Liverpool — Page 2 of 5

Liverpool, 2028: Six Alternate ‘Futures’

30.05.2019, by Ed Montana-Williams

Review

dot-art

Liverpool

OUTPUT Open 2: Let Quality Speak

28.05.2019, by Ed Montana-Williams

Review

Liverpool

OUTPUT Gallery

Baroque Art from Rome to England: A Poor Imitation of Mastery

27.05.2019, by Ed Montana-Williams

Review

Liverpool

Walker Art Gallery

Using the Past to See the Future

03.05.2019, by Ed Montana-Williams

Review

Chapel Gallery

Liverpool

Emma Cousin, ‘Song Drapes’: Super Glue

02.05.2019, by Ed Montana-Williams

Review

Liverpool

The Bluecoat

Art 360: After Dark at Tate Liverpool

30.04.2019, by Sinéad Nunes

Review

Liverpool

Tate Liverpool

209 Women at Open Eye Gallery

30.04.2019, by Claire Walker

Review

Liverpool

Open Eye Gallery

Charles Rennie Mackintosh, Making the Glasgow Style: ‘A very poor idea of reality’

20.04.2019, by Ed Montana-Williams

Review

Liverpool

Walker Art Gallery

Leonardo Da Vinci: Facing Genius

03.04.2019, by Ed Montana-Williams

Review

Liverpool

Walker Art Gallery

Radical Civics: Ciara Phillips’ Press Room

31.03.2019, by Rachel Bennett

Review

Liverpool

Op Art in Focus at Tate Liverpool

12.03.2019, by Sinéad Nunes

Review

Liverpool

Tate Liverpool

Blue Room at Ten: Just the Tonic!

12.03.2019, by Ed Montana-Williams

Review

Liverpool

The Bluecoat

Liverpool Biennial: A call for Dialogue, not Monologue

06.03.2019, by Ed Montana-Williams

Review

Liverpool

Michael Lacey at OUTPUT Gallery

16.02.2019, by Ed Montana-Williams

Review

Liverpool

OUTPUT Gallery

Fernand Léger: New Times, New Pleasures

26.01.2019, by Danielle Child

Review

Liverpool

Tate Liverpool

Moon Kyungwon and Jeon Joonho, El Fin del Mundo (The End of the World) 2012

Moon Kyungwon and Jeon Joonho: News From Nowhere

09.12.2018, by Callan Waldron-Hall

Review

Liverpool

Tate Liverpool

Interview with Joseph O’Rourke, John Moores Prize Winner

07.10.2018, by Callan Waldron-Hall

Review

Liverpool

Walker Art Gallery

Liverpool Biennial 2018 at the Bluecoat

07.10.2018, by Callan Waldron-Hall

Review

Liverpool

The Bluecoat

Invisible Flock’s AURORA at Toxteth Reservoir

07.10.2018, by Denise Couroux

Review

Liverpool

The List, Its Destruction and What This Means for Liverpool

17.09.2018, by Julia Johnson

Exploration

Liverpool

On Women in the Arts: We Want Women’s Support of Female Artists

09.09.2018, by Claire Walker

Review

Liverpool

This Is Shanghai at Cunard Building

02.09.2018, by Sinéad Nunes

Review

Cunard Building

Liverpool

Film at Liverpool Biennial 2018

24.08.2018, by Julia Johnson

Review

Liverpool

New Brighton Revisited at The Sailing School Gallery

24.08.2018, by Denise Courcoux

Review

Liverpool

The Sailing School Gallery

Preview: COSMOS at bluedot 2018

15.07.2018, by Jacob Bolton

Review

Liverpool

It’s all Material – Snapshot to WeChat: A Migration of Identity

30.05.2018, by Callan Waldron-Hall

Review

Liverpool

Open Eye Gallery

Museums in a Post-Colonial Commonwealth: identities, issues and opportunities

01.05.2018, by Julia Johnson

Exploration

Liverpool

Museum of Liverpool

Ken’s Show: An Art Handler’s View of Tate Liverpool

09.04.2018, by Julia Johnson

Review

Liverpool

Tate Liverpool

Ready Gamers? States of Play: Roleplay Reality at FACT

09.04.2018, by Callan Waldron-Hall

Review

FACT

Liverpool

Another Look: The Pier Head – Tom Wood at Open Eye Gallery

12.03.2018, by Kenn Taylor

Review

Liverpool

Open Eye Gallery

Hookworms: Totality of Experience at Invisible Wind Factory

Julia Johnson explores live music as a complete artistic experience

05.03.2018, by Julia Johnson

Review

Invisible Wind Factory

Liverpool

Lubaina Himid: Meticulous Observations and Naming the Money

11.02.2018, by Callan Waldron-Hall

Review

Liverpool

Walker Art Gallery

The Pier Head – Tom Wood at Open Eye Gallery

11.02.2018, by Aoife Robinson

Review

Liverpool

Open Eye Gallery

Presence: Chinese Contemporary Art at St. George’s Hall

11.02.2018, by Julia Johnson

Review

Liverpool

St. George's Hall

Future Aleppo: a VR Experience at FACT

11.02.2018, by Callan Waldron-Hall

Review

FACT

Liverpool

Slaves of Fashion: The Singh Twins at Walker Art Gallery

11.02.2018, by Julia Johnson

Review

Liverpool

Walker Art Gallery