Reviews — Page 19 of 30

This is Human

17.10.2017, by Emma Bosworth

Review

HOME

Manchester

Artist Rooms: Roy Lichtenstein in Focus

16.10.2017, by Carl Bishop

Review

Culture Shifts: Local at Open Eye Gallery

16.10.2017, by Grace Edwards

Review

Liverpool

Open Eye Gallery

BALTIC Artists’ Award 2017

13.10.2017, by Liam McCabe

Review

BALTIC Centre for Contemporary Art

Gateshead

An illustration of anemones underwater, in many different colours, shapes and textures.

Marine Art: Ernst Haeckel

13.10.2017, by Jay Drinkall

Review

Hull

The Deep

Miami to Morecambe: This Building for Hope

11.10.2017, by Jack Welsh

Review

Lancashire

Morecambe

Abandon Normal Devices 2017 (1/2): VISUAL

11.10.2017, by Jacob Bolton

Review

Castleton

Peak District

A person stands in a gallery with a colourful painting by Lubaina Himid

Turner Prize 2017

09.10.2017, by Orla Foster

Review

Ferens Art Gallery

Hull

View of a gallery with white walls and grey floor. Several sculptures are visible throughout the space.

Lucy Vann: Test Bed #1

07.10.2017, by Lucy Holt

Review

Bloc Projects

Sheffield

Alphonse Mucha: In Quest of Beauty, Walker Art Gallery, Liverpool

29.09.2017, by Claire Walker

Review

Walker Art Gallery

Capital P, capital ISIN

28.09.2017, by Paul Cordwell

Review

Manchester

The Great Medical Disaster

Black Blossoms at The Royal Standard: If We’re Going To Heal, Let It Be Glorious

27.09.2017, by Grace Edwards

Review

Liverpool

The Royal Standard

Considering the Past and what has Passed – Coming Out: Sexuality, Gender & Identity

25.09.2017, by Callan Waldron-Hall

Review

Liverpool

Walker Art Gallery

A sepia photograph of three people. Two are walking, one is in the trailer of a bike holding a camera to film.

Notes From Another India: Mark Lapore & Ruchir Joshi

25.09.2017, by Richard Hudson-Miles

Review

Leeds

Pavilion & Hyde Park Picture House

A Show About The Show

23.09.2017, by Tom Emery

Review

Bankley Studios and Gallery

Manchester

A darkened gallery with an installation of breezeblocks and red fabric.

Joseph Buckley: Brotherhood Tapestry

12.09.2017, by Georgia Taylor Aguilar

Review

Leeds

The Tetley

In the Floating World: Edo Pop at Lady Lever Art Gallery

11.09.2017, by Jacob Bolton

Review

Lady Lever Art Gallery

Liverpool

Two works hung in a gallery with pale blue walls and wooden floor. Both artworks depict figures, on the left a figure in grey and on the right a figure in pink and blue costume.

Laurence Figgis: (After) After

06.09.2017, by Karen Tobias-Green

Review

Leeds

Leeds Arts University

Portraying a Nation: Germany 1919–1933

04.09.2017, by Jenny Gleadell

Review

Liverpool

Tate Liverpool

A gallery wall featuring a number of wheatpasted posters referring to British history and culture.

Jamie Reid: Ragged Kingdom

02.09.2017, by Richard Hudson-Miles

Review

Hull

Humber Street Gallery

Abacus, at Bluecoat

31.08.2017, by Grace Edwards

Review

Liverpool

The Bluecoat

A white plinth featuring three sculptures made from bottles and wire.

Jiro Takamatsu: The Temperature of Sculpture

29.08.2017, by Saffron Ward

Review

Henry Moore Institute

Leeds

Bruce Rae: Shipbuilding on the Tyne

24.08.2017, by Selina Oakes

Review

Newcastle upon Tyne

Side Gallery

LGBTQ+ artists focus on queer readings of minimalism

You’re Reading Into It: Queering Contemporary Minimalism

23.08.2017, by Andrea Allan

Review

Newcastle upon Tyne

Vane

Leanne Cook / Zarina Muhammad: Seen by Everyone

20.08.2017, by Jacob Bolton

Review

Liverpool

The Royal Standard

Louisa Martin: Proxy

19.08.2017, by James Harper

Review

Liverpool

The Bluecoat

Adam Goodwin, Waterchimes and the Botttomless Pit of Outros, VR, 2017. Image courtesy of the artist.

Echoes of Abstraction II and The Bottomless Pit of Outros

16.08.2017, by Kate Liston

Review

Laing Art Gallery

Newcastle upon Tyne

A photographic portrait of two young black women, standing in front of a sign and arrow that reads 'ladies'.

Anita Corbin: Visible Girls Revisited

09.08.2017, by Orla Foster

Review

Artlink

Hull

The Sound of Adult Children Determined Not To Be Afraid

07.08.2017, by Alison Criddle

Review

Blackpool

ICW

A view of a gallery with several sculptures forming an installation. The works resemble curtains and other household objects in clear plastic, grey and yellow.

Bethan Hughes: Bodies of Water

06.08.2017, by David Steans

Review

Leeds

serf studios

Random Archive

05.08.2017, by Daniel McMillan

Review

Bury

Bury Art Museum

Manchester Street Poem

04.08.2017, by Nathalie Mayer

Review

UNFEAR

Lindsey Bull and Plastique Fantastique

03.08.2017, by Nathalie Mayer

Review

Castlefield Gallery

Manchester

LOVE LIFE, ACT II

02.08.2017, by James Hedley Harper

Review

Blackpool

Grundy Art Gallery

A person sits on a bench in a darkened gallery space. Works on the wall are just visible behind them.

Approaching Nocturne

01.08.2017, by Karen Tobias-Green

Review

Studio 24

ToGather

27.07.2017, by Andy Broadey

Review

Manchester

The Whitworth