Showing 1–36 of 37 posts

Review — 14.07.2019

Keith Haring at Tate Liverpool

Tate Liverpool, Liverpool

by Julia Johnson

Review — 30.05.2019

Liverpool, 2028: Six Alternate ‘Futures’

dot-art, Liverpool

by Ed Montana-Williams

Review — 02.05.2019

Emma Cousin, ‘Song Drapes’: Super Glue

The Bluecoat, Liverpool

by Ed Montana-Williams

Review — 30.04.2019

209 Women at Open Eye Gallery

Open Eye Gallery, Liverpool

by Claire Walker

Review — 20.04.2019

Charles Rennie Mackintosh, Making the Glasgow Style: ‘A very poor idea of reality’

Walker Art Gallery, Liverpool

by Ed Montana-Williams

Review — 03.04.2019

Leonardo Da Vinci: Facing Genius

Walker Art Gallery, Liverpool

by Ed Montana-Williams

Review — 12.03.2019

Op Art in Focus at Tate Liverpool

Tate Liverpool, Liverpool

by Sinéad Nunes

Review — 12.03.2019

Blue Room at Ten: Just the Tonic!

The Bluecoat, Liverpool

by Ed Montana-Williams

Review — 06.03.2019

Liverpool Biennial: A call for Dialogue, not Monologue

Liverpool

by Ed Montana-Williams

Review — 16.02.2019

Michael Lacey at OUTPUT Gallery

OUTPUT Gallery, Liverpool

by Ed Montana-Williams

Review — 07.10.2018

Liverpool Biennial 2018 at the Bluecoat

The Bluecoat, Liverpool

by Callan Waldron-Hall

Review — 30.05.2018

It’s all Material – Snapshot to WeChat: A Migration of Identity

Open Eye Gallery, Liverpool

by Callan Waldron-Hall

Exploration — 01.05.2018

Museums in a Post-Colonial Commonwealth: identities, issues and opportunities

Museum of Liverpool, Liverpool

by Julia Johnson

Review — 09.04.2018

Ready Gamers? States of Play: Roleplay Reality at FACT

FACT, Liverpool

by Callan Waldron-Hall

Review — 12.03.2018

Another Look: The Pier Head – Tom Wood at Open Eye Gallery

Open Eye Gallery, Liverpool

by Kenn Taylor

Review — 11.02.2018

Lubaina Himid: Meticulous Observations and Naming the Money

Walker Art Gallery, Liverpool

by Callan Waldron-Hall

Review — 11.02.2018

The Pier Head – Tom Wood at Open Eye Gallery

Open Eye Gallery, Liverpool

by Aoife Robinson

Review — 11.02.2018

Future Aleppo: a VR Experience at FACT

FACT, Liverpool

by Callan Waldron-Hall

Review — 11.02.2018

Slaves of Fashion: The Singh Twins at Walker Art Gallery

Walker Art Gallery, Liverpool

by Julia Johnson

Review — 25.11.2017

Mary Reid Kelley & Patrick Kelley at Tate Liverpool

Tate Liverpool, Liverpool

by Julia Johnson

Review — 09.11.2017

Wu Tsang: Under Cinema at FACT

FACT, Liverpool

by Aoife Robinson

Review — 25.10.2017

What is Socially Engaged Photographic Practice?

Open Eye Gallery, Liverpool

by Eli Regan

Review — 24.10.2017

Bluecoat: In the Peaceful Dome

The Bluecoat, Liverpool

by Callan Waldron-Hall

Review — 20.10.2017

Preview: Log Book at Frequency Festival

The Chapter House, Lincoln

by Jacob Bolton

Review — 16.10.2017

Culture Shifts: Local at Open Eye Gallery

Open Eye Gallery, Liverpool

by Grace Edwards

Review — 29.09.2017

Alphonse Mucha: In Quest of Beauty, Walker Art Gallery, Liverpool

Walker Art Gallery

by Claire Walker

Review — 25.09.2017

Considering the Past and what has Passed – Coming Out: Sexuality, Gender & Identity

Walker Art Gallery, Liverpool

by Callan Waldron-Hall

Review — 11.09.2017

In the Floating World: Edo Pop at Lady Lever Art Gallery

Lady Lever Art Gallery, Liverpool

by Jacob Bolton

Review — 04.09.2017

Portraying a Nation: Germany 1919–1933

Tate Liverpool, Liverpool

by Jenny Gleadell

Review — 31.08.2017

Abacus, at Bluecoat

The Bluecoat, Liverpool

by Grace Edwards

Review — 20.08.2017

Leanne Cook / Zarina Muhammad: Seen by Everyone

The Royal Standard, Liverpool

by Jacob Bolton

Review — 19.08.2017

Louisa Martin: Proxy

The Bluecoat, Liverpool

by James Harper

Review — 18.04.2017

LOOK/17: Liverpool International Photography Festival

Museum of Liverpool; Open Eye Gallery

by Jack Roe

Feature — 11.04.2017

Things, Money, Art, Work, Class

by Matthew de Kersaint Giraudeau

Review — 24.03.2017

FYI: Rory Macbeth × Institutional Collaborative Systems

Surtsey Projects, Liverpool

by Maja Lorkowska