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Showing 217–252 of 1072 articles

A person in light clothing and a dark headscarf crouches down in the desert looking at the ground

Arwa Aburawa & Turab Shah: And still, it remains

12.07.2023, by Harpreet Kaur

Review
Liverpool Arab Arts Festival
A dark gallery space with low benches arranged in front of a large screen showing a film still with a view of mountains in low cloud

Shezad Dawood: Leviathan: From the Forest to the Sea

11.07.2023, by Ella Otomewo

Review
Rochdale
Touchstones Art Gallery
A metal bridge over pools of water in a metal foor

TIDAL: Troubled Waters by Stine Deja

10.07.2023, by James McColl

Review
Barrow-in-Furness
Cooke's Studios
Layers of white gauze fabric hanging in a gallery, printed with images of skeletal grey trees.

We Live, Like Trees, Inside the Footsteps of Our Ancestors

07.07.2023, by Chloe Elliott

Review
Leeds Arts University
A washing line with white clothing hanging, in front of a brick wall

TIDAL: Zoe Forster, Mel Galley & Nuria Rovira

05.07.2023, by Sam Pickett

Review
Barrow-in-Furness
Cooke's Studios
In a dark room two huge black sculptures of a semicircular shape with a triangular gap at the bottom.

Reversed Cartography: on Liverpool Biennial 2023

29.06.2023, by Marjorie H. Morgan

Exploration
Feature
Review
Liverpool Biennial
In the centre of the space is a long black carpet with multicoloured patterns, and three clothed dressmaker's mannequins.

Late and Soon: A Conversation About Margaret Harrison and Conrad Atkinson

15.06.2023, by Lauren Velvick & Bernie Velvick

Exploration
Interview
Review
Cross Lane Projects
Kendal
A photograph of a grassy clearing in a park with someone lying on the ground.

With For About: Care and the Commons

14.06.2023, by Grace Edwards

Exploration
Review
Heart of Glass
An exhibition space including, to the left, a green and yellow coloured film showing plant life, and to the right a to-scale greenhouse whose glass panes are covered with black and white images of layered lines or tubes.

Nick Jordan: Natural Interaction

22.04.2023, by Neil Greenhalgh

Review
HOME
Manchester
Framed paintings in groups of five or six on a wall

The Williamson Open 2023

21.04.2023, by Julia Johnson

Review
Williamson Art Gallery & Museum
Wirral
A black and white photgraph of two movie stars kissing, their faces overlaid with a sepia illustration of a landscape with a river running through it.

Deep Horizons

21.04.2023, by Laura Biddle

Review
Middlesbrough
Middlesbrough Institute of Modern Art
low tables with driftwood sculptures in a gallery space

TIDAL: Jack Brown + local young people, Ellie Hoskins + David Haley

15.04.2023, by Iona Glen

Review
Barrow-in-Furness
Cooke's Studios
Sculptures in a white wall gallery space with a concrete floor and blue ceiling beams

Rosie Edwards: Genetic Material

13.04.2023, by Nia Thomas

Review
Cross Lane Projects
Kendal
Four people are seated in front of a large projection screen at Brighton CCA Dorset Place; they are silhouetted in a darkened room. On the screen is a still image from 632700, showing an red and green abstract pattern around the edge, a central white circular band with a photograph of a den made from sticks in the woods inside the circle, a drawing of red and blue flowers in the bottom right, and a drawing of a person painting a landscape scene on canvas in the bottom left.

Anne-Marie Atkinson: ‘632700’

29.03.2023, by Michael Orr

Review
Brighton
Leeds
Leeds Art Gallery
Photo Fringe
A gallery space full of people standing around the edges, some sitting on cushions on the floor. There are people of all ages and genders and colours. Everyone is applauding and smiling.

x3 presents Abundance

22.03.2023, by Laura Biddle

Review
Longsight Art Space
Manchester
A still from a CGI video essay. The background is black with small white lines marking out space, and navigation tools at the side of the screen. A 3D model of a mountain is in the centre, with green plants growing among white and grey rock.

Kyriaki Goni: Data Garden

18.03.2023, by Alasdair Milne

Review
Leeds
Leeds Arts University
A person sits on a bence in a park lit up by purple and orange light, watching a video of a row of people holding flowers, inside a pitched-roof house structure.

Lou Chapelle: Voicing Silence

14.03.2023, by Jay Drinkall

Exploration
Review
Across the North of England
A fragmented still from a film is reflected in dark liquid seeping on the gallery floor. The reflected image is upside down, but it shows a person with their eyes shut and mouth open.

Lou Lou Sainsbury: Earth is a Deadname

07.03.2023, by Even Allen

Review
Hull
Humber Street Gallery
The image shows an installation view of the exhibition 'Two Plus Two Makes Four' at The Auxiliary project space in Middlesborough. A large wall-mounted work in bright orange neon strip lighting reads 'GONE TO GET HELP' and sits just above a bench supporting 6 cacti arranged in ascending order. In the foreground two small monitor screens sit atop welded steel mounts.

Two Plus Two Makes Four

02.03.2023, by Uma Breakdown

Exploration
Review
Middlesbrough
The Auxiliary
A wall-mounted monitor with a southeast Asian person onscreen, under the number 2632 painted on the wall

Practise Till We Meet

02.03.2023, by Sunshine Wong

Review
esea contemporary
Manchester
A vitrine with small drawings inside in front of a large painting on the far wall

Under a Hot Sun & New Works at the Walker

28.02.2023, by Beth Holmes

Feature
Review
Liverpool
Walker Art Gallery
A painting of woman planting a small white sapling in the red earth

Christine Kowal Post: They Think They Are Fallen Angels

09.02.2023, by Nina Newbold

Review
Williamson Art Gallery & Museum
Wirral
A black and white film still, in which a figure is starting to ascend a staircase in a south London tower block.

Jerwood/FVU Awards: Soojin Chang & Michael.

21.01.2023, by Tessa Norton

Review
Leeds
Leeds Art Gallery
A low-lit gallery space with industrial looking structures

Danielle Brathwaite-Shirley and Josèfa Ntjam

13.01.2023, by Claire Walker

Review
FACT
Liverpool
Artists Julie Cleves and Robbie Synge hold one another's bodies in suspension on a spotlit stage mid-dance performance at Baltic, Gateshead as part of their work To Earth.

To Earth

05.01.2023, by Debbie Rolls

Review
BALTIC Centre for Contemporary Art
Gateshead
A film still showing a dark-skinned hand holding a yellow buttercup

breathe, spirit and life 呼吸、靈魂與生命

14.12.2022, by Katie Shirley

Review
Liverpool
The Bluecoat
Gallery walls with two prints and the exhibition title and wall text

THERE-THEN-HERE-NOW

09.12.2022, by Michael D'Este

Review
Bankley Studios and Gallery
Manchester
A photograph of St Helens town centre on a rainy day in autumn

Take Over 2022

07.12.2022, by Josh Coates

Exploration
Review
Heart of Glass
St Helens
Take Over
A person stands in a union-jack painted room with VR headset and tech suspended from the ceiling

Flesh Eating Zombies and Artistic Ghosts: A report on MAW 2022

29.11.2022, by George Vasey

Review
Middlesbrough
A draped piece of white knitted fabric is pinned against a white wall by a silver scaffold pole.

Jenny Beard and Connor Shields: Middle of The Road

28.11.2022, by Daniel Potts

Review
Leeds
Vernon Street Gallery, Leeds Arts University
An igloo shaped hut made of wooden logs in the middle of a white walled gallery space

Richard Harris: Being Here

11.11.2022, by Sam Pickett

Feature
Review
Cumbria
Grizedale Forest Visitor Centre
A corten steel sculpture made up of the letters 'LOVE' repeated and stacked in a square format. The sculpture is set on a grassy mound with a stone building behind.

Robert Indiana: Sculpture 1958-2018

08.11.2022, by Abi Mitchell

Review
Wakefield
Yorkshire Sculpture Park
Installation view of ‘Shaken, Not Stirred’ (1992) by Tony Heaton. Image courtesy of the Grundy Art Gallery, photograph by Matt Wilkinson,

Strange Loops: altered by Tony Heaton

20.09.2022, by Daniel Newsham

Review
Blackpool
Grundy Art Gallery
Wooden sculptures depicting sheet face masks in a low-lit gallery space.

My Garden, My Sanctuary

16.09.2022, by Denise Courcoux

Review
FACT
Liverpool
Photograph of child sitting on box in the installation ‘The Seeing Hands’ (2022) by Katie Schwab.

Are You Messin’?

07.09.2022, by Laura Biddle

Review
Liverpool
The Bluecoat
Three white walls can be seen, all full of paintings. Each painting is different in terms of content and colour; those closest to the front depict comic strip style outlines of people, and those furthest away depict realistic views of cinemagoers.

High on Hope

01.09.2022, by Neil Greenhalgh

Review
Cumbria
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