Features

Showing 1–36 of 43 articles

A black and white photograph of Mekons, a group of young white people in 1979 justling with each other, drinking and smoking

Substack Preview: Amrit Randhawa & Marcus Barnett on subcultures across the North from the 1970s to now

26.10.2023, by Amrit Randhawa & Marcus Barnett

Photograph of the exterior of The Farmer's Arms with bunting.

Autumn announcements: new team members and fundraising ventures

24.09.2023, by Lauren Velvick

In a dark room two huge black sculptures of a semicircular shape with a triangular gap at the bottom.

Reversed Cartography: on Liverpool Biennial 2023

29.06.2023, by Marjorie H. Morgan

A charcoal drawing of a large shaded circle next to a small one

Heather Peak: Out of step

23.06.2023, by Katy Morrison

A vitrine with small drawings inside in front of a large painting on the far wall

Under a Hot Sun & New Works at the Walker

28.02.2023, by Beth Holmes

A white walled gallery with photographs hung in a line at eye level

LOOK Photo Biennial 2022: Climate

20.02.2023, by Leah Binns

An igloo shaped hut made of wooden logs in the middle of a white walled gallery space

Richard Harris: Being Here

11.11.2022, by Sam Pickett

Still from artist Rachel Maclean's work 'Im Terribly Sorry' showing women with giant mobile phones as heads.

Middlesbrough Art Weekender 2022

13.09.2022, by Annie O’Donnell

Three large screens in a dimly lit room. One on the far wall, in the middle of the photo, and the other two on adjacent walls either side. All three screens have a slightly similar image. A head and shoulders shot of a while male aged around 30. He has closely cropped hair, stubble and is wearing a black t-shirt. The background behind him is white. His face is different in each image as if he were talking or singing. There are two benches in the room in front of the screens.

Middlesbrough Art Weekender 2021

20.10.2021, by Annie O'Donnell

Archive image of arts activity at South Square, Bradford

We’ll Start All Over Again: Embedded Arts Practice and the Post-industrial North

11.08.2021, by Andy Abbott

A black woman, with her hair tied up, stands in front of a sculpture in a church. Her arms are raised as though she is conducting music or dancing.

Preview: Yorkshire Sculpture International Summer 2021 Programme

07.07.2021, by Tessa Norton

A forest is shown in low sunlight, as though in winter or at dusk. The image is in shades of dark brown, green, blue and orange where light strikes the trees.

Barnaby Bright: New Commissions

17.06.2021, by Neil Greenhalgh

A photograph showing many pipes and industrial infrastructure on top of a building.

Unveiled: open submission roundup of reopenings

09.05.2021, by Corridor8

Cover of The Lockdown Gazette, with blue background and colourful geometric shapes snaking across the page.

Reset or rewild: perspectives on future arts infrastructures

13.02.2021, by Dr. Susan Jones

A large abstract collage made up of hundreds small coloured circles placed via a grid on an off-white background.

Weathering Covid-19: Emerging creatives discuss adaptation and recent practices

09.07.2020, by Christie Yung-hei Chan

A black and white image showing crossed legs and an elbow. The image is zoomed in so the flesh might be rocks or pebbles.

Shuttered: Short Reflections on Closed Exhibitions

28.03.2020, by various contributors

A vibrantly coloured painting of two Black women sitting and talking animatedly at a table.

Creative Conversations: Black Women Artists Making and Doing

29.02.2020, by Mandla Rae

A painting of a tent or white marquee surrounded by water.

A City That Welcomes Art: Three Sheffield artists reflect on winning major prizes

28.02.2020, by Orla Foster

Critic Turns Curator: Investigating Neutrality at OUTPUT Gallery

03.12.2019, by Sufea Mohamad Noor

A black artist or performer stands at a microphone and music stand, their arms are flung wide. The background is white.

Call it what you like. Art as words, spoken and heard

21.11.2019, by Amelia Crouch

A gallery space with white walls and a wooden floor. Works can be seen hung on the walls. The seated audience look towards a person lay on the floor, reading, dressed in all grey.

In response to changing practice: New Writing with New Contemporaries

An insider report on Corridor8's collaboration with New Contemporaries, and the growing need to support artists working with language

18.09.2019, by Holly Grange

A still from a black and white film, showing two children playing and interacting together.

Pavilion Artists Moving Image Network: Screening Weekend

01.08.2019, by Nina de Paula Hanika

A white gallery space filled with sculptures and visitors.

Who’s Seen Jerome?

06.02.2019, by Saffron Ward

An image of three cut-out artworks against a dark green wall. They depict a vase, a star or sun, and a trio of hills.

Remembering the Bauhaus in Playing by Eye

28.12.2018, by Samantha Broadhead

Manifesto and the future at Rogue Artists’ Studios

08.12.2018, by James Mathews-Hiskett

A white woman with her hair tied up, wearing a dark jacket, sits in front of an artwork in a gallery.

Ways of Making: Mir Jansen and Penny Withers

30.10.2018, by Lucy Holt

A person crouches in a gallery space to tend to a patch of soil with plants emerging from it.

Ways of Making: Markets, gardens and points of connection

07.03.2018, by Lucy Holt

Trust New Art?

18.12.2017, by Tom Emery

Idle Women: Shifting Loyalties gathering 2017

14.12.2017, by Laura Harris

An image of two porcelain jugs. Both have been painted on by the artist, who has added tender portaits of black people to both. The paintings are vivid and overlaid on the existing patterns of the pieces.

Beyond the Wilderness Years: Lubaina Himid and the Turner Prize 2017

11.12.2017, by Orla Foster

A group of four people stand in a gallery together, they are laughing and talking together.

A Turn Out in Hull

21.09.2017, by Orla Foster

From black screen to black screen (repeat).

28.07.2017, by Iris Priest

A photograph of the Hepworth Wakefield building, which is made up of low grey blocks in front of the river.

Art, Audience and Economy: How should we value the arts in the North of England?

02.06.2017, by Tom Hopkin

A view from the street into gallery windows.

Things, Money, Art, Work, Class

11.04.2017, by Matthew de Kersaint Giraudeau

A transparent orb hung at head height in a gallery. Inside the orb is a material that looks like broken up tiny cubes. The orb has a circular hole so that the contents can be touched.

The Learning Web: Thoughts on William Noel Clarke’s God Dead Confused

04.04.2017, by Fred Mikardo-Greaves

Time’s ticking, that’s all.

02.03.2017, by Sara Jaspan