Holly Grange

Holly Grange is a curator based in Leeds and regional editor of Corridor8 for Yorkshire and the Humber. She is Exhibition Curator at Leeds Art Gallery and formerly curator of the Musgrave Kinley Outsider Art Collection at the Whitworth. Alongside her curatorial practice she has written for a number of publications including Art Quarterly, Corridor8, CVAN, This is Tomorrow and the Oxford English Dictionary of National Biography. She has a particular interest in platforming the work of marginalised artists and those who have been ghettoised or excluded from the master narratives of art.

Showing 1–36 of 45 entries

Dwell Time: a moving picture of mental health

26.08.2020, by Joanna Jowett

Kate MccGwire: Menagerie

31.07.2020, by Catriona McAra

A blue cyanotype print with white silhouettes of figures- some stood in pairs and others individually.

Reflections of a curator in lockdown

04.06.2020, by Aidan Moesby

Why Are We Here? With Black Artists & Modernism

04.05.2020, by Sara Makari-Aghdam

Taus Makhacheva: Hold Your Horses

16.03.2020, by Pamela Crowe

A City That Welcomes Art: Three Sheffield artists reflect on winning major prizes

28.02.2020, by Orla Foster

Empathic viewing in Mieke Bal’s Don Quichotte: Sad Countenances

28.02.2020, by Jaroslava Tomanova

Paula Chambers: Shoplifting in Woolworths and Other Acts of Material Disobedience

25.02.2020, by Jay Drinkall

Collecting the act of collecting in Harlan Whittingham’s films

12.01.2020, by Jaroslava Tomanova

Slow Painting

22.12.2019, by Derek Horton

Beyond Surface – Painting for Dark Times: The Contemporary British Painting Prize and Mandy Payne: Out of Time

20.12.2019, by Emma Bolland

Nii Obodai: Of Natural Magic 

07.12.2019, by Jay Drinkall

Edward Allington: Things Unsaid 

29.11.2019, by Tessa Norton

Christopher Nunn – Borderland: Stories from Donbas

28.11.2019, by Daniel Potts

A new gallery for Leeds. BLANK_ opens with Rhian Cooke: Divide by Two

17.10.2019, by Abi Mitchell

Michael Mulvihill’s The Unblinking Eye: 55 Years of Space Operations on Fylingdales Moor

17.10.2019, by Lara Eggleton

Ecstatic Rituals

05.10.2019, by Richard Hudson-Miles

Footnotes on Equality

02.10.2019, by Paul Drury-Bradey

Frances Disley: The Cucumber Fell in the Sand

30.09.2019, by Tessa Norton

Alex Farrar: Fall, slump, drop on a bedside cabinet in water […]

26.09.2019, by Jessica Piette

What is the Matter? Materials, Commodities, Narratives

22.09.2019, by Orla Foster

Ashley Holmes and R.I.P. Germain: Double 6

17.09.2019, by Super BLACK: Omari Swanston-Jeffers

Michael Shaw: INF23

16.09.2019, by Karen Tobias-Green

Yorkshire Sculpture International at the Henry Moore Institute

09.09.2019, by Pamela Crowe

How to be a Dyslexic Artist & Other Stories

30.08.2019, by Daniel Potts

East Leeds Project: an interview with Kerry Harker and Claire Irving

30.08.2019, by Joanna Jowett

Collette Rayner: Tests on Previsualisation. Tests on Dredging. Tests on Floaters.

07.08.2019, by Louis D'Arcy-Reed

Eulogy

07.08.2019, by Joanna Byrne

Pavilion Artists Moving Image Network: Screening Weekend

01.08.2019, by Nina de Paula Hanika

Karl Vickers: Publicly-Funded Minerals

27.07.2019, by Joanna Byrne

James Thompson and Annabel Taylor-Munt: Parallel Architectures IIIII

26.07.2019, by Catriona McAra

Annabel McCourt: Suffering Arcadia

08.07.2019, by Martha Cattell

Nika Neelova and Holly Hendry at The Tetley

28.06.2019, by Karen Tobias-Green

Chloë Brown: A Soft Rebellion in Paradise

16.06.2019

Chloë Brown: A Soft Rebellion in Paradise

16.06.2019, by Holly Grange

Ilana Halperin: Minerals of New York

01.05.2019, by Lauren Velvick