Reviews — Page 19 of 30

Abacus, at Bluecoat

31.08.2017, by Grace Edwards

Review

Liverpool

The Bluecoat

A white plinth featuring three sculptures made from bottles and wire.

Jiro Takamatsu: The Temperature of Sculpture

29.08.2017, by Saffron Ward

Review

Henry Moore Institute

Leeds

Bruce Rae: Shipbuilding on the Tyne

24.08.2017, by Selina Oakes

Review

Newcastle upon Tyne

Side Gallery

LGBTQ+ artists focus on queer readings of minimalism

You’re Reading Into It: Queering Contemporary Minimalism

23.08.2017, by Andrea Allan

Review

Newcastle upon Tyne

Vane

Leanne Cook / Zarina Muhammad: Seen by Everyone

20.08.2017, by Jacob Bolton

Review

Liverpool

The Royal Standard

Louisa Martin: Proxy

19.08.2017, by James Harper

Review

Liverpool

The Bluecoat

Adam Goodwin, Waterchimes and the Botttomless Pit of Outros, VR, 2017. Image courtesy of the artist.

Echoes of Abstraction II and The Bottomless Pit of Outros

16.08.2017, by Kate Liston

Review

Laing Art Gallery

Newcastle upon Tyne

A photographic portrait of two young black women, standing in front of a sign and arrow that reads 'ladies'.

Anita Corbin: Visible Girls Revisited

09.08.2017, by Orla Foster

Review

Artlink

Hull

The Sound of Adult Children Determined Not To Be Afraid

07.08.2017, by Alison Criddle

Review

Blackpool

ICW

A view of a gallery with several sculptures forming an installation. The works resemble curtains and other household objects in clear plastic, grey and yellow.

Bethan Hughes: Bodies of Water

06.08.2017, by David Steans

Review

Leeds

serf studios

Random Archive

05.08.2017, by Daniel McMillan

Review

Bury

Bury Art Museum

Manchester Street Poem

04.08.2017, by Nathalie Mayer

Review

UNFEAR

Lindsey Bull and Plastique Fantastique

03.08.2017, by Nathalie Mayer

Review

Castlefield Gallery

Manchester

LOVE LIFE, ACT II

02.08.2017, by James Hedley Harper

Review

Blackpool

Grundy Art Gallery

A person sits on a bench in a darkened gallery space. Works on the wall are just visible behind them.

Approaching Nocturne

01.08.2017, by Karen Tobias-Green

Review

Studio 24

ToGather

27.07.2017, by Andy Broadey

Review

Manchester

The Whitworth

True Faith

22.07.2017, by Chris Connolly

Review

Manchester

Manchester Art Gallery

Clare Kenny: Industrial Romantic

17.07.2017, by Richard Hughes

Review

Rochdale

Touchstones Art Gallery

A gallery with wood panelling and white walls. Several colourful sculptures rest on a plinth close to the floor.

Refinding: Jessie Flood-Paddock with Kenneth Armitage

03.07.2017, by Karen Tobias-Green

Review

Leeds

The Tetley

A view of the exterior of a university building. A sculptural work spells out: 'we need to talk' across the front and steps.

So What of the Future

02.07.2017, by Saffron Ward

Review

Leeds

University of Leeds Project Space

i o u a e: is this real lyf??

30.06.2017, by Sarah Davies

Review

B&D Gallery

Newcastle upon Tyne

La Movida

29.06.2017, by Claire Walker

Review

HOME

Manchester

A vinyl applied to a wall that reproduces the title of a book: 'Lsaw is a bottomless pit: or, the History of John Bull.'

Migration

27.06.2017, by Lisa-Marie Dickinson

Review

The Art House

Wakefield

Vertigo Sea

26.06.2017, by Selina Oakes

Review

Manchester

The Whitworth

A wall in a gallery with exhibition text and resources.

Mother River: Yan Wang Preston

24.06.2017, by Abi Mitchell

Review

Bradford

Impressions Gallery

Ambiguous Utopia: Photo courtesy of Alexandra Hughes

Meikle, Frew & Raven: Ambiguous Utopia

23.06.2017, by Liam McCabe

Review

Newcastle upon Tyne

The Northern Charter

Ruse: the artfulness of deceit

22.06.2017, by Claire Walker

Review

Holden Gallery

Manchester

A pale green wall, with a roughly square patch of pale yellow.

Barry Flanagan: Light Pieces and other works

21.06.2017, by Gertrude Gibbons

Review

&Model

Leeds

View of an exhibition with several works hung on the walls, and centrally on a plinth a large bench with tall back.

Everything Flows

20.06.2017, by David McLeavy

Review

Millennium Gallery

Sheffield

Last Light (2016). Photo Courtesy of Lucy May Schofield.

Lucy May Schofield: Light Meditations

07.06.2017, by Andrea Allan

Review

Newcastle upon Tyne

The Holy Biscuit

View of a gallery with several works mounted to the walls and hanging from the ceiling, in shades of purple and red.

Bad Practice: A centre for collective action

29.05.2017, by Lara Eggleton

Review

Bradford

Gallery II

Babel

23.05.2017, by Hannah Allan

Review

Manchester

PAPER Gallery

The ‘thinking-business’

17.05.2017, by Laura Rushton

Review

The Royal Standard

A sun lounger chair in a gallery, with two works behind it on the wall.

Stella Baraklianou: Island. The Wind Constantly

16.05.2017, by Karen Tobias-Green

Review

Leeds

Set the Controls for the Heart of the Sun

Two people dressed in red face masks and purple smocks face each other and reach our their hands which are almost touching.

Nicola Singh: The sounds are bouncing around us…

12.05.2017, by Eleanor Benson

Review

BALTIC 39

Newcastle upon Tyne

Toby Paterson: Hatton Pavilion

11.05.2017, by Rosie Minney

Review

Hatton Gallery

Newcastle upon Tyne