Showing 145–159 of 159 posts

A room suffused with orange and peach light. In a circle, a view of a pillar is visible. Several objects such as a twig are visible resting on the floor.

Anne Hardy: Falling and Walking (phhhhhhhhhhh phossshhhhh crrhhhhzzz mn huaooogh)

11.04.2018, by Jack Welsh

Two people stand in a darkened room, with a white light shining through them.

Anthony McCall: Solid Light Works

20.03.2018, by Gertrude Gibbons

Wu Tsang: Under Cinema at FACT

09.11.2017, by Aoife Robinson

A red screen with writing in chalk. A hole in the board reveals a mouth, with the lips painted in the same shade of red.

Lisa-Marie Dickinson: Mother Tongue

02.11.2017, by Karen Tobias-Green

Abandon Normal Devices 2017 (2/2): AUDIO

02.11.2017, by Jacob Bolton

Review: Frequency Festival 2017

26.10.2017, by Jacob Bolton

A darkened gallery with an installation of breezeblocks and red fabric.

Joseph Buckley: Brotherhood Tapestry

12.09.2017, by Georgia Taylor Aguilar

Leanne Cook / Zarina Muhammad: Seen by Everyone

20.08.2017, by Jacob Bolton

Louisa Martin: Proxy

19.08.2017, by James Harper

A view of a gallery with several sculptures forming an installation. The works resemble curtains and other household objects in clear plastic, grey and yellow.

Bethan Hughes: Bodies of Water

06.08.2017, by David Steans

View of a gallery with several works mounted to the walls and hanging from the ceiling, in shades of purple and red.

Bad Practice: A centre for collective action

29.05.2017, by Lara Eggleton

A sun lounger chair in a gallery, with two works behind it on the wall.

Stella Baraklianou: Island. The Wind Constantly

16.05.2017, by Karen Tobias-Green

A view of the interior of a car filled with pebbles and shells.

Somewhere Becoming Sea/ Chris Dobrowolski: Washed Up Car-go

01.05.2017, by Derek Horton

Three small white plinths with sculptured on in front of a white wall with a colourful image to the left and a small pink jacket to the right

…in Dark Times

10.04.2017, by Bob Dickinson

Stephen Forge: Downwards

20.03.2017, by Devon Forrester-Jones