Feature — 29.02.2020
Creative Conversations: Black Women Artists Making and Doing
Institute for Black Atlantic Research, Preston
by Mandla Rae
Feature — 28.02.2020
A City That Welcomes Art: Three Sheffield artists reflect on winning major prizes
Sheffield
by Orla Foster
Feature — 03.12.2019
Critic Turns Curator: Investigating Neutrality at OUTPUT Gallery
OUTPUT Gallery, Liverpool
by Sufea Mohamad Noor
Feature — 21.11.2019
Call it what you like. Art as words, spoken and heard
Leeds Art Gallery, Leeds
by Amelia Crouch
Feature — 18.09.2019
In response to changing practice: New Writing with New Contemporaries
An insider report on Corridor8's collaboration with New Contemporaries, and the growing need to support artists working with language
by Holly Grange
Feature — 01.08.2019
Pavilion Artists Moving Image Network: Screening Weekend
Pavilion & Hyde Park Picture House, Leeds
by Nina de Paula Hanika
Feature — 28.12.2018
Remembering the Bauhaus in Playing by Eye
Leeds Arts University, Leeds
by Samantha Broadhead
Feature — 08.12.2018
Manifesto and the future at Rogue Artists’ Studios
Rogue Artists’ Studios, Manchester
by James Mathews-Hiskett
Feature — 30.10.2018
Ways of Making: Mir Jansen and Penny Withers
Yorkshire Artspace, Sheffield
by Lucy Holt
Feature — 07.03.2018
Ways of Making: Markets, gardens and points of connection
Yorkshire Artspace, Sheffield
by Lucy Holt
Feature — 11.12.2017
Beyond the Wilderness Years: Lubaina Himid and the Turner Prize 2017
Ferens Art Gallery, Hull
by Orla Foster
Feature — 28.07.2017
From black screen to black screen (repeat).
Castlefield Gallery, Manchester
by Iris Priest
Feature — 02.06.2017
Art, Audience and Economy: How should we value the arts in the North of England?
BALTIC Centre for Contemporary Art, Gateshead; Hepworth Wakefield, Wakefield; Tate Liverpool, Liverpool
by Tom Hopkin
Feature — 04.04.2017
The Learning Web: Thoughts on William Noel Clarke’s God Dead Confused
serf studios, Leeds
by Fred Mikardo-Greaves
Feature — 02.03.2017
Time’s ticking, that’s all.
Holden Gallery, Manchester; Idle Women, Lancashire
by Sara Jaspan
Feature — 14.02.2017
Latent Voices: How public art of the past can speak in the present
Henry Moore Institute, BALTIC, Bessie Surtees House
by Amelia Crouch
Feature — 09.02.2017
What if John Wayne were a woman?
Leeds College of Art, Leeds
by Elspeth Mitchell
Feature — 07.12.2015
Bedrooms and Bombsites: Matthew Crawley’s Life Cycle of a Mould Mite and Thomas Hirschhorn’s In-Between
South London Gallery, London; Set the Controls for the Heart of the Sun, Leeds
by Lara Eggleton
Feature — 19.09.2015
Spotlight: Tuvalu Pavillion, La Biennale di Venezia
Venice, Italy
by Jane Lawson
