Sara Jaspan

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Showing 1–36 of 50 entries

Review — 24.04.2019

Harry Meadley: But what if we tried?

Touchstones Art Gallery, Rochdale

by Denise Courcoux

Review — 09.12.2018

Moon Kyungwon and Jeon Joonho: News From Nowhere

Tate Liverpool, Liverpool

by Callan Waldron-Hall

Review — 07.12.2018

Material Culture Unearthed: Five Verses on Six Sacks of Earth

In-Situ, Lancashire

by Natalie Hughes

Review — 29.11.2018

Frances Richardson: Not even nothing can be free of ghosts

Cross Lane Projects; Cumbria

by Derek Horton

Exploration — 24.11.2018

Grayson Perry: The Vanity of Small Differences

Grundy Art Gallery, Blackpool

by Claire Walker

Review — 16.11.2018

LAB212: Nebula

Barrow-in-Furness; Cumbria

by Sam Pickett

Review — 01.11.2018

Northern Lights

Grundy Art Gallery, Blackpool

by Natalie Bradbury

Review — 01.11.2018

Rachel Kneebone: The Dance Project

Touchstones Art Gallery, Rochdale

by Derek Horton

Review — 01.11.2018

Alison Watt: A Shadow On The Blind

Abbot Hall Art Gallery, Cumbria

by Natalie Hughes

Review — 08.10.2018

Maeve Rendle: What Cannot Be Turned Aside

Touchstones Art Gallery, Rochdale

by Paul Cordwell

Review — 06.10.2018

Headlands to Headspace Landscape Art Commissions

Morecambe

by Jack Welsh

Review — 01.10.2018

Lindsey Mendick: The Turnpike Pottery

The Turnpike, Leigh

by Ali Gunn

Review — 18.09.2018

Claire Dorsett: FRONT

STOCK

by Alison Criddle

Review — 21.08.2018

A Clown Walks Into A Gallery…

Grundy Art Gallery, Blackpool

by Robbie di Vito

Review — 17.08.2018

Elisabeth Frink: Fragility and Power

Abbot Hall Art Gallery, Kendal, Cumbria

by Natalie Hughes

Review — 16.08.2018

Herstory: Women Artists from the Collection of Patrizia Sandretto Re Rebaudengo

Touchstones Art Gallery, Rochdale

by Natalie Bradbury

Review — 26.07.2018

Carel Weight RA: Artist, Advisor, Collector and Benefactor

Tullie House, Carlisle

by Natalie Bradbury

Review — 19.07.2018

Will Kendrick: That Hall is Woven of Serpent’s Spines

Barrow-in-Furness; Cumbria

by Natalie Hughes

Review — 19.07.2018

Sonia Boyce

Manchester Art Gallery, Manchester

by Andy Broadey

Review — 11.07.2018

Shonky: The Aesthetics of Awkwardness

Bury Art Museum, Bury

by Paul Cordwell

Review — 28.06.2018

Dave Pearson: Return to Byzantium

The Turnpike, Leigh

by Natalie Hughes

Review — 26.06.2018

Macclesfield Barnaby Festival 2018

by Selina Oakes

Review — 25.06.2018

ARTIST ROOMS: Richard Long

Oldham

by Michael D'Este

Review — 19.06.2018

Nick Jordan: Mental State Signs

Paradise Works, Salford

by Robbie di Vito

Review — 17.06.2018

Food to the Dogs

Tape Modern, Manchester

by Jordan Harrison-Twist

Review — 15.06.2018

The National Festival of Making 2018

Blackburn

by James Schofield

Review — 08.06.2018

Lakes Ignite 2018

Cumbria

by Selina Oakes

Review — 06.06.2018

Messy Democracy

Lancaster University, Lancaster

by Robbie di Vito

Review — 25.05.2018

Magnus Quaife: While England Mourns

Touchstones Art Gallery, Rochdale

by Paul Cordwell

Review — 22.05.2018

Ambiguous Implements

Touchstones Art Gallery, Rochdale

by Jack Welsh

Review — 22.05.2018

Neither Land Nor Sea: Contemporary and Historical representations of Blackpool’s Piers

Grundy Art Gallery, Blackpool

by Robbie di Vito

Review — 14.05.2018

Roy Voss: The Way Things Are & All the World’s a Sunny Day

Grundy Art Gallery, Blackpool

by Daniel McMillan

Review — 07.05.2018

Mary Griffiths: Wild Honey

The Turnpike, Leigh

by Natalie Bradbury

Review — 07.05.2018

Chris Leach – Jurisdictions: a short space of time

Derek Horton reviews 'Jurisdictions: a short space of time' by Chris Leach at Bury Art Museum & Sculpture Centre.

by Derek Horton

Review — 29.04.2018

Natural: History (A fable of progress) or ‘oh no we’ve killed the last unicorn’

Robbie di Vito reviews 'Natural: History (A fable of progress) or ‘oh no we’ve killed the last unicorn’ at Gallery Oldham.

by Robbie di Vito