Sinead Nunes, Author at Corridor8

A Black man looks directly at the camera, his hand blurred at the bottom of the frame. He wears red over ear headphones and sits in front of an electric piano.

Liverpool Biennial: The Liquid Club

23.05.2021, by Anthony Ellis

Exploration

Liverpool

Liverpool Biennial

White banner with red text reading 'UNDO THINGS DONE' installed on black railings over a red-brick wall.

Sean Edwards: Undo Things Done

02.02.2021, by Edward Haynes

Review

Liverpool

The Bluecoat

Someone takes a photograph of a framed image of themself, their face distorted with silver bubbles before it.

True Voyage is Return: Augmented Empathy

30.10.2020, by Stephanie Gavan

Review

FACT

Liverpool

Lots of photographs on a white wall including portraits and candid group shots.

The Time We Call Our Own

22.10.2020, by Bethany Holmes

Review

Liverpool

Open Eye Gallery

Multicoloured hollow cylinders are arranged in the gallery, in two columns to the left and right, and in the foreground arranged separately on the floor on a pile of blue sand.

Jonathan Baldock: Facecrime

30.09.2020, by Kyle Nathan Brown

Review

Liverpool

The Bluecoat

In a dark room a large screen shows a cgi rendered rhino in an empty white room. On the floor to the left in the dark space are two more monitors which show a graph and a heat map.

And Say the Animal Responded?

07.09.2020, by Denise Courcoux

Review

FACT

Liverpool

Distinctly

08.02.2020, by Kenn Taylor

Review

Williamson Art Gallery & Museum

Wirral

Critic Turns Curator: Investigating Neutrality at OUTPUT Gallery

03.12.2019, by Sufea Mohamad Noor

Feature

Liverpool

OUTPUT Gallery

The Dirt I’m Made Of: Two Interviews about OUTPUT Gallery

27.10.2019, by Callan Waldron-Hall

Interview

Liverpool

OUTPUT Gallery

What Makes a Contemporary Art Centre? Finding the Formula at Bluecoat

17.10.2019, by Ed Montana-Williams

Review

Liverpool

The Bluecoat

Shezad Dawood’s Leviathan

17.10.2019, by Claire Walker

Review

Liverpool

The Bluecoat

REAL WORK: FACT, Liverpool

14.09.2019, by Stephanie Gavan

Review

FACT

Liverpool

Open Eye Gallery: What Is Kinship?

14.07.2019, by Sinéad Nunes

Review

Liverpool

Open Eye Gallery

She’s Eclectic: Women Artists of the Victoria Gallery & Museum Collection

14.07.2019, by Ed Montana-Williams

Exploration

Liverpool

Victoria Gallery and Museum

Keith Haring at Tate Liverpool

14.07.2019, by Julia Johnson

Review

Liverpool

Tate Liverpool

Liverpool, 2028: Six Alternate ‘Futures’

30.05.2019, by Ed Montana-Williams

Review

dot-art

Liverpool

OUTPUT Open 2: Let Quality Speak

28.05.2019, by Ed Montana-Williams

Review

Liverpool

OUTPUT Gallery

Baroque Art from Rome to England: A Poor Imitation of Mastery

27.05.2019, by Ed Montana-Williams

Review

Liverpool

Walker Art Gallery

Using the Past to See the Future

03.05.2019, by Ed Montana-Williams

Review

Chapel Gallery

Liverpool

Emma Cousin, ‘Song Drapes’: Super Glue

02.05.2019, by Ed Montana-Williams

Review

Liverpool

The Bluecoat

Art 360: After Dark at Tate Liverpool

30.04.2019, by Sinéad Nunes

Review

Liverpool

Tate Liverpool

209 Women at Open Eye Gallery

30.04.2019, by Claire Walker

Review

Liverpool

Open Eye Gallery

Charles Rennie Mackintosh, Making the Glasgow Style: ‘A very poor idea of reality’

20.04.2019, by Ed Montana-Williams

Review

Liverpool

Walker Art Gallery

Leonardo Da Vinci: Facing Genius

03.04.2019, by Ed Montana-Williams

Review

Liverpool

Walker Art Gallery

The Art Schools of North West England: A Eulogy for a Lost Culture

01.04.2019, by Ed Montana-Williams

Review

Radical Civics: Ciara Phillips’ Press Room

31.03.2019, by Rachel Bennett

Review

Liverpool

Op Art in Focus at Tate Liverpool

12.03.2019, by Sinéad Nunes

Review

Liverpool

Tate Liverpool

Blue Room at Ten: Just the Tonic!

12.03.2019, by Ed Montana-Williams

Review

Liverpool

The Bluecoat

Liverpool Biennial: A call for Dialogue, not Monologue

06.03.2019, by Ed Montana-Williams

Review

Liverpool

Michael Lacey at OUTPUT Gallery

16.02.2019, by Ed Montana-Williams

Review

Liverpool

OUTPUT Gallery

Fernand Léger: New Times, New Pleasures

26.01.2019, by Danielle Child

Review

Liverpool

Tate Liverpool

Interview with Joseph O’Rourke, John Moores Prize Winner

07.10.2018, by Callan Waldron-Hall

Review

Liverpool

Walker Art Gallery

Liverpool Biennial 2018 at the Bluecoat

07.10.2018, by Callan Waldron-Hall

Review

Liverpool

The Bluecoat

Invisible Flock’s AURORA at Toxteth Reservoir

07.10.2018, by Denise Couroux

Review

Liverpool

The List, Its Destruction and What This Means for Liverpool

17.09.2018, by Julia Johnson

Exploration

Liverpool

On Women in the Arts: We Want Women’s Support of Female Artists

09.09.2018, by Claire Walker

Review

Liverpool