Reviews — Page 22 of 30

Stage One: art production on an industrial scale in North Yorkshire

12.10.2016, by Zara Worth

Review

York

Peter Mitchell: Planet Yorkshire

06.10.2016, by Jack Shirlaw

Review

Bradford

Impressions Gallery

Different Trains

04.10.2016, by Simon Ward

Review

Liverpool

Metal Liverpool

A large tufted sculpture triangular in shape and multi coloured, like a large shaggy monster against a white wall.

Caroline Achaintre

24.09.2016, by Dave Pritchard

Review

BALTIC Centre for Contemporary Art

Gateshead

Alistair Woods: Common Denominator, Victoria Station & Sadler’s Yard

19.09.2016, by Bruce Davies

Review

Manchester

Dark Matter Symposium: The Unseen World of Artist Led Activity

12.09.2016, by Sean Ketteringham

Review

Liverpool

The Royal Standard

Behind the lights: All blonde people should be shot

12.09.2016, by Tarja Kojola and Tommi Brem

Review

Finland

Kulttuurikeskus Vanha Paukku

Reply All

08.09.2016, by Claire Walker

Review

Grosvenor Gallery

Manchester

A series of sculptures arranged in the atrium of a gallery. Two huge cactus-like constructions rise vertically. On the floor are a selection of cast pumpkins and gourds in shades of grey.

Jonathan Trayte: Polyculture / Stass Paraskos: Lovers and Romances

22.08.2016, by Derek Horton

Review

Leeds

The Tetley

Vox Pop, Christopher Rollen

21.08.2016, by Christopher Little

Review

Newcastle upon Tyne

Vane

Jenny Steele, An Architecture of Joy

04.08.2016, by Tom Emery

Review

Blackpool

Grundy Art Gallery

From The Rocks Above The Pass, MILK Collective

03.08.2016, by Annie O'Donnell

Review

House of Blah Blah

Middlesbrough

Cracked Egg (Exhibition & Publication Launch), In Certain Places

03.08.2016, by Michael D’Este

Review

Preston

Leonora Carrington / Lucy Skaer

28.07.2016, by Derek Horton

Review

Leeds

Leeds College of Art

Prima Donna

21.07.2016, by Claire Walker

Review

Salford

The International 3

Josh Whitaker & Perce Jerrom, Mayhem Totes, Michaelangelo, Serge de Nîmes, The Death Suite: Binary Control Van Halen, The Death Suite: Chair etc.

14.07.2016, by Sean Ketteringham

Review

Crown Building Studios

Liverpool

Alex Charrington, Push Me Pull You

11.07.2016, by Annie O'Donnell

Review

Middlesbrough

Platform A Gallery

Hannah Leighton-Boyce: Instruments of Industry

17.06.2016, by Laura Mansfield

Review

Rochdale

Touchstones Art Gallery

Long white gallery space flanked on the right with a long window. Art objects line the left-hand and back wall, and lie dotted around on the floor

On to the next, MUESLI

16.06.2016, by Jonathan Ferguson

Review

Liverpool

The Royal Standard

Rufus Newell, Hercules and his Club

15.06.2016, by Abi Mitchell

Review

South Square Gallery

Thornton

Jumana Emil Abboud

13.06.2016, by Camilla Irvine Fortescue

Review

BALTIC Centre for Contemporary Art

Gateshead

Light Night Commission: Afloat, in Land, Leggate Theatre

09.06.2016, by Claire Walker

Review

Liverpool

Victoria Gallery and Museum

Live Laugh Love: The White Pube, MUESLI

09.06.2016, by Felicity Black

Review

Liverpool

The Royal Standard

Francis Bacon: Invisible Rooms

19.05.2016, by Eli Regan

Review

Liverpool

Tate Liverpool

My Own Mag: Jeff Nuttall and the British Underground Scene

13.05.2016, by Thom Robinson

Review

Henry Moore Institute

Leeds

Open 2: Pieces of You

10.05.2016, by Claire Walker

Review

Liverpool

Open Eye Gallery

Art Sheffield

10.05.2016, by Orla Foster

Review

Sheffield

A background of a wall of cassette tapes with yello arabic writing over the top. In the foreground a young woman with black hair looks sensuously into the camera.

Vinyl Icons: Persian Pop and Turkish Psychedelia

08.05.2016, by Camilla Irvine-Fortescue

Review

Newcastle upon Tyne

Vane

-Scape: Constructing Nature

06.05.2016, by Claire Walker

Review

Holden Gallery

Manchester

Maud Sulter: Passion

05.05.2016, by Derek Horton

Review

Bradford

Impressions Gallery

Nathaniel Mellors, Ourhouse Episode -1: Time

28.04.2016, by Holly Grange

Review

Harris Museum and Art Gallery

Preston

Joe Fletcher Orr: Mummy’s Boy

27.04.2016, by Daniel McMillan

Review

Salford

The International 3

A Lesson in Sculpture with John Latham

25.04.2016, by Laurence Piercy

Review

Henry Moore Institute

Leeds

Double Act: Art and Comedy

22.04.2016, by Anthony Ellis

Review

Liverpool

The Bluecoat

S1 Introduces

11.04.2016, by David McLeavy

Review

S1 Artspace

Sheffield

A photograph of two men in military uniform stood by a white car on a dusty road. The man in the foreground is looking up.

Omer Fast: Present Continuous

28.03.2016, by Dave Pritchard

Review

BALTIC Centre for Contemporary Art

Gateshead