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A white gallery with two large traditional nudes interspersed with smaller artworks

Linder: The Return of Linderland

25.09.2026, by Amie Kirby

Review
Blackpool
Grundy Art Gallery
Flanagan stands in front of the MARTIN COLLINS sign in black and white, he has light skin and dark hair with trimmed facial hair and wears a white shirt

You can never really return home: Elliott Flanagan Interview

01.09.2026, by Andrew McMillan

Interview
Burnley
The Salon
The artist as Darwin in drag with bright orange ruffly skirts, under the sea with three friends dancing

Yuki Kihara: Darwin in Paradise Camp

10.11.2025, by Grey Marlow

Review
Manchester
The Whitworth
a horse rider standing still on calm wet sands

Sankey: Lives Through the Lens: The Workers and The Binding Tide

02.08.2025, by Anthony Ellis

Review
Barrow-in-Furness
Signal Film & Media
Dark image of a party with low lighting showing prints on walls

scant: an interview

01.05.2025, by Corridor8

Interview
Manchester
Saan Gallery
Four people are seated in front of a large projection screen at Brighton CCA Dorset Place; they are silhouetted in a darkened room. On the screen is a still image from 632700, showing an red and green abstract pattern around the edge, a central white circular band with a photograph of a den made from sticks in the woods inside the circle, a drawing of red and blue flowers in the bottom right, and a drawing of a person painting a landscape scene on canvas in the bottom left.

Anne-Marie Atkinson: ‘632700’

29.03.2023, by Michael Orr

Review
Brighton
Leeds
Leeds Art Gallery
Photo Fringe
Lots of photographs on a white wall including portraits and candid group shots.

The Time We Call Our Own

22.10.2020, by Bethany Holmes

Review
Liverpool
Open Eye Gallery

Distinctly

08.02.2020, by Kenn Taylor

Review
Williamson Art Gallery & Museum
Wirral