Reviews — Page 18 of 30

Raqs Media Collective: Twilight Language

14.12.2017, by Natasha Stallard

Review

Manchester

The Whitworth

Venture Arts presents

13.12.2017, by Chris Connolly

Review

Manchester

The Manchester Contemporary

View of a gallery space with white walls and pale wooden floor. There are several works visible: a vitrine with black legs and several small TVs screening artists' films.

A Feminist Space at Leeds: Looking Back to Think Forwards

09.12.2017, by Lucy Holt

Review

Leeds

University of Leeds Project Space

Susan Philipsz: A Single Voice

07.12.2017, by Lesley Guy

Review

BALTIC Centre for Contemporary Art

Gateshead

A close up of a print in dark blue, with fragmented letter forms in white.

These Northern Types

06.12.2017, by Jay Drinkall

Review

Leeds

Left Bank

Doremi Artist Residency and Open Weekend 2017

04.12.2017, by Sam Pickett

Review

Cumbria

Brass Art: Gestured

04.12.2017, by Catriona McAra

Review

Chetham's Library

Manchester

Sam Meech: Time Back Way Back

01.12.2017, by Natalie Bradbury

Review

Barrow-in-Furness

Cumbria

Kathryn Elkin: Shelter from the Storm

30.11.2017, by Elisabetta Fabrizi

Review

Gallery North

Newcastle upon Tyne

Portrait of a white man with white hair and moustache, wearing a denim jacket. Adorning his jacket and on a headband are four hands made from neon.

Michael Flechtner: Animating Neon

28.11.2017, by Lisa-Marie Dickinson

Review

Neon Workshops

Wakefield

Holly Rowan Hesson: Echo | Pyramid Arts Centre

27.11.2017, by Robbie di Vitto

Review

Warrington

Sabina Sallis: Drawing Close – Voynich Series

27.11.2017, by Dave Pritchard

Review

South Shields

The Customs House

Bedwyr Williams: Hypercaust at Storyhouse

27.11.2017, by Bob Dickinson

Review

Storyhouse

Mary Reid Kelley & Patrick Kelley at Tate Liverpool

25.11.2017, by Julia Johnson

Review

Liverpool

Tate Liverpool

Material Remains

21.11.2017, by Andy Broadey

Review

Holden Gallery

Manchester

Politics of Paradise

17.11.2017, by Jacob Bolton

Review

Paradise Works

Salford

Impermanent Durations: On Painting and Time

16.11.2017, by Robbie di Vito

Review

Lancaster

Lancaster University

Jessica Rankin: Stone/Folding

16.11.2017, by Robbie di Vito

Review

Rochdale

Touchstones Art Gallery

Look Up

15.11.2017, by Beth Dawson

Review

Manchester

Starless Midnight

09.11.2017, by Rosie Minney

Review

BALTIC Centre for Contemporary Art

Gateshead

Wu Tsang: Under Cinema at FACT

09.11.2017, by Aoife Robinson

Review

FACT

Liverpool

A person looks directly at a sculpture lit from within. The work has lips and a chin, surrounded by abstract shapes in blue, pink and green.

Alina Szapocznikow: Human Landscapes

08.11.2017, by Liam McCabe

Review

Hepworth Wakefield

Wakefield

A gallery with white walls and wooden floor. Several sculptures can be seen in the room, the main focus is a ladder leading up to the ceiling. The ladder is pinned down by round ball weights and wire.

Artist Rooms: Joseph Beuys

06.11.2017, by Tessa Norton

Review

Leeds

Leeds Art Gallery

Reality Check

03.11.2017, by Elisabetta Fabrizi

Review

Gateshead

The NewBridge Project : Gateshead

A red screen with writing in chalk. A hole in the board reveals a mouth, with the lips painted in the same shade of red.

Lisa-Marie Dickinson: Mother Tongue

02.11.2017, by Karen Tobias-Green

Review

Leeds

serf studios

Abandon Normal Devices 2017 (2/2): AUDIO

02.11.2017, by Jacob Bolton

Review

Castleton

Peak District

AND A 123

01.11.2017, by Ashleigh Owen

Review

Castlefield Gallery

Manchester

Review: Frequency Festival 2017

26.10.2017, by Jacob Bolton

Review

Lincoln

What is Socially Engaged Photographic Practice?

25.10.2017, by Eli Regan

Review

Liverpool

Open Eye Gallery

A view of a wooden sculpture that looks like a large cog, resting on a metal frame.

David Sowerby: The Idles That Habit Forms

25.10.2017, by Derek Horton

Review

Leeds

University of Leeds Project Space

Pioneers of Pop

24.10.2017, by Michaela Hall

Review

Hatton Gallery

Newcastle upon Tyne

Bluecoat: In the Peaceful Dome

24.10.2017, by Callan Waldron-Hall

Review

Liverpool

The Bluecoat

A view of an art gallery with white walls and a shiny dark grey floor. In the foreground there is a large screen, semi folded. It is a metal frame with two surfaces. Behind this on the wall is a series of three abstract paintings.

Bloomberg New Contemporaries 2017

20.10.2017, by Rosie Minney

Review

BALTIC 39

BALTIC Centre for Contemporary Art

Gateshead

Newcastle upon Tyne

Preview: Log Book at Frequency Festival

20.10.2017, by Jacob Bolton

Review

Lincoln

The Chapter House

The Worst Seats In The House

19.10.2017, by William Noel Clarke

Review

Capstan House

London

All Roads Lead to Wigan Pier

18.10.2017, by Eli Regan

Review

Leigh

The Turnpike