Showing 10 posts

A view of the gallery with a large green and blue painting of a landscape filled with human figures to the laft and in the middle a piece of greys and blues

Strange Gaze: Surrealism at Cross Lane Projects

17.10.2024, by Alison J Carr

Photograph shows most of the gallery space with works dotted throughout, the works are described in detail in the article but in brief there are a range of shapes and bright colours sat on the floor or tumbling down the walls.

Mark Tanner Sculpture Award: Thinking is Making

20.08.2024, by Amie Kirby

A white wall gallery space with three paintings, ones on left and right across four split canvases and the one in the middle smaller, all showing people in groups, at sea, in boats, obscured by lines and other marks on the surface of the images

Rebecca Scott: Small Boats & Family Matters

22.06.2024, by Anthony Ellis

A white walled room full of stuff scattered all about, all looks a bit sci fi techy, with lots of silver medal and red tones

Lee Holden: Universal Bridge

28.03.2024, by Simon Sylvester

Sculptures that are bright yellow in the foreground and background, box shapes, and in the middle globular shapes on stands that are pinky-purple, kind of dada-ish, with two small green shapes to the left and right

Cross Lane Projects: In Conversation with Rebecca Larkin

24.01.2024, by Lesley Guy

Photograph showing two of Dean Kennings 'crawlers' face one another

Dean Kenning: Evolutionary Love

14.04.2022, by Anthony Ellis

A photograph showing many pipes and industrial infrastructure on top of a building.

Unveiled: open submission roundup of reopenings

09.05.2021, by Corridor8

Auto-Destruct

17.07.2019, by Derek Horton

Frances Richardson, 'Not even nothing can be free of ghosts' at Cross Lane Projects, Kendal. Photo by Derek Horton

Frances Richardson: Not even nothing can be free of ghosts

29.11.2018, by Derek Horton

Elisabeth Frink-Goggle Head- © Frink Estate and Archive executors. Courtesy of The Ingram Collection, Image © JP Bland 2016. Fragility and Power at Abbot Hall Art Gallery, Kendal, Cumbria

Elisabeth Frink: Fragility and Power

17.08.2018, by Natalie Hughes