Tagged Education — Corridor8

Showing 11 posts

A tentacle like sculpture on three legs made of wound sections of brown card or paper emerges from the floor of an institutional workspace

The Fine Art Degree Show: Lancaster University

21.07.2026, by Peter Shukie

Review

Lancaster

Lancaster University

The artist with long hair in a ponytail and wearing a blue jumper turns away from a canvas to look into the camera

Sad Music You Can Dance To: On Yasaman Mollasalehi

07.05.2026, by Mollie Balshaw

A brightly painted mural of a large face on a wall. A woman poses in front of it kneeling down.

Our Place in the Arts: Creativity, community and quiet resilience in Stockton-on-Tees

28.11.2025, by Harriet Mee

Stockton-on-Tees

A photoshop screen with an image of a desert and a group of people in formal dress standing in between a flag that says 'welcome to mars top 1%' and on the right a rocket

In-Situ: Inside Out Pendle

04.04.2025, by Jessica El Mal

Review

In-Situ

A wide view of the gallery space with Bull's painting to the right and a visitor standing in front of it reading a handout.

The Pearls and the Oyster

07.11.2024, by Francesca Brooks

Review

Preston

The Birley Project Space

low tables with driftwood sculptures in a gallery space

TIDAL: Jack Brown + local young people, Ellie Hoskins + David Haley

15.04.2023, by Iona Glen

Review

Barrow-in-Furness

Cooke's Studios

A large, high ceilinged gallery space with a polished pine floor. Large colourful abstract paintings cover most of the wall space. In one section of the gallery are hung small framed photographs.

Glaucus and Scylla: A Collaborative Painting Project

23.06.2022, by Christie Yung-hei Chan

Review

The Customs House

Tania Bruguera: School of Integration

29.07.2019, by Andy Broadey

Review

Manchester Art Gallery

Sixteen

13.04.2019, by Nicole Coyle

Review

HOME

Museums in a Post-Colonial Commonwealth: identities, issues and opportunities

01.05.2018, by Julia Johnson

Liverpool

Museum of Liverpool

Never Gonna Give You Up

22.04.2018, by James Mathews-Hiskett

Review