Showing 1–36 of 726 articles

Review — 17.09.2019

Ashley Holmes and R.I.P. Germain: Double 6

Leeds Town Hall, Leeds

by Super BLACK: Omari Swanston-Jeffers

Review — 16.09.2019

Michael Shaw: INF23

Left Bank, Leeds

by Karen Tobias-Green

Review — 14.09.2019


The Turnpike, Leigh

by Jack Welsh

Review — 14.09.2019

REAL WORK: FACT, Liverpool

FACT, Liverpool

by Stephanie Gavan

Review — 10.09.2019

Each Toward The Other

Bury Art Museum & Sculpture Centre, Bury

by Derek Horton

Review — 09.09.2019

Yorkshire Sculpture International at the Henry Moore Institute

Henry Moore Institute, Leeds

by Pamela Crowe

Review — 04.09.2019

Field Study

The Auxiliary Project Space, Middlesbrough

by Annie O'Donnell

Review — 30.08.2019

How to be a Dyslexic Artist & Other Stories

The Tetley, Leeds

by Daniel Potts

Review — 22.08.2019



by Angélica Fajardo

Review — 20.08.2019

A Trip Down Memory Lane: An Exhibition by George Shepherd

Eccles Community Art Gallery, Eccles

by Ed Montana-Williams

Review — 12.08.2019

Eileen Simpson and Ben White: Open Music Archive

Castlefield Gallery, Manchester

by Claire Walker

Review — 10.08.2019

Mat Collishaw: The Nerve Rack

Ushaw College, County Durham

by Mike Golding

Review — 09.08.2019

John Akomfrah: Ballasts of Memory

BALTIC Centre for Contemporary Art, Gateshead

by Sara Makari-Aghdam

Review — 08.08.2019

Steve Messam: Hush

Raby Estate, Upper Teesdale

by Dave Pritchard

Review — 07.08.2019

Collette Rayner: Tests on Previsualisation. Tests on Dredging. Tests on Floaters.

Two Queens, Leicester

by Louis D'Arcy-Reed

Review — 07.08.2019


Leeds Central Library, Leeds

by Joanna Byrne

Review — 06.08.2019

Out of Place

Hatton Gallery, Newcastle upon Tyne

by Dave Pritchard

Review — 29.07.2019

Marcus Coates: Conference for the Birds

Cherryburn, Northumberland

by Dave Pritchard

Review — 29.07.2019

Tania Bruguera: School of Integration

Manchester Art Gallery, Manchester

by Andy Broadey

Review — 27.07.2019

Karl Vickers: Publicly-Funded Minerals

Assembly House, Leeds

by Joanna Byrne

Review — 26.07.2019

James Thompson and Annabel Taylor-Munt: Parallel Architectures IIIII

Leeds Town Hall, Leeds

by Catriona McAra

Review — 25.07.2019

Fragile Earth: seeds, weeds, plastic crust

Middlesbrough Institute of Modern Art, Middlesbrough

by Steve Spithray

Review — 19.07.2019

Tania Kovats: Head to Mouth

Gymnasium Gallery, Berwick-upon-Tweed

by Dave Pritchard

Review — 17.07.2019


Cross Lane Projects, Kendal, Cumbria

by Derek Horton

Review — 14.07.2019

Open Eye Gallery: What Is Kinship?

Open Eye Gallery, Liverpool

by Sinéad Nunes

Review — 14.07.2019

Keith Haring at Tate Liverpool

Tate Liverpool, Liverpool

by Julia Johnson

Review — 03.07.2019

Dear Christine

Vane, Newcastle upon Tyne

by Dr Mike Golding

Review — 01.07.2019

John Peter Askew: We

NGCA, Sunderland

by Dave Pritchard

Review — 28.06.2019

Nika Neelova and Holly Hendry at The Tetley

The Tetley, Leeds

by Karen Tobias-Green

Review — 28.06.2019


Stockport War Memorial Art Gallery, Manchester

by James Mathews-Hiskett

Review — 16.06.2019

Chloë Brown: A Soft Rebellion in Paradise

Doc/Fest, Sheffield

by Holly Grange

Review — 04.06.2019

Trojan Horse / Rainbow Flag

Star and Shadow Cinema, Newcastle upon Tyne

by Grace Denton

Review — 03.06.2019

Shieldfield Art Works Exhibition

The Holy Biscuit, Newcastle upon Tyne; Shieldfield Art Works, Newcastle upon Tyne

by Sarah Davies

Review — 30.05.2019

Liverpool, 2028: Six Alternate ‘Futures’

dot-art, Liverpool

by Ed Montana-Williams

Review — 28.05.2019

OUTPUT Open 2: Let Quality Speak

OUTPUT Gallery, Liverpool

by Ed Montana-Williams

Review — 27.05.2019

Baroque Art from Rome to England: A Poor Imitation of Mastery

Walker Art Gallery, Liverpool

by Ed Montana-Williams