Tagged accessibility — Corridor8

Showing 7 posts

A stone block carved to a smooth shape on the left and rough hewn on the right, interrupting the words carved on it: 'Want-; Disea-; Squalo-; Idlenes-; Ignora-'

Tony Heaton: Serial Dissenter

23.03.2026, by Kyle Nathan Brown

Interview

Review

Lancaster

Corinne's face has blue eyeshadow and pink lipstick smudged around their features and two metal poles enter from frame left and right to sit just under their eyes, each with a transparent string of clear and pearl beads

Corinne: The Severed Wing

16.12.2025, by Amie Kirby

Review

Lowry

Salford

A film still designed to look like analogue home video footage, with a red dot in the upper left corner etc. The image is of several people at a party, taking group selfies.

Emily Oetegenn: Special

23.05.2025, by Amy Kitchingman

Review

Hull

A bright museum room with wooden floors and the walls and plinths painted a light blue. Three plinths in the foreground carry small colourful sculptures and on the far wall is a line of five bright images in frames, orange, purple, red, yellow and red

SHIFT: Kaleidoscopic Realms

28.08.2024, by Michael Orr

Review

Nottingham Castle Museum & Art Gallery

A woman lies on a soft-looking, red blanket on the floor in the middle of a railway concourse; a commuter carrying a rolling suitcase steps over her.

Helen Stratford: Public S/Pacing

10.07.2024, by Debbie Rolls

Review

Sheffield

The view of a gallery space. the floors are wooden, laid on the floor is a quilt, aproximately two meters squared, laid flat in a white frame. the wall behind is paints white with black letters written on. The text is indistinguishable. To the left of this the wall has been painted pink.

Bordered Belonging: An Interview with Izzy Finch

18.03.2024, by Mymona Bibi

Interview

Newcastle upon Tyne

The NewBridge Project

a still image of a 3D render of a gallery space showing stairs leading up from the floor the viewer is on

Emerging Accessibility: Post-viral programming and disabled audiences

24.09.2020, by Izzy Kroese