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Sara Jaspan

Showing 1–36 of 51 entries

Review — 17.07.2019

Auto-Destruct

Cross Lane Projects, Kendal, Cumbria

by Derek Horton

Review — 24.04.2019

But what if we tried – Harry Meadley – Install 1 (c) Touchstones Rochdale

Harry Meadley: But what if we tried?

Touchstones Art Gallery, Rochdale

by Denise Courcoux

Review — 09.12.2018

Moon Kyungwon and Jeon Joonho, El Fin del Mundo (The End of the World) 2012

Moon Kyungwon and Jeon Joonho: News From Nowhere

Tate Liverpool, Liverpool

by Callan Waldron-Hall

Review — 07.12.2018

Five Verses on Six Sacks of Earth Day, In-Situ. Photo: Reece Straw

Material Culture Unearthed: Five Verses on Six Sacks of Earth

In-Situ, Lancashire

by Natalie Hughes

Review — 29.11.2018

Frances Richardson, 'Not even nothing can be free of ghosts' at Cross Lane Projects, Kendal. Photo by Derek Horton

Frances Richardson: Not even nothing can be free of ghosts

Cross Lane Projects; Cumbria

by Derek Horton

Exploration — 24.11.2018

Grayson Perry: The Vanity of Small Differences

Grundy Art Gallery, Blackpool

by Claire Walker

Review — 16.11.2018

LAB212: Nebula at Signal Film and Media in Barrow-in-Furness

LAB212: Nebula

Barrow-in-Furness; Cumbria

by Sam Pickett

Interview — 16.11.2018

Asia Triennial Manchester 2018

In Conversation with Alnoor Mitha, Founding Artistic Director of Asia Triennial Manchester

Manchester

by Jessica El Mal

Review — 01.11.2018

Northern Lights

Grundy Art Gallery, Blackpool

by Natalie Bradbury

Review — 01.11.2018

Rachel Kneebone: The Dance Project

Touchstones Art Gallery, Rochdale

by Derek Horton

Review — 01.11.2018

Alison Watt: A Shadow On The Blind

Abbot Hall Art Gallery, Cumbria

by Natalie Hughes

Review — 08.10.2018

What Cannot Be Turned Aside (2018), Maeve Rendle, Touchstones Rochdale

Maeve Rendle: What Cannot Be Turned Aside

Touchstones Art Gallery, Rochdale

by Paul Cordwell

Review — 06.10.2018

Settlement (2018), Rob Mulholland – Headlands to Headspace Landscape Art Commissions Morecambe Bay Partnership

Headlands to Headspace Landscape Art Commissions

Morecambe

by Jack Welsh

Review — 01.10.2018

The Turnpike Pottery, Lindsey Mendick

Lindsey Mendick: The Turnpike Pottery

The Turnpike, Leigh

by Ali Gunn

Review — 18.09.2018

L-R: Cool Dude (Whatever), The Heart Is A Muscle, Ham-Fisted Heart On Sleeve, each 190x160cm, acrylic on canvas, Claire Dorsett, 2018. Photo: Lucy Ridges. STOCK gallery, The Talleyrand, Levenshulme, Manchester

Claire Dorsett: FRONT

STOCK

by Alison Criddle

Review — 21.08.2018

A Clown Walks Into A Gallery at Grundy Art Gallery, Blackpool

A Clown Walks Into A Gallery…

Grundy Art Gallery, Blackpool

by Robbie di Vito

Review — 17.08.2018

Elisabeth Frink-Goggle Head- © Frink Estate and Archive executors. Courtesy of The Ingram Collection, Image © JP Bland 2016. Fragility and Power at Abbot Hall Art Gallery, Kendal, Cumbria

Elisabeth Frink: Fragility and Power

Abbot Hall Art Gallery, Kendal, Cumbria

by Natalie Hughes

Review — 16.08.2018

Installation shot of 'Herstory'. Courtesy of Touchstones Rochdale

Herstory: Women Artists from the Collection of Patrizia Sandretto Re Rebaudengo

Touchstones Art Gallery, Rochdale

by Natalie Bradbury

Review — 26.07.2018

Ruskin Spear, ‘Portrait of Carel Weight’ (c.1935). Copyright Tullie House Museum and Art Gallery

Carel Weight RA: Artist, Advisor, Collector and Benefactor

Tullie House, Carlisle

by Natalie Bradbury

Review — 19.07.2018

That Hall is Woven of Serpent’s Spines (2018) by Will Kendrick at Signal Film and Media, Barrow-in-Furness

Will Kendrick: That Hall is Woven of Serpent’s Spines

Barrow-in-Furness; Cumbria

by Natalie Hughes

Review — 19.07.2018

Sonia Boyce at Manchester Art Gallery

Sonia Boyce

Manchester Art Gallery, Manchester

by Andy Broadey

Review — 11.07.2018

Jacolby Satterwhite 'Country Ball' 1989 (2012). Shonky: The Aesthetics of Awkwardness at Bury Art Museum and Sculpture Centre

Shonky: The Aesthetics of Awkwardness

Bury Art Museum, Bury

by Paul Cordwell

Review — 28.06.2018

The Tempest, c.1995, Dave Pearson. Dave Pearson: Return to Byzantium at The Turnpike, Leigh (Greater Manchester)

Dave Pearson: Return to Byzantium

The Turnpike, Leigh

by Natalie Hughes

Review — 26.06.2018

Invisible Threads, 2018, Zarah Hussain. Macclesfield Barnaby Festival

Macclesfield Barnaby Festival 2018

by Selina Oakes

Review — 25.06.2018

ARTIST ROOMS: Richard Long at Gallery Oldham

ARTIST ROOMS: Richard Long

Oldham

by Michael D'Este

Review — 19.06.2018

Nick Jordan – Mental State Signs at Paradise Works, Salford

Nick Jordan: Mental State Signs

Paradise Works, Salford

by Robbie di Vito

Review — 17.06.2018

Food to the Dogs, Tape Modern

Food to the Dogs

Tape Modern, Manchester

by Jordan Harrison-Twist

Review — 15.06.2018

‘A Subjective Mix’ (2018), Liz West. Install shot at The Exchange in Blackburn, The National Festival of Making 2018

The National Festival of Making 2018

Blackburn

by James Schofield

Review — 08.06.2018

Ordnance Pavilion, Studio MUTT, Lakes Ignite 2018

Lakes Ignite 2018

Cumbria

by Selina Oakes

Review — 06.06.2018

Installation view. Messy Democracy at the Hanover Project, University of Central Lancashire

Messy Democracy

Lancaster University, Lancaster

by Robbie di Vito

Review — 25.05.2018

Installation shot of 'Magnus Quaife While England Mourns'. Courtesy of Touchstones Rochdale.

Magnus Quaife: While England Mourns

Touchstones Art Gallery, Rochdale

by Paul Cordwell

Review — 22.05.2018

‘Balti – Unmeasured Measurements’, Jasleen Kaur, 2014. Image courtesy of Touchstones Rochdale

Ambiguous Implements

Touchstones Art Gallery, Rochdale

by Jack Welsh

Review — 22.05.2018

Neither Land Nor Sea: Contemporary and Historical representations of Blackpool’s Piers at Grundy Art Gallery

Neither Land Nor Sea: Contemporary and Historical representations of Blackpool’s Piers

Grundy Art Gallery, Blackpool

by Robbie di Vito

Review — 14.05.2018

Roy Voss, The Way Things Are (installation shot) at Grundy Art Gallery, Blackpool

Roy Voss: The Way Things Are & All the World’s a Sunny Day

Grundy Art Gallery, Blackpool

by Daniel McMillan

Review — 07.05.2018

‘Making the Wall Drawing: Mary Griffiths and assistants’ (2018). Mary Griffiths: Wild Honey at The Turnpike, Leigh. Photo: Livia Lazar

Mary Griffiths: Wild Honey

The Turnpike, Leigh

by Natalie Bradbury

Review — 07.05.2018

Sudan, Khartoum. Chris Leach, Jurisdictions: a short space of time at Bury Art Museum & Sculpture Centre

Chris Leach – Jurisdictions: a short space of time

Derek Horton reviews 'Jurisdictions: a short space of time' by Chris Leach at Bury Art Museum & Sculpture Centre.

by Derek Horton

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