Liverpool

Showing 1–36 of 140 articles

Review — 17.10.2019

What Makes a Contemporary Art Centre? Finding the Formula at Bluecoat

The Bluecoat, Liverpool

by Ed Montana-Williams

Review — 17.10.2019

Shezad Dawood’s Leviathan

The Bluecoat, Liverpool

by Claire Walker

Review — 14.09.2019

REAL WORK: FACT, Liverpool

FACT, Liverpool

by Stephanie Gavan

Review — 14.07.2019

Open Eye Gallery: What Is Kinship?

Open Eye Gallery, Liverpool

by Sinéad Nunes

Exploration — 14.07.2019

She’s Eclectic: Women Artists of the Victoria Gallery & Museum Collection

Victoria Gallery and Museum, Liverpool

by Ed Montana-Williams

Review — 14.07.2019

Keith Haring at Tate Liverpool

Tate Liverpool, Liverpool

by Julia Johnson

Review — 30.05.2019

Liverpool, 2028: Six Alternate ‘Futures’

dot-art, Liverpool

by Ed Montana-Williams

Review — 28.05.2019

OUTPUT Open 2: Let Quality Speak

OUTPUT Gallery, Liverpool

by Ed Montana-Williams

Review — 27.05.2019

Baroque Art from Rome to England: A Poor Imitation of Mastery

Walker Art Gallery, Liverpool

by Ed Montana-Williams

Review — 03.05.2019

Using the Past to See the Future

Chapel Gallery, Liverpool

by Ed Montana-Williams

Review — 02.05.2019

Emma Cousin, ‘Song Drapes’: Super Glue

The Bluecoat, Liverpool

by Ed Montana-Williams

Review — 30.04.2019

Art 360: After Dark at Tate Liverpool

Tate Liverpool, Liverpool

by Sinéad Nunes

Review — 30.04.2019

209 Women at Open Eye Gallery

Open Eye Gallery, Liverpool

by Claire Walker

Review — 20.04.2019

Charles Rennie Mackintosh, Making the Glasgow Style: ‘A very poor idea of reality’

Walker Art Gallery, Liverpool

by Ed Montana-Williams

Review — 03.04.2019

Leonardo Da Vinci: Facing Genius

Walker Art Gallery, Liverpool

by Ed Montana-Williams

Review — 31.03.2019

Radical Civics: Ciara Phillips’ Press Room

Liverpool

by Rachel Bennett

Review — 12.03.2019

Op Art in Focus at Tate Liverpool

Tate Liverpool, Liverpool

by Sinéad Nunes

Review — 12.03.2019

Blue Room at Ten: Just the Tonic!

The Bluecoat, Liverpool

by Ed Montana-Williams

Review — 06.03.2019

Liverpool Biennial: A call for Dialogue, not Monologue

Liverpool

by Ed Montana-Williams

Review — 16.02.2019

Michael Lacey at OUTPUT Gallery

OUTPUT Gallery, Liverpool

by Ed Montana-Williams

Review — 26.01.2019

Fernand Léger: New Times, New Pleasures

Tate Liverpool, Liverpool

by Danielle Child

Review — 09.12.2018

Moon Kyungwon and Jeon Joonho: News From Nowhere

Tate Liverpool, Liverpool

by Callan Waldron-Hall

Review — 07.10.2018

Interview with Joseph O’Rourke, John Moores Prize Winner

Walker Art Gallery, Liverpool

by Callan Waldron-Hall

Review — 07.10.2018

Liverpool Biennial 2018 at the Bluecoat

The Bluecoat, Liverpool

by Callan Waldron-Hall

Review — 07.10.2018

Invisible Flock’s AURORA at Toxteth Reservoir

Liverpool

by Denise Couroux

Exploration — 17.09.2018

The List, Its Destruction and What This Means for Liverpool

Liverpool

by Julia Johnson

Review — 09.09.2018

On Women in the Arts: We Want Women’s Support of Female Artists

Liverpool

by Claire Walker

Review — 02.09.2018

This Is Shanghai at Cunard Building

Cunard Building, Liverpool

by Sinéad Nunes

Review — 24.08.2018

Film at Liverpool Biennial 2018

Liverpool

by Julia Johnson

Review — 24.08.2018

New Brighton Revisited at The Sailing School Gallery

The Sailing School Gallery, Liverpool

by Denise Courcoux

Review — 15.07.2018

Preview: COSMOS at bluedot 2018

Liverpool

by Jacob Bolton

Review — 30.05.2018

It’s all Material – Snapshot to WeChat: A Migration of Identity

Open Eye Gallery, Liverpool

by Callan Waldron-Hall

Exploration — 01.05.2018

Museums in a Post-Colonial Commonwealth: identities, issues and opportunities

Museum of Liverpool, Liverpool

by Julia Johnson

Review — 09.04.2018

Ken’s Show: An Art Handler’s View of Tate Liverpool

Tate Liverpool, Liverpool

by Julia Johnson

Review — 09.04.2018

Ready Gamers? States of Play: Roleplay Reality at FACT

FACT, Liverpool

by Callan Waldron-Hall

Review — 12.03.2018

Another Look: The Pier Head – Tom Wood at Open Eye Gallery

Open Eye Gallery, Liverpool

by Kenn Taylor