Tagged Surrealism — Corridor8

Showing 8 posts

Boulders in a high moorland landscape around Kinder Scout. The nearest boulder is draped with two woven blankets.

Pathways: Exploring Bloc Projects’ Artist Development Programme

23.02.2026, by Jessica Piette

Sheffield

sheets of blue with black drawn scales and waving lines

Paper Goes Swimming: Alicia Paz’s Women in Print Residency

30.07.2025, by Susannah Thompson

Artlab Contemporary Print Studios

Preston

A large white walled space with pine coloured parquet floors and bright pastel paintings on all the walls

Pippa El-Kadhi Brown: Stranger Skies

14.02.2025, by Laura Biddle

Review

A view of the gallery with a large green and blue painting of a landscape filled with human figures to the laft and in the middle a piece of greys and blues

Strange Gaze: Surrealism at Cross Lane Projects

17.10.2024, by Alison J Carr

Review

Cross Lane Projects

Kendal

A white room with a window to the left, on the window ledge a model head wears a pierrot clown's hat and on the wall ahead a small painting of Jude in orange clothing with crows flying around her head

FACE-OFF: Jude Wainwright

08.06.2024, by Katy Morrison

Interview

A large well lit gallery space. The wall in the background is covered in a repeat pattern wallpaper. There is an abstract picture on this wall. To the right are a series of unframed prints of repeating patterns, in different colours. In the foreground are a number of plinths with ceramics displayed.

Jacqueline Poncelet: In the Making

15.04.2024, by Michele Allen

Review

Middlesbrough Institute of Modern Art

The black silhouette of the artist wearing a baseball cap is visible in front of a green pram containing a bright pink humanoid form collaged from various types of fabric and mannequin bodyparts.

Mark Woods: Absorption

05.09.2021, by Danielle Ash

Review

Cross Lane Projects

Kendal

A photograph taken in an artist's studio, showing a long trestle table covered in overlapping drawings and studies.

Coincidence and Constellations

14.01.2021, by Cathy Garner

Leeds Arts University