Lara Eggleton

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Lara Eggleton is a writer, historian, editor and arts consultant. She is Managing Editor at Corridor8, a contributing writer for a range of art journals and writing platforms and holds a PhD in Art History from the University of Leeds.

Showing 109–144 of 161 entries

A photograph of the Hepworth Wakefield building, which is made up of low grey blocks in front of the river.

Art, Audience and Economy: How should we value the arts in the North of England?

02.06.2017, by Tom Hopkin

A view of the interior of a car filled with pebbles and shells.

Somewhere Becoming Sea/ Chris Dobrowolski: Washed Up Car-go

01.05.2017, by Derek Horton

View of a gallery with multiple freestanding sculptures positioned throughout. The works all relate to the body and figure, with many featuring human limbs.

Aleksandra Domanović: Votives

11.04.2017, by Simon Boase

A person lay on a shelf, their legs hanging off the edge.

X≠Y: How to put up a shelf (V)

07.04.2017, by Karen Tobias-Green

A transparent orb hung at head height in a gallery. Inside the orb is a material that looks like broken up tiny cubes. The orb has a circular hole so that the contents can be touched.

The Learning Web: Thoughts on William Noel Clarke’s God Dead Confused

04.04.2017, by Fred Mikardo-Greaves

Call for Proposals: Art Writing Residency at Castlefield Gallery, Manchester

29.03.2017

A series of long fabric hangings displayed in a gallery space. The fabrics are in shades of black, grey, red, green and pink.

Disobedient Bodies: JW Anderson Curates The Hepworth Wakefield

24.03.2017, by Elspeth Mitchell

FYI: Rory Macbeth × Institutional Collaborative Systems

24.03.2017, by Maja Lorkowska

2017 Writing Residency Programme Announced!

20.03.2017

View of a gallery with a large fabric installation in the centre. It appears to be made up of different sheets arranged into geometric shapes. The colours are peach, orange, beige and black.

Bethan Hughes: Softbodies

20.03.2017, by Hayley Toth

An abstract work made up mainly of two pink rectangles with a blue and yellow detail at the bottom edge.

PISIN: Works from the Carl Mooncalf Collection

04.03.2017, by Lisa-Marie Dickinson

Photograph of a moorland landscape with blue clouded sky above. In the foreground a white sheet is caught on a wooden stick, and billows out across the foreground.

Ailsa Read: The Witches Walk

03.03.2017, by Karen Tobias-Green

Two people face each other in a gallery space. One seems to be reading to to the other.

Dora García: These books were alive; they spoke to me!

22.02.2017, by Rebecca Levick

A sculpture of the gorilla character King Kong. The gorilla's arms are outstretched. The background is a black tiled building.

Latent Voices: How public art of the past can speak in the present

Henry Moore Institute, BALTIC, Bessie Surtees House

14.02.2017, by Amelia Crouch

A detailed drawing of a woman as a cowboy, in typical hat and neckerchief.

What if John Wayne were a woman?

09.02.2017, by Elspeth Mitchell

A sculpture that looks like two sets of shelves, one in green, the other pale pink. Some objects rest on the shelves.

Floordrobe

02.02.2017, by Lisa-Marie Dickinson

A black and white photograph of a fibreglass king kong sculpture, with a person sat on each shoulder. Around the gorilla's head hangs a sign about pay.

The King and I

31.01.2017, by Richard Hudson-Miles

On Our Backs: An Archive

25.01.2017, by Niomi Fitzsimmons Fairweather

Micro Residency at serf Studios

13.01.2017

A series of three sculptural gourds arranged together. They are grey in colour, with hints of orange and peach.

Gourd Grief: Consuming without Conscience

12.01.2017, by Abi Mitchell

Occasional Residents: Art Writing Workshop and Publication Launch

11.01.2017

Corridor8 Publication and Website Launch

21.12.2016

Division of Labour

19.12.2016, by Polly Checkland Harding

Micro Residency at Leeds College of Art

07.12.2016

Call Out for New Writers

29.11.2016

Commissioned Writing Opportunities

29.11.2016

Painting, Fo’ Sho!

22.11.2016, by David Steans

Dark gallery space with what appears to be a deer carcass on a table, other artworks on the wall behind

Flesh

22.11.2016, by Jack Shirlaw

2001

30.10.2016, by Zoë Sawyer

STEAM Ahead

21.10.2016, by Bruce Davies

A rock

Pippa Eason: Set in Stone

18.10.2016, by Alice Bradshaw

Peter Martin: Self Service

18.10.2016, by Orla Foster

Stage One: art production on an industrial scale in North Yorkshire

12.10.2016, by Zara Worth

Peter Mitchell: Planet Yorkshire

06.10.2016, by Jack Shirlaw

Art Writing Workshop @ The Tetley, Leeds

27.09.2016