leeds Arts University, Leeds
by Jaroslava Tomanova
Publications
Nicola Dale: Figurehead
Produced during a writing residency marking the inaugural exhibition at Leeds Arts University's Blenheim Walk Gallery, 9 January – 31 January 2019.
Review — 12.01.2020
The North West Art School Record Machine
Bury Art Museum & Sculpture Centre, Bury
by Michael Orr
Page
Supported Content
From January 2020 we are relying on organisations to support our regular online content. Our editors …
Feature — 03.12.2019
Critic Turns Curator: Investigating Neutrality at OUTPUT Gallery
OUTPUT Gallery, Liverpool
by Sufea Mohamad Noor
Interview — 27.10.2019
The Dirt I’m Made Of: Two Interviews about OUTPUT Gallery
OUTPUT Gallery, Liverpool
by Callan Waldron-Hall
Review — 17.10.2019
Michael Mulvihill’s The Unblinking Eye: 55 Years of Space Operations on Fylingdales Moor
Whitby Museum, Whitby
by Lara Eggleton
Review — 17.10.2019
What Makes a Contemporary Art Centre? Finding the Formula at Bluecoat
The Bluecoat, Liverpool
by Ed Montana-Williams
Review — 03.10.2019
Community Not Commodities
Shieldfield Art Works, Newcastle upon Tyne
by Sarah Davies
Review — 26.09.2019
Alex Farrar: Fall, slump, drop on a bedside cabinet in water […]
Bloc Projects, Sheffield
by Jessica Piette
Feature — 18.09.2019
In response to changing practice: New Writing with New Contemporaries
An insider report on Corridor8's collaboration with New Contemporaries, and the growing need to support artists working with language
by Holly Grange
Review — 09.08.2019
John Akomfrah: Ballasts of Memory
BALTIC Centre for Contemporary Art, Gateshead
by Sara Makari-Aghdam
Review — 07.08.2019
Collette Rayner: Tests on Previsualisation. Tests on Dredging. Tests on Floaters.
Two Queens, Leicester
by Louis D'Arcy-Reed