Sinead Nunes

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Twenty-something writer, freelance marketer and events producer living and working on the Liverpool arts scene. I'm lucky enough to have worked for and with some of our beautiful city's top galleries, and as a mentor on the CVAN Critical Writing Programme.

Showing 1–36 of 54 entries

Review — 03.05.2019

Using the Past to See the Future

Chapel Gallery, Liverpool

by Ed Montana-Williams

Review — 02.05.2019

Emma Cousin, ‘Song Drapes’: Super Glue

The Bluecoat, Liverpool

by Ed Montana-Williams

Review — 30.04.2019

Art 360: After Dark at Tate Liverpool

Tate Liverpool, Liverpool

by Sinéad Nunes

Review — 30.04.2019

209 Women at Open Eye Gallery

Open Eye Gallery, Liverpool

by Claire Walker

Review — 20.04.2019

Charles Rennie Mackintosh, Making the Glasgow Style: ‘A very poor idea of reality’

Walker Art Gallery, Liverpool

by Ed Montana-Williams

Review — 03.04.2019

Leonardo Da Vinci: Facing Genius

Walker Art Gallery, Liverpool

by Ed Montana-Williams

Review — 31.03.2019

Radical Civics: Ciara Phillips’ Press Room

Liverpool

by Rachel Bennett

Review — 12.03.2019

Op Art in Focus at Tate Liverpool

Tate Liverpool, Liverpool

by Sinéad Nunes

Review — 12.03.2019

Blue Room at Ten: Just the Tonic!

The Bluecoat, Liverpool

by Ed Montana-Williams

Review — 06.03.2019

Liverpool Biennial: A call for Dialogue, not Monologue

Liverpool

by Ed Montana-Williams

Review — 16.02.2019

Michael Lacey at OUTPUT Gallery

OUTPUT Gallery, Liverpool

by Ed Montana-Williams

Review — 26.01.2019

Fernand Léger: New Times, New Pleasures

Tate Liverpool, Liverpool

by Danielle Child

Review — 07.10.2018

Interview with Joseph O’Rourke, John Moores Prize Winner

Walker Art Gallery, Liverpool

by Callan Waldron-Hall

Review — 07.10.2018

Liverpool Biennial 2018 at the Bluecoat

The Bluecoat, Liverpool

by Callan Waldron-Hall

Review — 07.10.2018

Invisible Flock’s AURORA at Toxteth Reservoir

Liverpool

by Denise Couroux

Exploration — 17.09.2018

The List, Its Destruction and What This Means for Liverpool

Liverpool

by Julia Johnson

Review — 09.09.2018

On Women in the Arts: We Want Women’s Support of Female Artists

Liverpool

by Claire Walker

Review — 02.09.2018

This Is Shanghai at Cunard Building

Cunard Building, Liverpool

by Sinéad Nunes

Review — 24.08.2018

Film at Liverpool Biennial 2018

Liverpool

by Julia Johnson

Review — 24.08.2018

New Brighton Revisited at The Sailing School Gallery

The Sailing School Gallery, Liverpool

by Denise Courcoux

Review — 15.07.2018

Preview: COSMOS at bluedot 2018

Liverpool

by Jacob Bolton

Review — 30.05.2018

It’s all Material – Snapshot to WeChat: A Migration of Identity

Open Eye Gallery, Liverpool

by Callan Waldron-Hall

Exploration — 01.05.2018

Museums in a Post-Colonial Commonwealth: identities, issues and opportunities

Museum of Liverpool, Liverpool

by Julia Johnson

Review — 09.04.2018

Ken’s Show: An Art Handler’s View of Tate Liverpool

Tate Liverpool, Liverpool

by Julia Johnson

Review — 09.04.2018

Ready Gamers? States of Play: Roleplay Reality at FACT

FACT, Liverpool

by Callan Waldron-Hall

Review — 12.03.2018

Another Look: The Pier Head – Tom Wood at Open Eye Gallery

Open Eye Gallery, Liverpool

by Kenn Taylor

Review — 05.03.2018

Hookworms: Totality of Experience at Invisible Wind Factory

Julia Johnson explores live music as a complete artistic experience

by Julia Johnson

Review — 11.02.2018

Lubaina Himid: Meticulous Observations and Naming the Money

Walker Art Gallery, Liverpool

by Callan Waldron-Hall

Review — 11.02.2018

The Pier Head – Tom Wood at Open Eye Gallery

Open Eye Gallery, Liverpool

by Aoife Robinson

Review — 11.02.2018

Presence: Chinese Contemporary Art at St. George’s Hall

St. George's Hall, Liverpool

by Julia Johnson

Review — 11.02.2018

Future Aleppo: a VR Experience at FACT

FACT, Liverpool

by Callan Waldron-Hall

Review — 11.02.2018

Slaves of Fashion: The Singh Twins at Walker Art Gallery

Walker Art Gallery, Liverpool

by Julia Johnson

Review — 10.01.2018

John Piper at Tate Liverpool

Tate Liverpool, Liverpool

by Sean Ketteringham

Review — 15.12.2017

Making Himself Claire: Grayson Perry at Walker Art Gallery

Walker Art Gallery, Liverpool

by Claire Walker

Review — 27.11.2017

Bedwyr Williams: Hypercaust at Storyhouse

Storyhouse

by Bob Dickinson