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Showing 109–144 of 171 posts

The artist stands beside a sculpture by Barbara Hepworth on a plinth, lifting her arm to touch it with her elbow; behind a coastal landscape on a sunny day..

YSI artist spotlight: Claye Bowler and Nwando Ebizie

10.11.2021, by Hatty Nestor

Interview
An image of wooden block engraved in upper case letters are arranged in a short stack. They say: 'Whisper a secret to something. See if they whisper back?'.

Idit Nathan and Helen Stratford: Further Afield

14.10.2021, by Joanna Jowett

Interview
Wakefield
Yorkshire Sculpture Park
An image showing the full installation from a central perspective, with a grouping of sculptures and a clear view of the glass ceiling.

James Thompson: Spatial Drifts

23.09.2021, by Orla Foster

Review
Review
Leeds
Leeds Art Gallery
The image shows a wooden sculpture resembling a tree trunk supported by four bowing legs in the centre of the frame, with drawings of tree trunks in frames behind it on the gallery wall.

David Nash: Return to the Forest

23.07.2021, by Laura Biddle

Review
Cumbria
Grizedale Forest Visitor Centre

SOFT HANDS ON MOSSY ROCKS

28.05.2021, by Grace Edwards

Review
Abingdon Studios
Blackpool
A series of bronze sculptures of elaborate Afro hairstyles for women mounted on short and colourful wooden sticks.

A Body on the Ground: an interview with Kedisha Coakley

29.04.2021, by Even Allen

Interview
Yorkshire Sculpture Park

OFF GRID

22.11.2020, by Laura Biddle

Review
Cross Lane Projects
Kendal
Multicoloured hollow cylinders are arranged in the gallery, in two columns to the left and right, and in the foreground arranged separately on the floor on a pile of blue sand.

Jonathan Baldock: Facecrime

30.09.2020, by Kyle Nathan Brown

Review
Liverpool
The Bluecoat
A sculpture made of metal and feathers in the room of a historic house.

Kate MccGwire: Menagerie

31.07.2020, by Catriona McAra

Review
Harewood House Trust
Leeds

Made With…

25.07.2020, by Daniel Newsham

Review
Cross Lane Projects
Kendal
A white wall gallery space with a lightwood floor and white pillars. Works are hung on the walls, and several people are gathered in the space.

Sara Barker: All Clouds are Clocks, All Clocks are Clouds

07.05.2020, by Holly Grange

Exploration
Leeds
Leeds Art Gallery
A person's face wrapped in a face mask and bandages, with their hair covered by a cap. Two hands hold either side of their face to massage it.

Taus Makhacheva: Hold Your Horses

16.03.2020, by Pamela Crowe

Review
Leeds
The Tetley
A collection of bags and items of furniture, arranged in a collage style. Small human figurines are included in the assemblage, interacting with the different forms and shapes of the objects.

Paula Chambers: Shoplifting in Woolworths and Other Acts of Material Disobedience

25.02.2020, by Jay Drinkall

Review
Barnsley
The Civic

Continuation and/or duration

08.12.2019, by Michael Orr

Review
Abingdon Studios
Blackpool
A series of white abstract and geometric sculptures in a white gallery space.

Edward Allington: Things Unsaid 

29.11.2019, by Tessa Norton

Review
Henry Moore Institute
Leeds
A view of a gallery with white walls and floor. Several sculptures are visible in the frame, made up of everyday objects.

Alex Farrar: Fall, slump, drop on a bedside cabinet in water […]

26.09.2019, by Jessica Piette

Review
Bloc Projects
Sheffield
An image of a sculpture on a brown background. The work is made of ceramic and metal, and looks like a natural object such as coral or the growth of branches.

What is the Matter? Materials, Commodities, Narratives

22.09.2019, by Orla Foster

Review
Kelham Island Museum
Sheffield
Two people stand inside a large inflatable artwork in shades of yellow and pink.

Michael Shaw: INF23

16.09.2019, by Karen Tobias-Green

Review
Leeds
Left Bank
A fabric banner held up by a black woman on a beach. The banner is orange and reads 'be at the hand of might'

Yorkshire Sculpture International at the Henry Moore Institute

09.09.2019, by Pamela Crowe

Review
Henry Moore Institute
Leeds
A park with a large monument. Two people dressed in all white push and pull at the sides of the statue and plinth.

James Thompson and Annabel Taylor-Munt: Parallel Architectures IIIII

26.07.2019, by Catriona McAra

Review
Leeds
Leeds Town Hall
A selection of large sculptures positioned outdoors in an urban environment.

Nika Neelova and Holly Hendry at The Tetley

28.06.2019, by Karen Tobias-Green

Review
Leeds
The Tetley
Roy Voss Gymnasium Gallery Berwick

Roy Voss: The Way Things Are

15.04.2019, by Caro Fentiman

Review
Berwick-upon-Tweed
Gymnasium Gallery
A close up of a work of art showing different textures and patterns. There is a section with a grid, and small pieces of painted canvas.

Construction House: Radical Materials

28.03.2019, by Orla Foster

Review
S1 Artspace
Sheffield
An installation in a gallery, with white walls and floor. There are several sculptures throughout the room, and two large inflatable panels.

Yoke: Undercurrent

28.02.2019, by Karen Tobias-Green

Review
The Art House
Wakefield
Many pairs of plaster cast feet fill an old hall.

Eva Mileusnic and Bob Birch: Critical Mass

04.02.2019, by Stu Hansom

Review
Leeds
Left Bank
Three television monitors stacked on top of each other in a white walled gallery space. On the grey floor in front of the tvs are a range of plaster objects with bent wires coming out. The TV at the top of the three has the image of a person's face, the two below are blank screens with a note attached to each.

Aaron Guy: The House that Jack Built

18.12.2018, by Christopher Little

Review
36 Lime Street
Newcastle upon Tyne
A visitor stands looking at a white sculpture hanging in a gallery space.

The Hepworth Prize for Sculpture 2018

05.12.2018, by Paula Chambers

Review
Hepworth Wakefield
Wakefield
Heather Phillipson BALTIC Gateshead Age of Love

Heather Phillipson: The Age of Love

19.11.2018, by Carys Rose Thomas

Review
BALTIC Centre for Contemporary Art
Gateshead
A black and white image of a body in the crab position. The back of their head and arms are visible to the viewer, while the rest of their body is foreshortened. Protruding from their body, and extending up onto the walls, are black fabric strings.

Senga Nengudi

28.10.2018, by Rachel Graves

Review
Henry Moore Institute
Leeds
A view of a colourful and complex art installation. There are lots of sculptural objects and shapes in shades of pale pink, blue, green and yellow.

Tai Shani: Semiramis

09.10.2018, by Rachel Graves

Review
Leeds
The Tetley

Liverpool Biennial 2018 at the Bluecoat

07.10.2018, by Callan Waldron-Hall

Review
Liverpool
The Bluecoat
Helen Shaddock Word South Shields

Helen Shaddock: Themselves Here Together

16.06.2018, by Sarah Davies

Review
South Shields
The Word
A room in a gallery with wooden floor and panelled walls. The room seems to be entirely filled by a large red ball. A visitor stands beside it.

Material Environments

17.05.2018, by Louis D’Arcy-Reed

Review
Leeds
The Tetley
Roy Voss, The Way Things Are (installation shot) at Grundy Art Gallery, Blackpool

Roy Voss: The Way Things Are & All the World’s a Sunny Day

14.05.2018, by Daniel McMillan

Review
Blackpool
Grundy Art Gallery
View of a gallery with white walls and floor. There are several sculptural works on display, including a metal screen that partly obscures the view.

Simona Brinkmann: Override & Ellie Collins: Sweepings

28.04.2018, by Karen Tobias-Green

Review
The Art House
Wakefield
Click (after Hogarth) (2018) two-part argon and glass. Brass Art: that-which-is-not at Bury Art Museum and Sculpture Centre. Image courtesy of Bury Art Museum and Sculpture Centre

Brass Art: that-which-is-not

16.04.2018, by Beth Dawson

Review
Bury
Bury Sculpture Centre
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