Reviews — Page 17 of 30

Foldyard: Another Field | Gardens and Uncultivated Spaces

31.01.2018, by Dave Pritchard

Review

Hexham

Queen’s Hall

A view of a gallery wall in dark blue, with a wooden floor. Seven framed works are hung on the wall.

Rebecca Lowe: Inhabiting Stone

30.01.2018, by Derek Horton

Review

Leeds

Leeds Arts University

A TV screen and set of speakers in a gallery space. The room is suffused with a blue-grey light. The floor is littered with pieces of paper. There are large square benches arranged for visitors to sit.

Ben Jeans Houghton: 2ndlife

26.01.2018, by Lucy Holt

Review

Bloc Projects

Sheffield

Digital Matters: The Earth Behind the Screen

25.01.2018, by Ashleigh Owen

Review

CFCCA

Manchester

Indicator

17.01.2018, by Andrea Allan

Review

Gateshead

The NewBridge Project : Gateshead

Sofia Stevi: turning forty winks into a decade

12.01.2018, by Adam Heardman

Review

BALTIC Centre for Contemporary Art

Gateshead

…into the labyrinth

11.01.2018, by Tom Emery

Review

Salford

The International 3

John Piper at Tate Liverpool

10.01.2018, by Sean Ketteringham

Review

Liverpool

Tate Liverpool

A hanging sculpture depicting a brain, with cloud like forms. it is made from plywood with coloured glass inserts. The shadow of the work falls on the wall behind, where it intertwines with a drawing in black on the white surface.

Saelia Aparicio: Your Consequences Have Actions

10.01.2018, by Robbie di Vito

Review

Leeds

The Tetley

A large fabric wall covering in shades of green, blue and red. The shapes of animals can be made out. On the floor in front are small sculptures, and other works can be seen hung on the walls of the room.

Jill & Josh & Their Dead Petz

06.01.2018, by Saffron Ward

Review

BasementArtsProject

Leeds

The Return of Memory

04.01.2018, by Anna Ratcliffe

Review

HOME

Manchester

Odd One Out/In

03.01.2018, by Chris Connolly

Review

Manchester

PS Mirabel

Two soft white shapes interlocking, as though embracing. They rest on a blue plinth.

Veronica Ryan: Salvage

01.01.2018, by Karen Tobias-Green

Review

The Art House

Wakefield

Alfredo Jaar: The Garden of Good and Evil

23.12.2017, by Selina Oakes

Review

Wakefield

Yorkshire Sculpture Park

I Can’t Remember the Last Time I Used Cardamom

20.12.2017, by Adam Heardman

Review

Durham

TESTT Space

Making Himself Claire: Grayson Perry at Walker Art Gallery

15.12.2017, by Claire Walker

Review

Liverpool

Walker Art Gallery

Raqs Media Collective: Twilight Language

14.12.2017, by Natasha Stallard

Review

Manchester

The Whitworth

Venture Arts presents

13.12.2017, by Chris Connolly

Review

Manchester

The Manchester Contemporary

View of a gallery space with white walls and pale wooden floor. There are several works visible: a vitrine with black legs and several small TVs screening artists' films.

A Feminist Space at Leeds: Looking Back to Think Forwards

09.12.2017, by Lucy Holt

Review

Leeds

University of Leeds Project Space

Susan Philipsz: A Single Voice

07.12.2017, by Lesley Guy

Review

BALTIC Centre for Contemporary Art

Gateshead

A close up of a print in dark blue, with fragmented letter forms in white.

These Northern Types

06.12.2017, by Jay Drinkall

Review

Leeds

Left Bank

Doremi Artist Residency and Open Weekend 2017

04.12.2017, by Sam Pickett

Review

Cumbria

Brass Art: Gestured

04.12.2017, by Catriona McAra

Review

Chetham's Library

Manchester

Sam Meech: Time Back Way Back

01.12.2017, by Natalie Bradbury

Review

Barrow-in-Furness

Cumbria

Kathryn Elkin: Shelter from the Storm

30.11.2017, by Elisabetta Fabrizi

Review

Gallery North

Newcastle upon Tyne

Portrait of a white man with white hair and moustache, wearing a denim jacket. Adorning his jacket and on a headband are four hands made from neon.

Michael Flechtner: Animating Neon

28.11.2017, by Lisa-Marie Dickinson

Review

Neon Workshops

Wakefield

Holly Rowan Hesson: Echo | Pyramid Arts Centre

27.11.2017, by Robbie di Vitto

Review

Warrington

Sabina Sallis: Drawing Close – Voynich Series

27.11.2017, by Dave Pritchard

Review

South Shields

The Customs House

Bedwyr Williams: Hypercaust at Storyhouse

27.11.2017, by Bob Dickinson

Review

Storyhouse

Mary Reid Kelley & Patrick Kelley at Tate Liverpool

25.11.2017, by Julia Johnson

Review

Liverpool

Tate Liverpool

Material Remains

21.11.2017, by Andy Broadey

Review

Holden Gallery

Manchester

Politics of Paradise

17.11.2017, by Jacob Bolton

Review

Paradise Works

Salford

Impermanent Durations: On Painting and Time

16.11.2017, by Robbie di Vito

Review

Lancaster

Lancaster University

Jessica Rankin: Stone/Folding

16.11.2017, by Robbie di Vito

Review

Rochdale

Touchstones Art Gallery

Look Up

15.11.2017, by Beth Dawson

Review

Manchester

Starless Midnight

09.11.2017, by Rosie Minney

Review

BALTIC Centre for Contemporary Art

Gateshead