Liverpool

Showing 1–36 of 148 articles

A documentary photograph of the workshop being discussed showing the artist Youcef Hadjazi and workshop participants

Trauma Then, Trauma Now: Performing Trauma

04.11.2021, by Mymona Bibi

An image of the exhibition being discussed showing work by Andrius Arutiunian

Uncertain Data

30.09.2021, by Leah Binns

A map of the Atlantic Ocean showing detailed nautical charts of the same area laid on over the top of it.

Abandon Normal Devices Festival 2021: Online Exhibitions

01.07.2021, by Lawrence Dunn

Liverpool Biennial: The Liquid Club

23.05.2021, by Anthony Ellis

Sean Edwards: Undo Things Done

02.02.2021, by Edward Haynes

Peer to Peer: UK/HK – Online festivals as a gateway to intercultural exchange

13.11.2020, by Christie Yung-hei Chan

True Voyage is Return: Augmented Empathy

30.10.2020, by Stephanie Gavan

The Time We Call Our Own

22.10.2020, by Bethany Holmes

Jonathan Baldock: Facecrime

30.09.2020, by Kyle Nathan Brown

And Say the Animal Responded?

07.09.2020, by Denise Courcoux

What We Don’t Talk About When We Talk About The Artist-Led

07.03.2020, by Jack Welsh

Critic Turns Curator: Investigating Neutrality at OUTPUT Gallery

03.12.2019, by Sufea Mohamad Noor

The Dirt I’m Made Of: Two Interviews about OUTPUT Gallery

27.10.2019, by Callan Waldron-Hall

What Makes a Contemporary Art Centre? Finding the Formula at Bluecoat

17.10.2019, by Ed Montana-Williams

Shezad Dawood’s Leviathan

17.10.2019, by Claire Walker

REAL WORK: FACT, Liverpool

14.09.2019, by Stephanie Gavan

Open Eye Gallery: What Is Kinship?

14.07.2019, by Sinéad Nunes

She’s Eclectic: Women Artists of the Victoria Gallery & Museum Collection

14.07.2019, by Ed Montana-Williams

Keith Haring at Tate Liverpool

14.07.2019, by Julia Johnson

Liverpool, 2028: Six Alternate ‘Futures’

30.05.2019, by Ed Montana-Williams

OUTPUT Open 2: Let Quality Speak

28.05.2019, by Ed Montana-Williams

Baroque Art from Rome to England: A Poor Imitation of Mastery

27.05.2019, by Ed Montana-Williams

Using the Past to See the Future

03.05.2019, by Ed Montana-Williams

Emma Cousin, ‘Song Drapes’: Super Glue

02.05.2019, by Ed Montana-Williams

Art 360: After Dark at Tate Liverpool

30.04.2019, by Sinéad Nunes

209 Women at Open Eye Gallery

30.04.2019, by Claire Walker

Charles Rennie Mackintosh, Making the Glasgow Style: ‘A very poor idea of reality’

20.04.2019, by Ed Montana-Williams

Leonardo Da Vinci: Facing Genius

03.04.2019, by Ed Montana-Williams

Radical Civics: Ciara Phillips’ Press Room

31.03.2019, by Rachel Bennett

Op Art in Focus at Tate Liverpool

12.03.2019, by Sinéad Nunes

Blue Room at Ten: Just the Tonic!

12.03.2019, by Ed Montana-Williams

Liverpool Biennial: A call for Dialogue, not Monologue

06.03.2019, by Ed Montana-Williams

Michael Lacey at OUTPUT Gallery

16.02.2019, by Ed Montana-Williams

Fernand Léger: New Times, New Pleasures

26.01.2019, by Danielle Child

Moon Kyungwon and Jeon Joonho, El Fin del Mundo (The End of the World) 2012

Moon Kyungwon and Jeon Joonho: News From Nowhere

09.12.2018, by Callan Waldron-Hall

Interview with Joseph O’Rourke, John Moores Prize Winner

07.10.2018, by Callan Waldron-Hall