Reviews

Showing 973–1008 of 1072 articles

A New Reality – Part 1, The Tetley

15.02.2014, by Rebecca Senior

Review

Leeds

Thomas Bayrle: All-in-One

13.02.2014

Review

BALTIC Centre for Contemporary Art

Gateshead

Anna Barham – Double Screen (not quite tonight jellylike), Site Gallery

03.02.2014

Review

Sheffield

Wolfgang Weileder – Atlas, Northern Gallery for Contemporary Art, Sunderland

31.01.2014

Review

NGCA

Diagrams

27.01.2014, by Susanna Hill

Review

The Holden Gallery

S1 Introduces, S1 Artspace

18.01.2014

Review

Sheffield

Sara Barker & Ryder Architecture – The Subtle Knife, BALTIC

09.01.2014

Review

Gateshead

Wu-Tang: Killa Beez – Produced by Josh Whitaker, Blip Blip Blip

12.12.2013

Review

Leeds

Art Turning Left: How Values Changed Making 1789 – 2013, Tate Liverpool

09.12.2013

Review

Liverpool

Joanne Tatham & Tom O’Sullivan – DOES THE IT FIT, CIRCA Projects

05.12.2013

Review

Newcastle upon Tyne

Lauren O'Grady Other Possible Locations, Crossroads, 2012 Plywood, plaster, various model making materials, 55x120x110cm

Small Change, AirSpace Gallery, Stoke-on-Trent

02.12.2013

Review

AirSpace Gallery

Dumb Shadow – Supercollider

29.11.2013

Review

Blackpool

Art Sheffield – Zero Hours

20.11.2013

Review

Sheffield

Reality and Constructed Factual – Art Sheffield Parallel Projects, Unit 2, Speedwell Works

13.11.2013

Review

Sheffield

HOMELANDS – Paul Alexander Knox, We Are All Brothers Here: Stories from the Bangladeshi Community & Ciara Leeming, Stay where there are songs: Teesside’s New Roma

11.11.2013

Review

Melvin Moti – Hyperspace, Pavilion

09.11.2013

Review

Leeds

Mary Stark

PAPER #9 – interim, PAPER Gallery

06.11.2013

Review

© Andy Freeny, 2013

Bob Cobbing: ABC in Sound, Exhibition Research Centre John Moores University

04.11.2013

Review

Liverpool

Daniel Sambo - Urban Roots (2011)

You Are The Company In Which You Keep, The Social: Encountering Photography – Northern Gallery for Contemporary Art & Sunderland Museum and Winter Gardens, Sunderland

01.11.2013

Review

NGCA

Installation view: Alice Channer, Il Palazzo Enciclopedico / The Encyclopedic Palace, curated by Massimiliano Gioni, 55th International Art Exhibition, Arsenale, Venice Biennale, Venice, Italy Courtesy of the artist; The Approach, London; Lisa Cooley, New York Photographer: Fulvio Orsenigo

Alice Channer and Mark Leckey – Massimiliano Gioni, The Encyclopedic Palace, 55th International Art Exhibition, The Venice Biennale

30.10.2013

Review

Italy

Venice

WORKS|PROJECTS – Plan For A Ruin, Islington Mill, Salford

25.10.2013

Review

Flora Whiteley, Shake of the Head, 2012, oil and tempera on linen, 68x57cm

Suppose An Eyes – Lady Lucy, Jacqueline Utley & Flora Whiteley, Vane

24.10.2013, by Rachel McDermott

Review

Newcastle upon Tyne

Vane

Alison Erika Forde – The Tallest of Tales Art Gallery

21.10.2013

Review

Manchester Art Gallery

Tim Hetherington, You Never See Them Like This, Open Eye Gallery, Liverpool

18.10.2013

Review

Open Eye Gallery

The School of The Damned – blip blip blip

15.10.2013

Review

Leeds

Zoe Beloff: DREAMLAND – Grundy Art Gallery

14.10.2013

Review

Blackpool

Best – Malgras|Naudet

11.10.2013

Review

Experiment Perilous + Video Jam – Abandon Normal Devices, Liverpool

10.10.2013

Review

Liverpool

Holly Rowan Hesson – Residency, The Penthouse

09.10.2013

Review

The Third Quarterly Leeds Weirdo Club Exhibition: The Lucky and Unluky Eskape by David Steans, and other works by Matthew Crawley and Harry Meadley

08.10.2013

Review

Leeds

Richard Shields – The Journey Of The Artist And The Price Of The Ticket, Carlton House

05.10.2013

Review

SEFT-1 / Los Ferronautas – Abandon Normal Devices

30.09.2013

Review

Liverpool

Photograph by Emily Reid

Ahmed & Carpenter – Aversion Management, Rogue Project Space

27.09.2013

Review

Joseph Buckley – One Sixth of a Series Of Elegies: V, ?? & XVII: Retcon! Retcon! Retcon!

21.09.2013

Review

&Model

Leeds

Eleanor Wright – THIN CITIES, Gallery North, Northumbria University

19.09.2013

Review

Two green topped tables in a gallery space. Each has a bronze bust on. There are a number of pieces on the large white walls behind.

Nicolas Deshayes, Crude Oil, S1 Artspace

18.09.2013, by Lesley Guy

Review

Henry Moore Institute

Sheffield

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