Tagged video art — Corridor8

Showing 16 posts

The artist as Darwin in drag with bright orange ruffly skirts, under the sea with three friends dancing

Yuki Kihara: Darwin in Paradise Camp

10.11.2025, by Grey Marlow

Review

A viewer looks at two framed photographic portraits, on the left a person in a red rdess with a flower in their hair and the right a person in black clothing and glasses

FAFSWAG: FALE SĀ / SACRED HOUSE

08.10.2025, by Jessica El Mal

Review

HOME

Two hands hold a record, two index fingers almost meeting through the hole in the centre.

Rhea Storr: Subjects of State, Labours of Love

02.04.2025, by Ghada Habib

Review

Sheffield

A gallery space with white painted walls and concrete floor. Light enters the windows along the back wall. There are several artworks in the gallery: a modified pool or snooker table, a sofa and arm chair, a green curtain, and a set of antlers mounted to the wall.

Luke Beech: Winner Breaks First

27.07.2023, by Emma Curd

Review

Hull

Humber Street Gallery

Two hands touch a knitted blanket. The blanket is cream with blue woven text. The only word that can be made out is 'HELGA'.

Memorial Gestures

13.07.2023, by Alice Bradshaw

Review

Holocaust Centre North

Layers of white gauze fabric hanging in a gallery, printed with images of skeletal grey trees.

We Live, Like Trees, Inside the Footsteps of Our Ancestors

07.07.2023, by Chloe Elliott

Review

Leeds Arts University

Four people are seated in front of a large projection screen at Brighton CCA Dorset Place; they are silhouetted in a darkened room. On the screen is a still image from 632700, showing an red and green abstract pattern around the edge, a central white circular band with a photograph of a den made from sticks in the woods inside the circle, a drawing of red and blue flowers in the bottom right, and a drawing of a person painting a landscape scene on canvas in the bottom left.

Anne-Marie Atkinson: ‘632700’

29.03.2023, by Michael Orr

Review

Brighton

Leeds

Leeds Art Gallery

A still from a CGI video essay. The background is black with small white lines marking out space, and navigation tools at the side of the screen. A 3D model of a mountain is in the centre, with green plants growing among white and grey rock.

Kyriaki Goni: Data Garden

18.03.2023, by Alasdair Milne

Review

Leeds

Leeds Arts University

A fragmented still from a film is reflected in dark liquid seeping on the gallery floor. The reflected image is upside down, but it shows a person with their eyes shut and mouth open.

Lou Lou Sainsbury: Earth is a Deadname

07.03.2023, by Even Allen

Review

Hull

Humber Street Gallery

The image shows an installation view of the exhibition 'Two Plus Two Makes Four' at The Auxiliary project space in Middlesborough. A large wall-mounted work in bright orange neon strip lighting reads 'GONE TO GET HELP' and sits just above a bench supporting 6 cacti arranged in ascending order. In the foreground two small monitor screens sit atop welded steel mounts.

Two Plus Two Makes Four

02.03.2023, by Uma Breakdown

Review

A black and white film still, in which a figure is starting to ascend a staircase in a south London tower block.

Jerwood/FVU Awards: Soojin Chang & Michael.

21.01.2023, by Tessa Norton

Review

Leeds

Leeds Art Gallery

A vertical screen showing a figure in a medieval-inspired dress, framed in a pixelated arch. To the right is a doorframe filled with perspex clouds held together in a grille structure. Behind is a computer terminal and a hanging painted curtain.

Ronnie Danaher: iConfess

06.08.2022, by Zara Worth

Review

Leeds

A gallery space with six flags on poles in a circle. The flags are made from fabric, ribbons and recycled materials. Mounted on the wall behind, a video shows a figure holding a flag on a beach.

Andrew Omoding: Welcome to Me, Scarborough. To See and Hold My Work

09.06.2022, by Joanna Jowett

Review

A still from a video showing a deck chair and parasol, a fireball sun against a blue sky

Rodrigo Lebrun: Green (Screen) Dreams

23.03.2019, by Jay Drinkall

Review

North Lincolnshire Museum

Film at Liverpool Biennial 2018

24.08.2018, by Julia Johnson

Review

Liverpool

Bedwyr Williams: Hypercaust at Storyhouse

27.11.2017, by Bob Dickinson

Review