“Leeds Art Gallery”

Showing 181–216 of 240 entries

View of a gallery with multiple freestanding sculptures positioned throughout. The works all relate to the body and figure, with many featuring human limbs.

Aleksandra Domanović: Votives

11.04.2017, by Simon Boase

A person lay on a shelf, their legs hanging off the edge.

X≠Y: How to put up a shelf (V)

07.04.2017, by Karen Tobias-Green

A group of people gathered in a gallery space.

serf studios

Fred Mikardo-Greaves was writer-in-residence at serf artist studios for two days in February 2017, developing a piece …

A transparent orb hung at head height in a gallery. Inside the orb is a material that looks like broken up tiny cubes. The orb has a circular hole so that the contents can be touched.

The Learning Web: Thoughts on William Noel Clarke’s God Dead Confused

04.04.2017, by Fred Mikardo-Greaves

A series of long fabric hangings displayed in a gallery space. The fabrics are in shades of black, grey, red, green and pink.

Disobedient Bodies: JW Anderson Curates The Hepworth Wakefield

24.03.2017, by Elspeth Mitchell

2017 Writing Residency Programme Announced!

20.03.2017

Photograph of a moorland landscape with blue clouded sky above. In the foreground a white sheet is caught on a wooden stick, and billows out across the foreground.

Ailsa Read: The Witches Walk

03.03.2017, by Karen Tobias-Green

Two people face each other in a gallery space. One seems to be reading to to the other.

Dora García: These books were alive; they spoke to me!

22.02.2017, by Rebecca Levick

A detailed drawing of a woman as a cowboy, in typical hat and neckerchief.

What if John Wayne were a woman?

09.02.2017, by Elspeth Mitchell

Whose Bloody Sunset?

The first residency publication with Leeds College of Art (now Leeds Art University) for the exhibition, Felice House: RE-WESTERN, January - March 2017.

A series of three sculptural gourds arranged together. They are grey in colour, with hints of orange and peach.

Gourd Grief: Consuming without Conscience

12.01.2017, by Abi Mitchell

A series of sculptures arranged in the atrium of a gallery. Two huge cactus-like constructions rise vertically. On the floor are a selection of cast pumpkins and gourds in shades of grey.

The Tetley

Abi Mitchell was writer-in-residence at The Tetley in Autumn 2016, coinciding with the exhibitions Jonathan Trayte: Polyculture and Stass …

Style guide

Corridor8 publishes reviews, interviews and in-depth features that focus on contemporary visual arts and critical writing …

Rachel Maclean: Wot u :-) about?

09.12.2016, by James Schofield

2001

30.10.2016, by Zoë Sawyer

STEAM Ahead

21.10.2016, by Bruce Davies

Peter Mitchell: Planet Yorkshire

06.10.2016, by Jack Shirlaw

A series of sculptures arranged in the atrium of a gallery. Two huge cactus-like constructions rise vertically. On the floor are a selection of cast pumpkins and gourds in shades of grey.

Jonathan Trayte: Polyculture / Stass Paraskos: Lovers and Romances

22.08.2016, by Derek Horton

Josh Whitaker & Perce Jerrom, Mayhem Totes, Michaelangelo, Serge de Nîmes, The Death Suite: Binary Control Van Halen, The Death Suite: Chair etc.

14.07.2016, by Sean Ketteringham

Maud Sulter: Passion

05.05.2016, by Derek Horton

A Lesson in Sculpture with John Latham

25.04.2016, by Laurence Piercy

The Royal Standard at Le Temple Du Gout, Nantes

28.03.2016, by Margaux Foucret and Harlan Whittingham

Picture Book

14.03.2016, by Abi Mitchell

For What It’s Worth

18.02.2016, by Elspeth Mitchell

A sculpture that looks as though it is made from wood, covered in a yellow cloth. The sculpture rests on a wooden side table.

Jesse Wine × Corridor8

04.02.2016, by James Schofield

A black and white photograph of railway infrastructure.

Katrina Palmer, The Necropolitan Line

21.12.2015, by Anna Ratcliffe

A photograph of some shelves in a bedroom. On the shelves are personal objects, likely belonging to a young girl. Many of the objects are pink, including a lamp and radio. There are stickers on the wall to the right of the shelves.

Bedrooms and Bombsites: Matthew Crawley’s Life Cycle of a Mould Mite and Thomas Hirschhorn’s In-Between

07.12.2015, by Lara Eggleton

Paul Neagu: Palpable Sculpture

19.11.2015, by Clare Nadal

The Feast Wagon

26.10.2015, by Lara Eggleton

A photograph of a northern train station platform in the UK.

Editorial: Creating a Cultural Corridor

25.10.2015, by Lauren Velvick

A poster or flyer for 'Forward' addresing ideas in contemporary painting. The poster is peach with black text.

Paul Bramley and Jenny Eden

12.10.2015, by Terry Greene

Down in the Dumps

28.09.2015, by James Schofield

More room for error: Nicola Ellis

28.08.2015, by Clare Nadal

Lucy Beech: Me and Mine

04.08.2015, by Elspeth Mitchell

Performance Capture, Manchester International Festival

07.07.2015, by James Schofield

Simeon Barclay: Man’s Not Ready

17.06.2015, by Hatty Nestor