Rachel Graves

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Showing 10 entries

A dinner table is set for a handful of unseen guests. The dinner plates have luminous images and colours projected onto them.

Maya Chowdhry and Alison Clare: What’s Eating Our Reality

23.02.2026, by Zara-Louise Stubbs

Basel Abbas & Ruanne Abou-Rahme: Prisoners of Love: Until the Sun of Freedom, 2025, Installation view at Nottingham Contemporary. Photo: Michael Pollard. Courtesy of Nottingham Contemporary.

Basel Abbas and Ruanne Abou-Rahme, Prisoners of Love: Until the Sun of Freedom

10.12.2025, by Amrit Doll

Installation View, Up Town Again, Two Queens, 2025. Photo by Jules Lister, 2025, courtesy the artists and Two Queens.

Up Town Again

13.11.2025, by Alexander Mobbs-Iles

Installation view showing Dining Room section of exhibition. Photo by Jules Lister.

William English & Sandra Cross: To Farse All Things

07.11.2025, by Wayne Burrows

A double height gallery space with white walls and concrete pillars containing a range of different artworks in a variety of media and sizes.

13 Beautiful Horses

02.10.2025, by Paige Costinescu

A large globe constructed of wire with continents outlined in red neon light sits on the gallery floor. Behind, a large pile of brown paper, hessian and fabric is layered up into the corner of the room.

We Grown-Ups Can Also Be Afraid: Creativity in Times of Crisis

25.08.2025, by Jennifer Brough

Two large wedge-shaped inflatables sit on the patterned stone floor of an English stately home. They have cartoon eyes and layers of bright colours running through the wedges, resembling slices of cake with bloody teeth.

Pepperpot The Mole & Final Boss: Bruce Asbestos’s Pop Cultural Follies

16.08.2025, by Wayne Burrows

Three rotating lightbulbs hung from the ceiling of a church have been captured with a slow shutter speed, so that the arc of their movement is drawn into the photograph.

Tobias Zehntner: Halo

19.05.2025, by Colette Griffin

A vintage leather suitcase is balanced on top of a tarpaulin wrapped object which is bound together by knotted ropes. A second sculpture of a similar kind can be seen in the background, and a green line is traced across the wall.

Maia Ruth Lee: Human Life in Motion

25.04.2025, by Vivien Chan