Tagged Disability rights — Corridor8

Showing 8 posts

closeup of hospital gown material with dark outlines of crossed over fingers of hands drawn on

Holly Kilner: Excavation of a Traitorous Body

15.09.2026, by Even Allen

Review

Abingdon Studios

Blackpool

Installation view, Material Worlds: Contemporary Artists and Textiles, Attenborough Arts Centre. A Hayward Gallery Touring exhibition. Photography © Reece Straw

Attenborough Arts Centre: A Decade of Exhibitions

02.03.2026, by Anna Li

Review

Attenborough Arts Centre

Corinne's face has blue eyeshadow and pink lipstick smudged around their features and two metal poles enter from frame left and right to sit just under their eyes, each with a transparent string of clear and pearl beads

Corinne: The Severed Wing

16.12.2025, by Amie Kirby

Review

Lowry

Salford

Two people with brightly-coloured hair, clothing and accessories sit side-by-side on two chairs playing a game of 'paper fortune teller' or 'chatterbox'

On Crip Wisdom: Surviving the erosion of the welfare state

21.05.2025, by Abi Palmer

Feature

Across the North and Midlands of England

A bright museum room with wooden floors and the walls and plinths painted a light blue. Three plinths in the foreground carry small colourful sculptures and on the far wall is a line of five bright images in frames, orange, purple, red, yellow and red

SHIFT: Kaleidoscopic Realms

28.08.2024, by Michael Orr

Review

Nottingham Castle Museum & Art Gallery

Four people are seated in front of a large projection screen at Brighton CCA Dorset Place; they are silhouetted in a darkened room. On the screen is a still image from 632700, showing an red and green abstract pattern around the edge, a central white circular band with a photograph of a den made from sticks in the woods inside the circle, a drawing of red and blue flowers in the bottom right, and a drawing of a person painting a landscape scene on canvas in the bottom left.

Anne-Marie Atkinson: ‘632700’

29.03.2023, by Michael Orr

Review

Brighton

Leeds

Leeds Art Gallery

Installation view of ‘Shaken, Not Stirred’ (1992) by Tony Heaton. Image courtesy of the Grundy Art Gallery, photograph by Matt Wilkinson,

Strange Loops: altered by Tony Heaton

20.09.2022, by Daniel Newsham

Review

Blackpool

Grundy Art Gallery

A blue cyanotype print with white silhouettes of figures- some stood in pairs and others individually.

Reflections of a curator in lockdown

04.06.2020, by Aidan Moesby

Middlesbrough Institute of Modern Art