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Reviews

Showing 505–540 of 1072 articles

Empty Vessels

15.08.2018, by Robbie di Vito

Review
Bankley Studios and Gallery
Manchester
An installation with a series of flags in dark blue with a white design. On the white wall behind is an illustration of a person falling.

Chris Alton and Liam Geary Baulch: The Ballad of The White Ship

13.08.2018, by Saffron Ward

Review
Leeds
serf studios
Matt Stokes Gogmagog Bell Bells Trinity Church Sunderland

Matt Stokes: Gogmagog – The Voices of the Bells

08.08.2018, by Dave Pritchard

Review
Holy Trinity Church
Sunderland
Double Dropping Phantom Island NewBridge Project Gateshead Declan Colquitt Michaela Cullen

Declan Colquitt & Michaela Cullen: Double Dropping on a Phantom Island

07.08.2018, by Lesley Guy

Review
Gateshead
The NewBridge Project : Gateshead
A view of a darkened room, with an artist's film projected on the back wall.

Harriet Rickard: Poor Image Projects

27.07.2018, by Anna Ratcliffe

Review
34 Boar Lane
Leeds
Ruskin Spear, ‘Portrait of Carel Weight’ (c.1935). Copyright Tullie House Museum and Art Gallery

Carel Weight RA: Artist, Advisor, Collector and Benefactor

26.07.2018, by Natalie Bradbury

Review
Carlisle
Tullie House

Aquatopia

25.07.2018, by Beth Dawson

Review
CFCCA
Manchester
That Hall is Woven of Serpent’s Spines (2018) by Will Kendrick at Signal Film and Media, Barrow-in-Furness

Will Kendrick: That Hall is Woven of Serpent’s Spines

19.07.2018, by Natalie Hughes

Review
Barrow-in-Furness
Cumbria
Sonia Boyce at Manchester Art Gallery

Sonia Boyce

19.07.2018, by Andy Broadey

Review
Manchester
Manchester Art Gallery

Preview: COSMOS at bluedot 2018

15.07.2018, by Jacob Bolton

Review
Liverpool
National Trust Cherryburn Mark Fairnington

Mark Fairnington: Walking, Looking and Telling Tales

12.07.2018, by Dave Pritchard

Review
Cherryburn
Northumberland
Jacolby Satterwhite 'Country Ball' 1989 (2012). Shonky: The Aesthetics of Awkwardness at Bury Art Museum and Sculpture Centre

Shonky: The Aesthetics of Awkwardness

11.07.2018, by Paul Cordwell

Review
Bury
Bury Art Museum

Exchanges

29.06.2018, by Miles Knapp

Review
Manchester
The Whitworth
A large sculpture in a gallery. It is composed of twigs, branches and leaves forming the shape of a bower (an inverted arch)

Andy & Peter Holden: Natural Selection

29.06.2018, by Natalie Bradbury

Review
Leeds
Leeds Art Gallery
Andrew Burton Gibside National Trust

Fiona Curran & Andrew Burton: Contemporary Art at Gibside

28.06.2018, by Dave Pritchard

Review
Gibside
The Tempest, c.1995, Dave Pearson. Dave Pearson: Return to Byzantium at The Turnpike, Leigh (Greater Manchester)

Dave Pearson: Return to Byzantium

28.06.2018, by Natalie Hughes

Review
Leigh
The Turnpike
Invisible Threads, 2018, Zarah Hussain. Macclesfield Barnaby Festival

Macclesfield Barnaby Festival 2018

26.06.2018, by Selina Oakes

Review
A view of a gallery space with white walls and pink floor. There are many works throughout the space, including freestanding sculptures and paintings on the wall.

Leeds Degree Show Round-up

25.06.2018, by Louis D’Arcy-Reed

Review
Leeds
ARTIST ROOMS: Richard Long at Gallery Oldham

ARTIST ROOMS: Richard Long

25.06.2018, by Michael D'Este

Review
Oldham

Sliced Units

22.06.2018, by Claire Walker

Review
CFCCA
Manchester

INTERFACE

20.06.2018, by Bob Dickinson

Review
Bolton
neo:gallery23
A slightly blurred image of a merlin (a bird of prey) in motion.

Kate Whiteford: Wings of Desire

19.06.2018, by Karen Tobias-Green

Review
Brontë Parsonage Museum
Haworth
Lubaina Himid BALTIC Gateshead Great Exhibition of the North

Lubaina Himid: Our Kisses are Petals

19.06.2018, by Rosie Minney

Review
BALTIC Centre for Contemporary Art
Gateshead
Nick Jordan – Mental State Signs at Paradise Works, Salford

Nick Jordan: Mental State Signs

19.06.2018, by Robbie di Vito

Review
Paradise Works
Salford
Food to the Dogs, Tape Modern

Food to the Dogs

17.06.2018, by Jordan Harrison-Twist

Review
Manchester
Tape Modern
Helen Shaddock Word South Shields

Helen Shaddock: Themselves Here Together

16.06.2018, by Sarah Davies

Review
South Shields
The Word
‘A Subjective Mix’ (2018), Liz West. Install shot at The Exchange in Blackburn, The National Festival of Making 2018

The National Festival of Making 2018

15.06.2018, by James Schofield

Review
Blackburn
Ordnance Pavilion, Studio MUTT, Lakes Ignite 2018

Lakes Ignite 2018

08.06.2018, by Selina Oakes

Review
Cumbria
Idea of North Great Exhibition of the North

Idea of North

08.06.2018, by Grace Denton

Review
BALTIC Centre for Contemporary Art
Gateshead
Installation view. Messy Democracy at the Hanover Project, University of Central Lancashire

Messy Democracy

06.06.2018, by Robbie di Vito

Review
Lancaster
Lancaster University

It’s all Material – Snapshot to WeChat: A Migration of Identity

30.05.2018, by Callan Waldron-Hall

Review
Liverpool
Open Eye Gallery
Installation shot of 'Magnus Quaife While England Mourns'. Courtesy of Touchstones Rochdale.

Magnus Quaife: While England Mourns

25.05.2018, by Paul Cordwell

Review
Rochdale
Touchstones Art Gallery
Anya Gallaccio Lindisfarne Castle NationalTrust

Anya Gallaccio: dreamed about the flowers that hide from the light

24.05.2018, by Dave Pritchard

Review
Lindisfarne Castle
Northumberland
Rachael Clewlow Vane Newcastle

Rachael Clewlow: 3,200 Colours

23.05.2018, by Iris Priest

Review
Newcastle upon Tyne
Vane
‘Balti – Unmeasured Measurements’, Jasleen Kaur, 2014. Image courtesy of Touchstones Rochdale

Ambiguous Implements

22.05.2018, by Jack Welsh

Review
Rochdale
Touchstones Art Gallery
Neither Land Nor Sea: Contemporary and Historical representations of Blackpool’s Piers at Grundy Art Gallery

Neither Land Nor Sea: Contemporary and Historical representations of Blackpool’s Piers

22.05.2018, by Robbie di Vito

Review
Blackpool
Grundy Art Gallery
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