Showing 29 posts

A close up shot of paintbrushes on a work bench with the artist blurry in the background

Stillness in Motion: Lisa Milroy’s Women in Print Residency

17.04.2026, by Sally Button

Three glass sculptures in a row, on the left two small panels propped up on metal stands and on the right a longer pane leaning against the wall. In the foreground a rectangle of blue on the floor with an old car tyre laid atop it.

Harriet Bowman: Slow Puncture

27.03.2026, by Grace Edwards

Three square copper plates mounted in a horizontal line with circles and feathers etched into their surfaces

ECHO LIMA: Anna Júlía Friðbjörnsdóttir’s Women in Print Residency 

04.02.2026, by Tessa Harris

Three large drawings on dark paper, with text and images in many colours but with an overall blue tone, part of a larger series, hang in an airy mill building.

Memorial Gestures

09.07.2025, by Alice Bradshaw

human hands rolling brown clay on a wooden surface

Inside the Building, a Body: Emily Speed’s Women in Print Residency

08.06.2025, by Eloise Oui

terracotta, cream and brown coloured strips of fabric draping from the ceiling

Energy House 2.0: Mishka Henner and Emily Speed

15.05.2025, by Jack Nicholls

A gallery with terracotta coloured walls stands a large black structure with symbols painted on it.

Mani Kambo: Ax·is Mun·di

28.04.2025, by Rachel Boyd

The artist sits at a workbench touching a deep green sheet of paper with one of her hands

Flower is a Cloud: Sana Obaid’s Women in Print Residency

22.03.2025, by Nina Newbold

Two human faces lit with strings of fairy lights around them in a dark orange image

Reciprocal relationships: PROFORMA’s artist residency toolkit

05.03.2025, by Natalie Bradbury

Women sit around a large table covered in paints, paper, and other art supplies, talking and smiling

In Translation: In-Situ and Art of Small Talk

14.01.2025, by Chantal Oakes

A print of a red block with rows of lighter shade and ribbons of traps curled at the top and bottom

Translating Textiles into Print: Jenny Steele’s Women in Print Residency

04.12.2024, by Iona Glen

A monochrome drawing of seed pods and an eagle claw.

Georgia O’Keeffe: Memories of Drawings / Ailish Treanor: Ulterior Motifs

01.11.2024, by Even Allen

A white wall covered in little fragments of images on paper loosely attached in blacks, greys, whites and oranges

Points of Contact: Hannah Leighton-Boyce

25.07.2024, by Amie Kirby

A white walled gallery space lit up green, on the floor in the foreground stencils for lettering reading WE ARE ALL IN A CYCLE and to the left in the back a ladder, to the right a trolley with buckets of paint

Jo Lathwood: Making Up

07.02.2024, by Jazmine Linklater

A bright multicoloured digital collage with objects flying out from the centre including a CD, pieces of paper, a small glove and a bar of soap.

Matrices and Communities: FACT Together 2022-2023

28.09.2023, by Reece Griffiths

A group of people, some wearing facemasks, sitting and standing, assembled around a table speaking, drawing and taking notes.

UNIDEE 2020-2022: Reflections on Embedded Arts Practice in (post)pandemic times

20.07.2023, by Alessandra Saviotti

Two hands touch a knitted blanket. The blanket is cream with blue woven text. The only word that can be made out is 'HELGA'.

Memorial Gestures

13.07.2023, by Alice Bradshaw

A composite image showing a painting by Lucy Wright on the right and a photograph of Analogue Farm on the left.

And you too have come into the world to do this: a conversation about Analogue Farm

08.10.2022, by Lucy Wright

white drapes with a printed pattern hang around an old dark canopy bed in a historic room

Rebecca Chesney: Hidden from Light

12.07.2022, by Grace Edwards

3 sculptures resembling flagpoles hung with fringed material are positioned in the paved back garden of a red-brick terraced house.

On the street where you live: Threshold, a year in review

20.01.2022, by Saffron Ward

A partial view of an exhibition, there are images of civic architecture on the back wall. In the middle distance a vitrine holding three medals or coins. In the foreground is a table decorated with bunting and holding refreshments: a plate of wrapped biscuits and a jug of squash.

Navigator North: Exchange – Past, Present & Future

18.10.2021, by Debbie Rolls

Installation image of the exhibition.

JJ Chan: What do we know (anyway)?

12.08.2021, by Uthra Rajgopal

The image shows a wooden sculpture resembling a tree trunk supported by four bowing legs in the centre of the frame, with drawings of tree trunks in frames behind it on the gallery wall.

David Nash: Return to the Forest

23.07.2021, by Laura Biddle

A white gallery space filled with sculptures and visitors.

Who’s Seen Jerome?

06.02.2019, by Saffron Ward

Art Writing Residency at Humber Street Gallery

06.09.2017

A vinyl applied to a wall that reproduces the title of a book: 'Lsaw is a bottomless pit: or, the History of John Bull.'

Migration

27.06.2017, by Lisa-Marie Dickinson

2017 Writing Residency Programme Announced!

20.03.2017

Micro Residency at serf Studios

13.01.2017

Rachel Wrigley – Exploring PAPER, PAPER Gallery

13.09.2013