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Reviews

Showing 505–540 of 1052 articles

INTERFACE

20.06.2018, by Bob Dickinson

Review
Bolton
neo:gallery23
A slightly blurred image of a merlin (a bird of prey) in motion.

Kate Whiteford: Wings of Desire

19.06.2018, by Karen Tobias-Green

Review
Brontë Parsonage Museum
Haworth
Lubaina Himid BALTIC Gateshead Great Exhibition of the North

Lubaina Himid: Our Kisses are Petals

19.06.2018, by Rosie Minney

Review
BALTIC Centre for Contemporary Art
Gateshead
Nick Jordan – Mental State Signs at Paradise Works, Salford

Nick Jordan: Mental State Signs

19.06.2018, by Robbie di Vito

Review
Paradise Works
Salford
Food to the Dogs, Tape Modern

Food to the Dogs

17.06.2018, by Jordan Harrison-Twist

Review
Manchester
Tape Modern
Helen Shaddock Word South Shields

Helen Shaddock: Themselves Here Together

16.06.2018, by Sarah Davies

Review
South Shields
The Word
‘A Subjective Mix’ (2018), Liz West. Install shot at The Exchange in Blackburn, The National Festival of Making 2018

The National Festival of Making 2018

15.06.2018, by James Schofield

Review
Blackburn
Ordnance Pavilion, Studio MUTT, Lakes Ignite 2018

Lakes Ignite 2018

08.06.2018, by Selina Oakes

Review
Cumbria
Idea of North Great Exhibition of the North

Idea of North

08.06.2018, by Grace Denton

Review
BALTIC Centre for Contemporary Art
Gateshead
Installation view. Messy Democracy at the Hanover Project, University of Central Lancashire

Messy Democracy

06.06.2018, by Robbie di Vito

Review
Lancaster
Lancaster University

It’s all Material – Snapshot to WeChat: A Migration of Identity

30.05.2018, by Callan Waldron-Hall

Review
Liverpool
Open Eye Gallery
Installation shot of 'Magnus Quaife While England Mourns'. Courtesy of Touchstones Rochdale.

Magnus Quaife: While England Mourns

25.05.2018, by Paul Cordwell

Review
Rochdale
Touchstones Art Gallery
Anya Gallaccio Lindisfarne Castle NationalTrust

Anya Gallaccio: dreamed about the flowers that hide from the light

24.05.2018, by Dave Pritchard

Review
Lindisfarne Castle
Northumberland
Rachael Clewlow Vane Newcastle

Rachael Clewlow: 3,200 Colours

23.05.2018, by Iris Priest

Review
Newcastle upon Tyne
Vane
‘Balti – Unmeasured Measurements’, Jasleen Kaur, 2014. Image courtesy of Touchstones Rochdale

Ambiguous Implements

22.05.2018, by Jack Welsh

Review
Rochdale
Touchstones Art Gallery
Neither Land Nor Sea: Contemporary and Historical representations of Blackpool’s Piers at Grundy Art Gallery

Neither Land Nor Sea: Contemporary and Historical representations of Blackpool’s Piers

22.05.2018, by Robbie di Vito

Review
Blackpool
Grundy Art Gallery

Machines will watch us die

21.05.2018, by Abi Mitchell

Review
Holden Gallery
Manchester
A room in a gallery with wooden floor and panelled walls. The room seems to be entirely filled by a large red ball. A visitor stands beside it.

Material Environments

17.05.2018, by Louis D’Arcy-Reed

Review
Leeds
The Tetley
Roy Voss, The Way Things Are (installation shot) at Grundy Art Gallery, Blackpool

Roy Voss: The Way Things Are & All the World’s a Sunny Day

14.05.2018, by Daniel McMillan

Review
Blackpool
Grundy Art Gallery

A City of Two Tales (Leeds to Manchester)

10.05.2018, by Jordan Harrison-Twist

Review
Depot Art Studios
Manchester
View of a gallery space completely overlaid with collaged imagery on the walls and floor. It features the faces of characters and words against a fire or lava-like background.

Adcredo: The Deep Belief Network by Joey Holder

09.05.2018, by Abi Mitchell

Review
Bloc Projects
Sheffield
Kate Liston Hatton Gallery Newcastle University

Kate Liston: Feel After the New See

08.05.2018, by Lesley Guy

Review
Hatton Gallery
Newcastle upon Tyne
‘Making the Wall Drawing: Mary Griffiths and assistants’ (2018). Mary Griffiths: Wild Honey at The Turnpike, Leigh. Photo: Livia Lazar

Mary Griffiths: Wild Honey

07.05.2018, by Natalie Bradbury

Review
Leigh
The Turnpike
Sudan, Khartoum. Chris Leach, Jurisdictions: a short space of time at Bury Art Museum & Sculpture Centre

Chris Leach – Jurisdictions: a short space of time

Derek Horton reviews 'Jurisdictions: a short space of time' by Chris Leach at Bury Art Museum & Sculpture Centre.

07.05.2018, by Derek Horton

Review
Bury
Bury Art Museum

Beacons | Signs

02.05.2018, by Claire Walker

Review
Caustic Coastal
Salford

The Square

01.05.2018, by Mor Cohen

Review
HOME
Manchester
Natural:History (a fable of progress) Or, ‘oh no, we’ve killed the last unicorn’ by Richard Dawson & Jacqui Symons at Gallery Oldham. Photo by: Jacqui Symons

Natural: History (A fable of progress) or ‘oh no we’ve killed the last unicorn’

Robbie di Vito reviews 'Natural: History (A fable of progress) or ‘oh no we’ve killed the last unicorn’ at Gallery Oldham.

29.04.2018, by Robbie di Vito

Review
Oldham
View of a gallery with white walls and floor. There are several sculptural works on display, including a metal screen that partly obscures the view.

Simona Brinkmann: Override & Ellie Collins: Sweepings

28.04.2018, by Karen Tobias-Green

Review
The Art House
Wakefield

NOW: A dialogue on female Chinese contemporary artists

25.04.2018, by Jessica El Mal

Review
CFCCA
Manchester
Fiona Crisp Safe Haven NGCA

Fiona Crisp: Material Sight

25.04.2018, by Dave Pritchard

Review
NGCA
Sunderland

Cecily Brown: Shipwreck drawings

24.04.2018, by Robbie di Vito

Review
Manchester
The Whitworth

Never Gonna Give You Up

22.04.2018, by James Mathews-Hiskett

Review
Islington Mill
Manchester
A still from a film showing a person's face among a pile of hay and grasses. Their expression is pained.

Daria Martin: A Hunger Artist

19.04.2018, by Lucy Holt

Review
Sheffield
Site Gallery
Click (after Hogarth) (2018) two-part argon and glass. Brass Art: that-which-is-not at Bury Art Museum and Sculpture Centre. Image courtesy of Bury Art Museum and Sculpture Centre

Brass Art: that-which-is-not

16.04.2018, by Beth Dawson

Review
Bury
Bury Sculpture Centre
Jasmina Cibic Baltic Centre for Contemporary Art

Jasmina Cibic: This Machine Builds Nations

12.04.2018, by Adam Heardman

Review
BALTIC Centre for Contemporary Art
Gateshead
A room suffused with orange and peach light. In a circle, a view of a pillar is visible. Several objects such as a twig are visible resting on the floor.

Anne Hardy: Falling and Walking (phhhhhhhhhhh phossshhhhh crrhhhhzzz mn huaooogh)

11.04.2018, by Jack Welsh

Review
Leeds
Leeds Art Gallery
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