Tagged post-industrial — Corridor8

Showing 7 posts

Flanagan stands in front of the MARTIN COLLINS sign in black and white, he has light skin and dark hair with trimmed facial hair and wears a white shirt

You can never really return home: Elliott Flanagan Interview

01.09.2026, by Andrew McMillan

Interview

Burnley

The Salon

Minutely detailed graphite sketch of pieces of refuse - twigs, plastic tubing etc - clumped together in the centre of the page.

Kelly Chorpening and Kate Atkin: Surface Tension

07.08.2026, by Natalie Bradbury

Review

9a Project Space

Todmorden

A white wall gallery space with a grey floor. On the floor to the right and in the foreground, a curved piece of steel with two tentacular twists of metal leading from each end up into the air, towards a skylight above. On each of the two back walls, strips of metal at around head height - one light grey in colour, the other with darker markings.

Rebecca Halliwell-Sutton: From skin to land, from walls to worlds

06.10.2025, by Simal Rafique

Review

GLOAM

Sheffield

A painting of a dress and a car in a garage space. Our view of this scene is partially obscured by the garage shutter.

An interview with Tommy Harrison

22.05.2025, by Pete Mercer

Interview

GRIMM

London

A roll of perforated orange plastic in front of a tent-like structure made from aluminium tubing

Katrina Cowling: Near to the Wild Heart

06.11.2023, by Saffron Ward

Review

Blenheim Walk Gallery, Leeds Arts University

Leeds

A woman with pale skin and red hair, photographed from just below the shoulders, is holding a piece of coal between fingers and thumb of each hand over where her eyes would be. Her arms and shoulders are naked. behind her, out of focus, is a rural landscape.

Alexandra Clod and Karolina Uskakovych: (Re)Grounding

02.11.2023, by Tom Jeffreys

Newcastle upon Tyne

The NewBridge Project

A group of people, some wearing facemasks, sitting and standing, assembled around a table speaking, drawing and taking notes.

UNIDEE 2020-2022: Reflections on Embedded Arts Practice in (post)pandemic times

20.07.2023, by Alessandra Saviotti