Feature — 03.12.2019
Critic Turns Curator: Investigating Neutrality at OUTPUT Gallery
OUTPUT Gallery, Liverpool
by Sufea Mohamad Noor
Interview — 27.10.2019
The Dirt I’m Made Of: Two Interviews about OUTPUT Gallery
OUTPUT Gallery, Liverpool
by Callan Waldron-Hall
Review — 17.10.2019
What Makes a Contemporary Art Centre? Finding the Formula at Bluecoat
The Bluecoat, Liverpool
by Ed Montana-Williams
Review — 30.05.2019
Liverpool, 2028: Six Alternate ‘Futures’
dot-art, Liverpool
by Ed Montana-Williams
Review — 02.05.2019
Emma Cousin, ‘Song Drapes’: Super Glue
The Bluecoat, Liverpool
by Ed Montana-Williams
Review — 20.04.2019
Charles Rennie Mackintosh, Making the Glasgow Style: ‘A very poor idea of reality’
Walker Art Gallery, Liverpool
by Ed Montana-Williams
Review — 03.04.2019
Leonardo Da Vinci: Facing Genius
Walker Art Gallery, Liverpool
by Ed Montana-Williams
Review — 01.04.2019
The Art Schools of North West England: A Eulogy for a Lost Culture
by Ed Montana-Williams
Review — 06.03.2019
Liverpool Biennial: A call for Dialogue, not Monologue
Liverpool
by Ed Montana-Williams
Review — 07.10.2018
Liverpool Biennial 2018 at the Bluecoat
The Bluecoat, Liverpool
by Callan Waldron-Hall
Review — 30.05.2018
It’s all Material – Snapshot to WeChat: A Migration of Identity
Open Eye Gallery, Liverpool
by Callan Waldron-Hall
Exploration — 01.05.2018
Museums in a Post-Colonial Commonwealth: identities, issues and opportunities
Museum of Liverpool, Liverpool
by Julia Johnson
Review — 09.04.2018
Ready Gamers? States of Play: Roleplay Reality at FACT
FACT, Liverpool
by Callan Waldron-Hall
Review — 12.03.2018
Another Look: The Pier Head – Tom Wood at Open Eye Gallery
Open Eye Gallery, Liverpool
by Kenn Taylor
Review — 11.02.2018
Lubaina Himid: Meticulous Observations and Naming the Money
Walker Art Gallery, Liverpool
by Callan Waldron-Hall
Review — 11.02.2018
The Pier Head – Tom Wood at Open Eye Gallery
Open Eye Gallery, Liverpool
by Aoife Robinson
Review — 11.02.2018
Slaves of Fashion: The Singh Twins at Walker Art Gallery
Walker Art Gallery, Liverpool
by Julia Johnson
Review — 25.11.2017
Mary Reid Kelley & Patrick Kelley at Tate Liverpool
Tate Liverpool, Liverpool
by Julia Johnson
Review — 25.10.2017
What is Socially Engaged Photographic Practice?
Open Eye Gallery, Liverpool
by Eli Regan
Review — 20.10.2017
Preview: Log Book at Frequency Festival
The Chapter House, Lincoln
by Jacob Bolton
Review — 16.10.2017
Culture Shifts: Local at Open Eye Gallery
Open Eye Gallery, Liverpool
by Grace Edwards
Review — 29.09.2017
Alphonse Mucha: In Quest of Beauty, Walker Art Gallery, Liverpool
Walker Art Gallery
by Claire Walker
Review — 25.09.2017
Considering the Past and what has Passed – Coming Out: Sexuality, Gender & Identity
Walker Art Gallery, Liverpool
by Callan Waldron-Hall
Review — 11.09.2017
In the Floating World: Edo Pop at Lady Lever Art Gallery
Lady Lever Art Gallery, Liverpool
by Jacob Bolton
Review — 04.09.2017
Portraying a Nation: Germany 1919–1933
Tate Liverpool, Liverpool
by Jenny Gleadell
Review — 20.08.2017
Leanne Cook / Zarina Muhammad: Seen by Everyone
The Royal Standard, Liverpool
by Jacob Bolton
