Corridor8 publishes reviews, interviews and in-depth features that focus on contemporary visual arts and critical writing in the North of England. The majority of content is published online by a team of regional editors, but these guidelines equally apply to printed material. Please note that from 2020 we rely on organisations to support us by directly commissioning reviews, features and interviews. Our rationale and rates for ‘supported content’ can be found here, along with word limits and corresponding fees.
Please adhere to the following when submitting writing to editors:
UK English should be used to check grammar and spelling. For proper spellings and use of language, we’re generally in agreement with the Guardian style guide.
Italicise titles of exhibitions, books, journal and films, e.g. Division of Labour. Ensure that titles of exhibitions correspond exactly with promotional/press materials.
Titles of artworks should be in inverted commas throughout, with a date the first time mentioned, e.g. ‘To Make You Afraid’ (2013).
Full artist names should be used the first time they are mentioned (Rachel Maclean), thereafter their surname only (Maclean).
Capitalise art historical periods (e.g. Minimalism) and associated styles (e.g. Baroque).
Dates should be written 15 December 2016.
Numbers that describe quantity should be spelled in full, i.e. ‘seven drawings’, except after 100 when they can appear numerically, eg. 283, 1,384, 30,985, etc.
Single years should be written 1983, and centuries 1980s/1900s.
Use single quotation marks (e.g. By the artist’s own admission, the works are ‘consciously confounding’), except when exclamatory (e.g. “Satisfy Me”, the large metal letters implore).
Ensure you are correctly using commas, semicolons and colons. Avoid run-on sentences and refrain from using Oxford commas.
All content needs to have a tangible link to visual art and the North of England, i.e. an exhibition taking place in the NW, NE or Yorkshire regions, an artist who is based in or originates from one of those regions, or a phenomenon that spans one or more regions.
While reviews are sometimes published posthumously, Corridor8 prefers to review exhibitions in good time, to generate online dialogue and encourage our readers to visit them. For this reason we schedule deadlines as far in advance as possible (arrangements will be made for writers to attend press previews when possible).
We encourage criticality from all of our writers, but only publish well balanced and contextually grounded criticisms. We want to encourage cultural activity and people taking part in it, rather than tainting opinion through overtly negative press.
To accompany each piece we require a short biography stating the writer’s name, profession/practice and location. e.g. ‘John Smith is a writer and curator based in Manchester’.
Articles must not be published in full anywhere else unless agreed with the Managing Editor beforehand. If they are to be published elsewhere they cannot be made available to the public until they have already been published with Corridor8 (online or print), and must include the following article credit: ‘This article first appeared on Corridor8, and can be found here/at [insert hyperlink or web address to the Corridor8 page containing the article]’.
Reviews & Features
Reviews can be written in the first or third person.
Exhibition/event and image information is inserted at the end of reviews and should include (on separate lines):
- The title, venue and city of the exhibition/event, and the dates open to the public, e.g. The King and I, &Model, Leeds, 26 January 2017 – 26 February 2017.
- A website address
- Image caption/credit: e.g. Image: Artist Name, ‘Title of Work’ (date). Courtesy of Joanna Blogs. (this will not apply if Corridor8 is sourcing images)
Introduce the interviewee, and the reason why we are conducting the conversation at the beginning of the article, e.g. ‘Jane Smith speaks to John Smith about his recent exhibition at The Whitworth, Manchester’.
Interviews should be in a Q&A style unless agreed otherwise with the editor in advance, with each question to be given its own paragraph and the writer and interviewee’s names abbreviated after the first question/answer in square brackets. e.g. [LE].
Exhibition/event information to be included at the end of interviews in the same style as in reviews, if relevant.
You may provide your own images to accompany reviews. Files should be of a decent quality for online publication and no larger than 2 megabytes. Provide caption and credits, i.e. Artist Name, ‘Artwork Title’, 2020. Photo courtesy of the author.
Alternatively, editors will source images directly from the gallery or institution.