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Reviews

Showing 469–504 of 1072 articles

Zoe Childerley Beyond the Pale Granary Gallery Berwick-upon-Tweed.

Zoe Childerley: Beyond the Pale

10.11.2018, by Dave Pritchard

Review
Berwick-upon-Tweed
Dan Holdsworth NGCA Sunderland

Dan Holdsworth: Continuous Topography

06.11.2018, by Grace Denton

Review
NGCA
Sunderland

Northern Lights

01.11.2018, by Natalie Bradbury

Review
Blackpool
Grundy Art Gallery

Rachel Kneebone: The Dance Project

01.11.2018, by Derek Horton

Review
Rochdale
Touchstones Art Gallery

Alison Watt: A Shadow On The Blind

01.11.2018, by Natalie Hughes

Review
Abbot Hall Art Gallery
Cumbria
A black and white image of a body in the crab position. The back of their head and arms are visible to the viewer, while the rest of their body is foreshortened. Protruding from their body, and extending up onto the walls, are black fabric strings.

Senga Nengudi

28.10.2018, by Rachel Graves

Review
Henry Moore Institute
Leeds
A black fabric object, with a black grate inlaid. There are many patterns across the surface of the work.

Rachel Adams: Lowlight

27.10.2018, by Orla Foster

Review
Bloc Projects
Sheffield
A gallery space with white walls, concrete floor and pillars. There are artworks arranged throughout the space, hung on the walls and resting on the floor.

Sheffield Round-up

27.10.2018, by Louis D'Arcy-Reed

Review
Sheffield
The word 'Worth' written in bold font. Each letter appears to have been cut out of paper money, different denominations for each letter.

Lady Kitt: WORTH

26.10.2018, by Sarah Davies

Review
Newcastle upon Tyne
Praxis Gallery
Joy Labinjo Gallery North Northumbria University

Joy Labinjo: Mid-conversation

19.10.2018, by Laura Rushton

Review
Gallery North
Newcastle upon Tyne
A view of a colourful and complex art installation. There are lots of sculptural objects and shapes in shades of pale pink, blue, green and yellow.

Tai Shani: Semiramis

09.10.2018, by Rachel Graves

Review
Leeds
The Tetley
What Cannot Be Turned Aside (2018), Maeve Rendle, Touchstones Rochdale

Maeve Rendle: What Cannot Be Turned Aside

08.10.2018, by Paul Cordwell

Review
Rochdale
Touchstones Art Gallery

Interview with Joseph O’Rourke, John Moores Prize Winner

07.10.2018, by Callan Waldron-Hall

Review
Liverpool
Walker Art Gallery

Liverpool Biennial 2018 at the Bluecoat

07.10.2018, by Callan Waldron-Hall

Review
Liverpool
The Bluecoat

Invisible Flock’s AURORA at Toxteth Reservoir

07.10.2018, by Denise Couroux

Review
Liverpool
Settlement (2018), Rob Mulholland – Headlands to Headspace Landscape Art Commissions Morecambe Bay Partnership

Headlands to Headspace Landscape Art Commissions

06.10.2018, by Jack Welsh

Review
Morecambe
The Turnpike Pottery, Lindsey Mendick

Lindsey Mendick: The Turnpike Pottery

01.10.2018, by Ali Gunn

Review
Leigh
The Turnpike
An old fashioned computer screen showing a person's face with dark hair flowing out around them. Their face is being manipulated and squashed by clear tape, applied by hands at the edges of the screen.

Mitra Saboury: Growth Spurt

30.09.2018, by Karen Tobias-Green

Review
The Art House
Wakefield

And Breathe…

28.09.2018, by Steve Slack

Review
Manchester
Manchester Art Gallery
A view of a room with tables and chairs in the middle. Pinned to the walls are a variety of brightly coloured posters.

Poly-Technic: We Are Not An Island

28.09.2018, by Simon Boase

Review
Sheffield
BALTIC 39 Newcastle Liverpool Biennial

We Are Where We Are

21.09.2018, by Grace Denton

Review
BALTIC 39
Newcastle upon Tyne
L-R: Cool Dude (Whatever), The Heart Is A Muscle, Ham-Fisted Heart On Sleeve, each 190x160cm, acrylic on canvas, Claire Dorsett, 2018. Photo: Lucy Ridges. STOCK gallery, The Talleyrand, Levenshulme, Manchester

Claire Dorsett: FRONT

18.09.2018, by Alison Criddle

Review
STOCK

Furnished Archipelago

17.09.2018, by James Mathews-Hiskett

Review
Paradise Works
Salford

On Women in the Arts: We Want Women’s Support of Female Artists

09.09.2018, by Claire Walker

Review
Liverpool

This Is Shanghai at Cunard Building

02.09.2018, by Sinéad Nunes

Review
Cunard Building
Liverpool
Blue Flag Headway Arts Blyth Tall Ship

Blue Flag

31.08.2018, by Dave Pritchard

Review
Blyth
Headway Arts
Susan Philipsz Belsay Hall Northumberland

Susan Philipsz: The Yellow Wallpaper

30.08.2018, by Dave Pritchard

Review
Belsay Hall
Northumberland

Film at Liverpool Biennial 2018

24.08.2018, by Julia Johnson

Review
Liverpool

New Brighton Revisited at The Sailing School Gallery

24.08.2018, by Denise Courcoux

Review
Liverpool
The Sailing School Gallery
Sophie Lisa Beresford Abject Gallery Sunderland

Sophie Lisa Beresford: North East Style

22.08.2018, by Michaela Hall

Review
Newcastle upon Tyne
A Clown Walks Into A Gallery at Grundy Art Gallery, Blackpool

A Clown Walks Into A Gallery…

21.08.2018, by Robbie di Vito

Review
Blackpool
Grundy Art Gallery

BiblioTECH: from bookshelf to big data

20.08.2018, by Claire Walker

Review
Manchester
The Portico Library

The Future Is Bright, The Past Is Colourful

19.08.2018, by Robbie di Vito

Review
Paradise Works
Salford
Elisabeth Frink-Goggle Head- © Frink Estate and Archive executors. Courtesy of The Ingram Collection, Image © JP Bland 2016. Fragility and Power at Abbot Hall Art Gallery, Kendal, Cumbria

Elisabeth Frink: Fragility and Power

17.08.2018, by Natalie Hughes

Review
Abbot Hall Art Gallery
Cumbria
Kendal
Installation shot of 'Herstory'. Courtesy of Touchstones Rochdale

Herstory: Women Artists from the Collection of Patrizia Sandretto Re Rebaudengo

16.08.2018, by Natalie Bradbury

Review
Rochdale
Touchstones Art Gallery
A gallery with white walls and grey floor, with metal beams and skylights. There are a selection of works displayed in the room, including sculpture on plinths, works hung on the wall and from the beams.

Bloc Projects Members Show 2018

16.08.2018, by Yasmine Rix

Review
Bloc Projects
Sheffield
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