Tagged Liverpool — Corridor8

A room lit with a pink-purple hue. A film is projected on the far wall. On the floor is an indistinct sculptural form.

Michelle Williams Gamaker: Our Mountains Are Painted on Glass & Dahong Hongxuan Wang: Role Model

25.06.2024, by Chantal Oakes

Review

Liverpool

North West

The Bluecoat

Two large screens on the left and right show someone looking out from behind a wire fence. A small screen sits between the two large screens, in the distance.

On The Other Side

27.03.2024, by Natalie Hughes

Review

FACT

Liverpool

Uma Breakdown: Earth A.D. 2

16.12.2023, by Emma Curd

Review

FACT

Liverpool

Painting of a black dog roaming about a deserted street

Judging a Painting: John Moores Painting Prize 2023

02.11.2023, by Reece Griffiths

Review

Liverpool

Walker Art Gallery

Fourteen people sit around a table. They all have texts (books, papers, phone screens) in front of them from which they are reading and discussing together. Behind them a cinema screen projects the words 'ARD Liverpool'.

A.Mal Projects present: ARD

25.09.2023, by Natalie Hughes

Review

FACT

Liverpool

In a dark room two huge black sculptures of a semicircular shape with a triangular gap at the bottom.

Reversed Cartography: on Liverpool Biennial 2023

29.06.2023, by Marjorie H. Morgan

Exploration

Feature

Review

Liverpool Biennial

A photograph of a grassy clearing in a park with someone lying on the ground.

With For About: Care and the Commons

14.06.2023, by Grace Edwards

Exploration

Review

Heart of Glass

Wooden sculptures depicting sheet face masks in a low-lit gallery space.

My Garden, My Sanctuary

16.09.2022, by Denise Courcoux

Review

FACT

Liverpool

Photograph of child sitting on box in the installation ‘The Seeing Hands’ (2022) by Katie Schwab.

Are You Messin’?

07.09.2022, by Laura Biddle

Review

Liverpool

The Bluecoat

An image of the exhibition being discussed showing work by Andrius Arutiunian

Uncertain Data

30.09.2021, by Leah Binns

Review

FACT

Liverpool

A photograph showing many pipes and industrial infrastructure on top of a building.

Unveiled: open submission roundup of reopenings

09.05.2021, by Corridor8

Feature

Across the North of England

White banner with red text reading 'UNDO THINGS DONE' installed on black railings over a red-brick wall.

Sean Edwards: Undo Things Done

02.02.2021, by Edward Haynes

Review

Liverpool

The Bluecoat

Someone takes a photograph of a framed image of themself, their face distorted with silver bubbles before it.

True Voyage is Return: Augmented Empathy

30.10.2020, by Stephanie Gavan

Review

FACT

Liverpool

Lots of photographs on a white wall including portraits and candid group shots.

The Time We Call Our Own

22.10.2020, by Bethany Holmes

Review

Liverpool

Open Eye Gallery

Multicoloured hollow cylinders are arranged in the gallery, in two columns to the left and right, and in the foreground arranged separately on the floor on a pile of blue sand.

Jonathan Baldock: Facecrime

30.09.2020, by Kyle Nathan Brown

Review

Liverpool

The Bluecoat

In a dark room a large screen shows a cgi rendered rhino in an empty white room. On the floor to the left in the dark space are two more monitors which show a graph and a heat map.

And Say the Animal Responded?

07.09.2020, by Denise Courcoux

Review

FACT

Liverpool

What We Don’t Talk About When We Talk About The Artist-Led

07.03.2020, by Jack Welsh

Review

Exhibition Research Lab

Critic Turns Curator: Investigating Neutrality at OUTPUT Gallery

03.12.2019, by Sufea Mohamad Noor

Feature

Liverpool

OUTPUT Gallery

The Dirt I’m Made Of: Two Interviews about OUTPUT Gallery

27.10.2019, by Callan Waldron-Hall

Interview

Liverpool

OUTPUT Gallery

What Makes a Contemporary Art Centre? Finding the Formula at Bluecoat

17.10.2019, by Ed Montana-Williams

Review

Liverpool

The Bluecoat

Keith Haring at Tate Liverpool

14.07.2019, by Julia Johnson

Review

Liverpool

Tate Liverpool

Liverpool, 2028: Six Alternate ‘Futures’

30.05.2019, by Ed Montana-Williams

Review

dot-art

Liverpool

Emma Cousin, ‘Song Drapes’: Super Glue

02.05.2019, by Ed Montana-Williams

Review

Liverpool

The Bluecoat

209 Women at Open Eye Gallery

30.04.2019, by Claire Walker

Review

Liverpool

Open Eye Gallery

Charles Rennie Mackintosh, Making the Glasgow Style: ‘A very poor idea of reality’

20.04.2019, by Ed Montana-Williams

Review

Liverpool

Walker Art Gallery

Leonardo Da Vinci: Facing Genius

03.04.2019, by Ed Montana-Williams

Review

Liverpool

Walker Art Gallery

The Art Schools of North West England: A Eulogy for a Lost Culture

01.04.2019, by Ed Montana-Williams

Review

Op Art in Focus at Tate Liverpool

12.03.2019, by Sinéad Nunes

Review

Liverpool

Tate Liverpool

Blue Room at Ten: Just the Tonic!

12.03.2019, by Ed Montana-Williams

Review

Liverpool

The Bluecoat

Liverpool Biennial: A call for Dialogue, not Monologue

06.03.2019, by Ed Montana-Williams

Review

Liverpool

Michael Lacey at OUTPUT Gallery

16.02.2019, by Ed Montana-Williams

Review

Liverpool

OUTPUT Gallery

Liverpool Biennial 2018 at the Bluecoat

07.10.2018, by Callan Waldron-Hall

Review

Liverpool

The Bluecoat

It’s all Material – Snapshot to WeChat: A Migration of Identity

30.05.2018, by Callan Waldron-Hall

Review

Liverpool

Open Eye Gallery

Museums in a Post-Colonial Commonwealth: identities, issues and opportunities

01.05.2018, by Julia Johnson

Exploration

Liverpool

Museum of Liverpool

Ready Gamers? States of Play: Roleplay Reality at FACT

09.04.2018, by Callan Waldron-Hall

Review

FACT

Liverpool

Another Look: The Pier Head – Tom Wood at Open Eye Gallery

12.03.2018, by Kenn Taylor

Review

Liverpool

Open Eye Gallery