Review — 30.05.2018
It’s all Material – Snapshot to WeChat: A Migration of Identity
Open Eye Gallery, Liverpool
by Callan Waldron-Hall
Exploration — 01.05.2018
Museums in a Post-Colonial Commonwealth: identities, issues and opportunities
Museum of Liverpool, Liverpool
by Julia Johnson
Review — 09.04.2018
Ken’s Show: An Art Handler’s View of Tate Liverpool
Tate Liverpool, Liverpool
by Julia Johnson
Review — 09.04.2018
Ready Gamers? States of Play: Roleplay Reality at FACT
FACT, Liverpool
by Callan Waldron-Hall
Review — 12.03.2018
Another Look: The Pier Head – Tom Wood at Open Eye Gallery
Open Eye Gallery, Liverpool
by Kenn Taylor
Review — 05.03.2018
Hookworms: Totality of Experience at Invisible Wind Factory
Julia Johnson explores live music as a complete artistic experience
by Julia Johnson
Review — 11.02.2018
Lubaina Himid: Meticulous Observations and Naming the Money
Walker Art Gallery, Liverpool
by Callan Waldron-Hall
Review — 11.02.2018
The Pier Head – Tom Wood at Open Eye Gallery
Open Eye Gallery, Liverpool
by Aoife Robinson
Review — 11.02.2018
Presence: Chinese Contemporary Art at St. George’s Hall
St. George's Hall, Liverpool
by Julia Johnson
Review — 11.02.2018
Slaves of Fashion: The Singh Twins at Walker Art Gallery
Walker Art Gallery, Liverpool
by Julia Johnson
Review — 15.12.2017
Making Himself Claire: Grayson Perry at Walker Art Gallery
Walker Art Gallery, Liverpool
by Claire Walker
Review — 25.11.2017
Mary Reid Kelley & Patrick Kelley at Tate Liverpool
Tate Liverpool, Liverpool
by Julia Johnson
Review — 25.10.2017
What is Socially Engaged Photographic Practice?
Open Eye Gallery, Liverpool
by Eli Regan
Review — 16.10.2017
Culture Shifts: Local at Open Eye Gallery
Open Eye Gallery, Liverpool
by Grace Edwards
Review — 29.09.2017
Alphonse Mucha: In Quest of Beauty, Walker Art Gallery, Liverpool
Walker Art Gallery
by Claire Walker
Review — 27.09.2017
Black Blossoms at The Royal Standard: If We’re Going To Heal, Let It Be Glorious
The Royal Standard, Liverpool
by Grace Edwards
Review — 25.09.2017
Considering the Past and what has Passed – Coming Out: Sexuality, Gender & Identity
Walker Art Gallery, Liverpool
by Callan Waldron-Hall
Review — 11.09.2017
In the Floating World: Edo Pop at Lady Lever Art Gallery
Lady Lever Art Gallery, Liverpool
by Jacob Bolton
Review — 04.09.2017
Portraying a Nation: Germany 1919–1933
Tate Liverpool, Liverpool
by Jenny Gleadell
Review — 20.08.2017
Leanne Cook / Zarina Muhammad: Seen by Everyone
The Royal Standard, Liverpool
by Jacob Bolton
Feature — 02.06.2017
Art, Audience and Economy: How should we value the arts in the North of England?
BALTIC Centre for Contemporary Art, Gateshead; Hepworth Wakefield, Wakefield; Tate Liverpool, Liverpool
by Tom Hopkin
Review — 18.04.2017
LOOK/17: Liverpool International Photography Festival
Museum of Liverpool; Open Eye Gallery
by Jack Roe
Review — 24.03.2017
FYI: Rory Macbeth × Institutional Collaborative Systems
Surtsey Projects, Liverpool
by Maja Lorkowska
Review — 30.01.2017
North: Identity, Photography, Fashion
Open Eye Gallery, Liverpool
by Anthony Ellis
Review — 18.10.2016
Tracey Emin and William Blake: In Focus
Tate Liverpool, Liverpool
by Claire Walker
