Reviews

Showing 1–36 of 747 articles

Review — 22.11.2019

Madlove Take Over

Heart of Glass/ The Hardshaw Centre, St Helens

by Sarah Bailey

Review — 16.11.2019

Alice Kettle – Thread Bearing Witness

Gawthorpe Hall, Burnley

by Michael Orr

Review — 02.11.2019

Happy Ending

Bunker Gallery, Manchester

by Daniel Newsham

Review — 28.10.2019

Beautiful and Brutal: 50 years in the life of Preston Bus Station

The Harris Museum & Art Gallery, Preston

by Derek Horton

Review — 22.10.2019

ARTIST ROOMS: Roy Lichtenstein

Hatton Gallery, Newcastle upon Tyne

by Caro Fentiman

Review — 22.10.2019

Drag Take-over with Lady Kitt & DGA Collective/ #Untitled 10 2019

The Bowes Museum, County Durham

by Mike Golding

Review — 18.10.2019

Chila Kumari Singh Burman: Punk Punjabi Prints

Cork Printmakers at Lavit Gallery, Cork

by Catherine Harty and John Thompson

Review — 17.10.2019

A new gallery for Leeds. BLANK_ opens with Rhian Cooke: Divide by Two

BLANK_, Leeds

by Abi Mitchell

Review — 17.10.2019

Thoughtful Planet 3

Thought Foundation, Birtley

by Dave Pritchard

Review — 17.10.2019

What Makes a Contemporary Art Centre? Finding the Formula at Bluecoat

The Bluecoat, Liverpool

by Ed Montana-Williams

Review — 17.10.2019

Shezad Dawood’s Leviathan

The Bluecoat, Liverpool

by Claire Walker

Review — 09.10.2019

Transform and Escape the Dogs

50 - 54 Church Street, Blackburn

by James Schofield

Review — 08.10.2019

NOT PHOTOGRAPHY

Bankley Studios and Gallery, Manchester

by Andee Collard

Review — 05.10.2019

Ecstatic Rituals

Humber Street Gallery, Hull

by Richard Hudson-Miles

Review — 03.10.2019

Community Not Commodities

Shieldfield Art Works, Newcastle upon Tyne

by Sarah Davies

Review — 03.10.2019

Middlesbrough Art Weekender

Middlesbrough

by Steve Spithray

Review — 02.10.2019

Footnotes on Equality

Artlink, Hull

by Paul Drury-Bradey

Review — 30.09.2019

Frances Disley: The Cucumber Fell in the Sand

Humber Street Gallery, Hull

by Tessa Norton

Review — 26.09.2019

Alex Farrar: Fall, slump, drop on a bedside cabinet in water […]

Bloc Projects, Sheffield

by Jessica Piette

Review — 22.09.2019

What is the Matter? Materials, Commodities, Narratives

Kelham Island Museum, Sheffield

by Orla Foster

Review — 17.09.2019

Ashley Holmes and R.I.P. Germain: Double 6

Leeds Town Hall, Leeds

by Super BLACK: Omari Swanston-Jeffers

Review — 16.09.2019

Michael Shaw: INF23

Left Bank, Leeds

by Karen Tobias-Green

Review — 14.09.2019

Supersymmetry

The Turnpike, Leigh

by Jack Welsh

Review — 14.09.2019

REAL WORK: FACT, Liverpool

FACT, Liverpool

by Stephanie Gavan

Review — 10.09.2019

Each Toward The Other

Bury Art Museum & Sculpture Centre, Bury

by Derek Horton

Review — 09.09.2019

Yorkshire Sculpture International at the Henry Moore Institute

Henry Moore Institute, Leeds

by Pamela Crowe

Review — 04.09.2019

Field Study

The Auxiliary Project Space, Middlesbrough

by Annie O'Donnell

Review — 30.08.2019

How to be a Dyslexic Artist & Other Stories

The Tetley, Leeds

by Daniel Potts

Review — 22.08.2019

Tutelaries

VITRINE, London

by Angélica Fajardo

Review — 20.08.2019

A Trip Down Memory Lane: An Exhibition by George Shepherd

Eccles Community Art Gallery, Eccles

by Ed Montana-Williams

Review — 12.08.2019

Eileen Simpson and Ben White: Open Music Archive

Castlefield Gallery, Manchester

by Claire Walker

Review — 10.08.2019

Mat Collishaw: The Nerve Rack

Ushaw College, County Durham

by Mike Golding

Review — 09.08.2019

John Akomfrah: Ballasts of Memory

BALTIC Centre for Contemporary Art, Gateshead

by Sara Makari-Aghdam

Review — 08.08.2019

Steve Messam: Hush

Raby Estate, Upper Teesdale

by Dave Pritchard

Review — 07.08.2019

Collette Rayner: Tests on Previsualisation. Tests on Dredging. Tests on Floaters.

Two Queens, Leicester

by Louis D'Arcy-Reed