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Liverpool

Showing 1–36 of 165 articles

A room lit with a pink-purple hue. A film is projected on the far wall. On the floor is an indistinct sculptural form.

Michelle Williams Gamaker: Our Mountains Are Painted on Glass & Dahong Hongxuan Wang: Role Model

25.06.2024, by Chantal Oakes

Review
Liverpool
North West
The Bluecoat
Installation shot. Bunting containing the words 'Trust Your Gut' hang in the foreground. In the background a knitted length of fabric striped orange, blue and yellow hangs on a wall.

The Town is The Gallery: This is Birkenhead

18.04.2024, by Josh Coates

Review
Birkenhead
Convenience Gallery
Two large screens on the left and right show someone looking out from behind a wire fence. A small screen sits between the two large screens, in the distance.

On The Other Side

27.03.2024, by Natalie Hughes

Review
FACT
Liverpool
Uma Breakdown, Earth A.D. 2 (2023). Installation view

Uma Breakdown: Earth A.D. 2

16.12.2023, by Emma Curd

Review
FACT
Liverpool
Painting of a black dog roaming about a deserted street

Judging a Painting: John Moores Painting Prize 2023

02.11.2023, by Reece Griffiths

Review
Liverpool
Walker Art Gallery
A bright multicoloured digital collage with objects flying out from the centre including a CD, pieces of paper, a small glove and a bar of soap.

Matrices and Communities: FACT Together 2022-2023

28.09.2023, by Reece Griffiths

Review
FACT
Liverpool
Fourteen people sit around a table. They all have texts (books, papers, phone screens) in front of them from which they are reading and discussing together. Behind them a cinema screen projects the words 'ARD Liverpool'.

A.Mal Projects present: ARD

25.09.2023, by Natalie Hughes

Review
FACT
Liverpool
In a dark room two huge black sculptures of a semicircular shape with a triangular gap at the bottom.

Reversed Cartography: on Liverpool Biennial 2023

29.06.2023, by Marjorie H. Morgan

Exploration
Feature
Review
Liverpool Biennial
A vitrine with small drawings inside in front of a large painting on the far wall

Under a Hot Sun & New Works at the Walker

28.02.2023, by Beth Holmes

Feature
Review
Liverpool
Walker Art Gallery
A white walled gallery with photographs hung in a line at eye level

LOOK Photo Biennial 2022: Climate

20.02.2023, by Leah Binns

Feature
Leigh Spinners Mill
Liverpool
Open Eye Gallery
A low-lit gallery space with industrial looking structures

Danielle Brathwaite-Shirley and Josèfa Ntjam

13.01.2023, by Claire Walker

Review
FACT
Liverpool
A film still showing a dark-skinned hand holding a yellow buttercup

breathe, spirit and life 呼吸、靈魂與生命

14.12.2022, by Katie Shirley

Review
Liverpool
The Bluecoat
Wooden sculptures depicting sheet face masks in a low-lit gallery space.

My Garden, My Sanctuary

16.09.2022, by Denise Courcoux

Review
FACT
Liverpool
Photograph of child sitting on box in the installation ‘The Seeing Hands’ (2022) by Katie Schwab.

Are You Messin’?

07.09.2022, by Laura Biddle

Review
Liverpool
The Bluecoat
Image shows an installation by Ebun Sodipo discussed in the article

Let the Song Hold Us

01.06.2022, by Frances Whorrall-Campbell

Review
FACT
Liverpool
Image of the film installation described in the article.

Suki Chan: CONSCIOUS

19.05.2022, by Beth Holmes

Review
Review
Liverpool
The Bluecoat
Photograph showing audience interaction with the tracing screen described in the article.

Convenience Gallery: In Cahoots

15.04.2022, by Reece Griffiths

Review
Review
Birkenhead
Convenience Gallery
Liverpool
A documentary photograph of the workshop being discussed showing the artist Youcef Hadjazi and workshop participants

Trauma Then, Trauma Now: Performing Trauma

04.11.2021, by Mymona Bibi

Review
Review
Liverpool
Liverpool Arab Arts Festival
The Royal Standard
An image of the exhibition being discussed showing work by Andrius Arutiunian

Uncertain Data

30.09.2021, by Leah Binns

Review
Review
FACT
Liverpool
A map of the Atlantic Ocean showing detailed nautical charts of the same area laid on over the top of it.

Abandon Normal Devices Festival 2021: Online Exhibitions

01.07.2021, by Lawrence Dunn

Review
Liverpool
A Black man looks directly at the camera, his hand blurred at the bottom of the frame. He wears red over ear headphones and sits in front of an electric piano.

Liverpool Biennial: The Liquid Club

23.05.2021, by Anthony Ellis

Exploration
Liverpool
Liverpool Biennial
White banner with red text reading 'UNDO THINGS DONE' installed on black railings over a red-brick wall.

Sean Edwards: Undo Things Done

02.02.2021, by Edward Haynes

Review
Liverpool
The Bluecoat
A dark place reminiscent of a cathedral with lots of small shapes of bright colour.

Peer to Peer: UK/HK – Online festivals as a gateway to intercultural exchange

13.11.2020, by Christie Yung-hei Chan

Review
CFCCA
Open Eye Gallery
University of Salford Art Collection
Someone takes a photograph of a framed image of themself, their face distorted with silver bubbles before it.

True Voyage is Return: Augmented Empathy

30.10.2020, by Stephanie Gavan

Review
FACT
Liverpool
Lots of photographs on a white wall including portraits and candid group shots.

The Time We Call Our Own

22.10.2020, by Bethany Holmes

Review
Liverpool
Open Eye Gallery
Multicoloured hollow cylinders are arranged in the gallery, in two columns to the left and right, and in the foreground arranged separately on the floor on a pile of blue sand.

Jonathan Baldock: Facecrime

30.09.2020, by Kyle Nathan Brown

Review
Liverpool
The Bluecoat
In a dark room a large screen shows a cgi rendered rhino in an empty white room. On the floor to the left in the dark space are two more monitors which show a graph and a heat map.

And Say the Animal Responded?

07.09.2020, by Denise Courcoux

Review
FACT
Liverpool

What We Don’t Talk About When We Talk About The Artist-Led

07.03.2020, by Jack Welsh

Review
Exhibition Research Lab

Critic Turns Curator: Investigating Neutrality at OUTPUT Gallery

03.12.2019, by Sufea Mohamad Noor

Feature
Liverpool
OUTPUT Gallery

The Dirt I’m Made Of: Two Interviews about OUTPUT Gallery

27.10.2019, by Callan Waldron-Hall

Interview
Liverpool
OUTPUT Gallery

What Makes a Contemporary Art Centre? Finding the Formula at Bluecoat

17.10.2019, by Ed Montana-Williams

Review
Liverpool
The Bluecoat

Shezad Dawood’s Leviathan

17.10.2019, by Claire Walker

Review
Liverpool
The Bluecoat

REAL WORK: FACT, Liverpool

14.09.2019, by Stephanie Gavan

Review
FACT
Liverpool

Open Eye Gallery: What Is Kinship?

14.07.2019, by Sinéad Nunes

Review
Liverpool
Open Eye Gallery

She’s Eclectic: Women Artists of the Victoria Gallery & Museum Collection

14.07.2019, by Ed Montana-Williams

Exploration
Liverpool
Victoria Gallery and Museum

Keith Haring at Tate Liverpool

14.07.2019, by Julia Johnson

Review
Liverpool
Tate Liverpool
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