Reviews

Showing 541–576 of 1052 articles

Ken’s Show: An Art Handler’s View of Tate Liverpool

09.04.2018, by Julia Johnson

Ready Gamers? States of Play: Roleplay Reality at FACT

09.04.2018, by Callan Waldron-Hall

Joy Labinjo Gatherings GOLDTAPPED NewBridge Project Woon BALTIC

Joy Labinjo: Gatherings

04.04.2018, by Rosie Minney

An abstract painting in white and cream, made up of individual rectangles and grids.

Paint North

29.03.2018, by Karen Tobias-Green

Noor Afshan Mirza & Brad Butler: The Scar

28.03.2018, by Jessica El Mal

Tipping the Scales

27.03.2018, by Jordan Harrison-Twist

Scrub Transmissions

25.03.2018, by Steve Hanson

Two figures wearing large rock masks stand in a landscape.

Conroy/Sanderson: Here I Am

23.03.2018, by Lucy Holt

A person looks at an artwork mounted on the gallery wall. The work shows a person's back, overwritten with text.

Queerology: What Have You Done For Me Lately?

22.03.2018, by Alice Bradshaw

Two people stand in a darkened room, with a white light shining through them.

Anthony McCall: Solid Light Works

20.03.2018, by Gertrude Gibbons

Ruth Barker & Hannah Leighton-Boyce

19.03.2018, by Miles Knapp

Sick ardour Anna Barham ex-libris Gallery Newcastle University George Vasey

Anna Barham: Sick Ardour

16.03.2018, by Adam Heardman

Break in Transmission

13.03.2018, by Andy Broadey

Another Look: The Pier Head – Tom Wood at Open Eye Gallery

12.03.2018, by Kenn Taylor

Sheila Gaffney and Linda Schwab: Me & You

11.03.2018, by Samantha Broadhead

Terraforma, Adrian Pritchard, The Grundy Art Gallery, Blackpool

Terraforma by Adrian Pritchard, Grundy Art Gallery

Astronomical research and extra-solar planets, Robbie di Vito reviews Terraforma by Adrian Pritchard at Grundy Art Gallery, Blackpool.

10.03.2018, by Robbie di Vito

Hookworms: Totality of Experience at Invisible Wind Factory

Julia Johnson explores live music as a complete artistic experience

05.03.2018, by Julia Johnson

Beacons | Flare

01.03.2018, by Jordan Harrison-Twist

A darkened room with three artist's films showing a man, some bookshelves and a view through a round window.

Madiha Aijaz: These Silences Are All the Words

27.02.2018, by Fiona Allen

Liz West: Our Colour Reflection, Chester Visual Arts

Liz West: Our Colour Reflection, Chester Visual Arts

A confetti of luminosity dances its way onto the archaic ceiling of Chester Cathedral in the latest presentation of Liz West's Our Colour Reflection.

27.02.2018, by Selina Oakes

Serena Korda Missing Time BALTIC Centre for Contemporary Art Gateshead

Serena Korda: Missing Time

23.02.2018, by Rosie Minney

Scully 1970 Newcastle Laing Art Gallery Hatton Gallery

Sean Scully: 1970

21.02.2018, by Michaela Hall

Beyond the Pylon of the Pit

21.02.2018, by William Noel Clarke

Making, A Life: The Peter Hodgson Retrospective, with Peter and friends

20.02.2018, by Claire Walker

FF Gaiden Delete at Bury Art Gallery and Sculpture Centre

FF Gaiden: Delete at Bury Art Museum and Sculpture Centre

Robbie di Vitto reviews FF Delete: Gaiden by artists Larry Achiampong and David Blandy at Bury Art Museum and Sculpture Centre.

19.02.2018, by Robbie di Vito

A painting in green on a white background showing a frog. Text reads: 'frog king john'

School Prints

14.02.2018, by Natalie Bradbury

The morning has gold in its mouth

12.02.2018, by Michael D'Este

Lubaina Himid: Meticulous Observations and Naming the Money

11.02.2018, by Callan Waldron-Hall

The Pier Head – Tom Wood at Open Eye Gallery

11.02.2018, by Aoife Robinson

Presence: Chinese Contemporary Art at St. George’s Hall

11.02.2018, by Julia Johnson

Future Aleppo: a VR Experience at FACT

11.02.2018, by Callan Waldron-Hall

Slaves of Fashion: The Singh Twins at Walker Art Gallery

11.02.2018, by Julia Johnson

John Stezaker

09.02.2018, by Jordan Harrison-Twist

A wooden A-frame sign advertising Ground Zine Fair, Zines and Books.

Ground Zine Fair 2

08.02.2018, by Jay Drinkall

The Long View Rob Fraser Harriet Fraser

Rob & Harriet Fraser: The Long View

06.02.2018, by Dave Pritchard

TINY

02.02.2018, by Steve Slack