Review — 11.12.2019
Animalesque / Art across species and beings
BALTIC Centre for Contemporary Art, Gateshead
by Dave Pritchard
Review — 09.08.2019
John Akomfrah: Ballasts of Memory
BALTIC Centre for Contemporary Art, Gateshead
by Sara Makari-Aghdam
Interview — 25.04.2019
Discussing Barby Asante’s Declaration of Independence
BALTIC Centre for Contemporary Art, Gateshead
by Katy Bentham
Review — 13.03.2019
Digital Citizen – The Precarious Subject
BALTIC Centre for Contemporary Art, Gateshead
by Caro Fentiman
Review — 12.03.2019
BALTIC Artists’ Award 2019
BALTIC Centre for Contemporary Art, Gateshead
by Sarah Davies
Review — 19.11.2018
Heather Phillipson: The Age of Love
BALTIC Centre for Contemporary Art, Gateshead
by Carys Rose Thomas
Interview — 15.08.2018
Swimming Against the Tide: an interview with Tim Etchells
BALTIC Centre for Contemporary Art, Gateshead; VITRINE, London
by Susie Pentelow
Review — 19.06.2018
Lubaina Himid: Our Kisses are Petals
BALTIC Centre for Contemporary Art, Gateshead
by Rosie Minney
Review — 12.04.2018
Jasmina Cibic: This Machine Builds Nations
BALTIC Centre for Contemporary Art, Gateshead
by Adam Heardman
Review — 23.02.2018
Serena Korda: Missing Time
BALTIC Centre for Contemporary Art, Gateshead
by Rosie Minney
Review — 12.01.2018
Sofia Stevi: turning forty winks into a decade
BALTIC Centre for Contemporary Art, Gateshead
by Adam Heardman
Review — 07.12.2017
Susan Philipsz: A Single Voice
BALTIC Centre for Contemporary Art, Gateshead
by Lesley Guy
Review — 20.10.2017
Bloomberg New Contemporaries 2017
BALTIC Centre for Contemporary Art, Gateshead; BALTIC 39, Newcastle upon Tyne
by Rosie Minney
Review — 13.10.2017
BALTIC Artists’ Award 2017
BALTIC Centre for Contemporary Art, Gateshead
by Liam McCabe
Feature — 02.06.2017
Art, Audience and Economy: How should we value the arts in the North of England?
BALTIC Centre for Contemporary Art, Gateshead; Hepworth Wakefield, Wakefield; Tate Liverpool, Liverpool
by Tom Hopkin
Review — 04.04.2017
Rodney Graham: That’s Not Me
BALTIC Centre for Contemporary Art, Gateshead
by Nathan Anthony
Review — 17.03.2017
Disappearance at Sea: Mare Nostrum
BALTIC Centre for Contemporary Art, Gateshead
by Dave Pritchard
Feature — 14.02.2017
Latent Voices: How public art of the past can speak in the present
Henry Moore Institute, BALTIC, Bessie Surtees House
by Amelia Crouch
Review — 26.11.2016
Deimantas Narkevičius: Doubled Youth
BALTIC Centre for Contemporary Art, Gateshead
by Dave Pritchard
Review — 24.11.2016
OutsiderXchanges overview
BALTIC Centre for Contemporary Art; Whitworth Art Gallery; Castlefield Gallery
by Sara Jaspan
Review — 24.09.2016
Caroline Achaintre
BALTIC Centre for Contemporary Art, Gateshead
by Dave Pritchard
Review — 13.06.2016
Jumana Emil Abboud
BALTIC Centre for Contemporary Art, Gateshead
by Camilla Irvine Fortescue
Review — 28.03.2016
Omer Fast: Present Continuous
BALTIC Centre for Contemporary Art, Gateshead
by Dave Pritchard
Review — 17.11.2015
Hannah Collins
BALTIC Centre for Contemporary Art, Gateshead
by Camilla Irvine-Fortescue
Review — 25.08.2015
Fiona Tan: DEPOT
BALTIC Centre for Contemporary Art, Gateshead
by Annie O'Donnell
Review — 23.08.2015
Ida Ekblad
BALTIC Centre for Contemporary Art, Gateshead
by Camilla Irvine-Fortescue
Review — 08.06.2015
Tony Swain, Undetailed Progress
BALTIC Centre for Contemporary Art, Gateshead
by Camilla Irvine-Fortescue
Review — 07.04.2015
Jason Rhoades: Four Roads
BALTIC Centre for Contemporary Art, Gateshead
by Niomi Fitzsimmons Fairweather
Review — 28.03.2013
David Maljkovic: Sources in the Air
BALTIC Centre for Contemporary Art, Gateshead