Showing 13 posts

A close up of a long wall vitrine with postcards and polaroid's inside and underneath on the wall words written: marking shifting changing learning discussing questioning...

Tina Dempsey and Tracy Hill: Grounding

04.03.2025, by Anne Waggot Knott

A white wall covered in little fragments of images on paper loosely attached in blacks, greys, whites and oranges

Points of Contact: Hannah Leighton-Boyce

25.07.2024, by Amie Kirby

Installation view with multiple paintings visible including a scene on a beach and an overgrown tree trunk

Landscape of the Gods

21.08.2023, by Neil Greenhalgh

Four people are seated in front of a large projection screen at Brighton CCA Dorset Place; they are silhouetted in a darkened room. On the screen is a still image from 632700, showing an red and green abstract pattern around the edge, a central white circular band with a photograph of a den made from sticks in the woods inside the circle, a drawing of red and blue flowers in the bottom right, and a drawing of a person painting a landscape scene on canvas in the bottom left.

Anne-Marie Atkinson: ‘632700’

29.03.2023, by Michael Orr

A vitrine with small drawings inside in front of a large painting on the far wall

Under a Hot Sun & New Works at the Walker

28.02.2023, by Beth Holmes

Gallery walls with two prints and the exhibition title and wall text

THERE-THEN-HERE-NOW

09.12.2022, by Michael D'Este

A group of collaged scenes depicting rural scenes displayed upon a white surface. In the foreground one of these scenes is in focus, it shows a white field with figures and a piece of industrial machinery alongside stylised plantlike forms on the left, in the centre of the collage is a barren looking field and on the right is a photographic image of a sheep.

Gemma Burditt: Future Landscapes

14.10.2021, by Caro Fentiman

A person with brown hair wearing a white shirt stands in front of a painting in shades of black, purple and grey.

A new gallery for Leeds. BLANK_ opens with Rhian Cooke: Divide by Two

17.10.2019, by Abi Mitchell

An old photograph of a shoreline scene, with a ship docked close to the land. Bulbous shapes have been collaged onto the image.

Karl Vickers: Publicly-Funded Minerals

27.07.2019, by Joanna Byrne

Michael Lacey at OUTPUT Gallery

16.02.2019, by Ed Montana-Williams

John Stezaker

09.02.2018, by Jordan Harrison-Twist

‘Memories of the Space Age’ (2017) Katy Cole. Indicator, The NewBridge Project : Gateshead.

Indicator

17.01.2018, by Andrea Allan

A gallery wall featuring a number of wheatpasted posters referring to British history and culture.

Jamie Reid: Ragged Kingdom

02.09.2017, by Richard Hudson-Miles