Showing 34 posts

Installation view showing Dining Room section of exhibition. Photo by Jules Lister.

William English & Sandra Cross: To Farse All Things

07.11.2025, by Wayne Burrows

A bird's eye view of circular drawings in the sand

Anna Clough: Inter/Extra Terrestrial

03.11.2025, by Iona Glen

A viewer looks at two framed photographic portraits, on the left a person in a red rdess with a flower in their hair and the right a person in black clothing and glasses

FAFSWAG: FALE SĀ / SACRED HOUSE

08.10.2025, by Jessica El Mal

blue ceramic sculpture of loops like a knuckle duster on a sienna background

Pippa Eason: Four-fold Reverie

10.09.2025, by Jazmine Linklater

A black and white photo of a smiling woman playing a drum, pasted onto a cream coloured wall.

Resounding Diasporic Sonic Worlds

28.08.2025, by Christie Yung-hei Chan

Two men stand in front of a red banner

Going Back Brockens: Monuments and Rhetoric After the Miners’ Strike

13.08.2025, by Kate Liston

a white wall covered with sprigs of meadow flowers

Henna Asikainen: Lintukoto/Haven

19.06.2025, by Sam Pickett

terracotta, cream and brown coloured strips of fabric draping from the ceiling

Energy House 2.0: Mishka Henner and Emily Speed

15.05.2025, by Jack Nicholls

A wooden table covered with a row of wooden sticks and small prints of mouths on pieces of paper standing upright

The Caravan Press and All the Better to Hear You With

06.05.2025, by Francesca Brooks

The stage set of House of Reeves shop front behind a white picket fence and gravel floor, with concrete pillars and planters with dead trees on either side

Imran Perretta: A Riot in Three Acts

13.03.2025, by Kirsty Jukes

A close up of a long wall vitrine with postcards and polaroid's inside and underneath on the wall words written: marking shifting changing learning discussing questioning...

Tina Dempsey and Tracy Hill: Grounding

04.03.2025, by Anne Waggot Knott

Women sit around a large table covered in paints, paper, and other art supplies, talking and smiling

In Translation: In-Situ and Art of Small Talk

14.01.2025, by Chantal Oakes

A close up of four swatches of overlaid printed fabric, clockwise from the top: a grey-blue-green swirly cloud like image; a dappled red-black-brown like a close-up on mince meat; bright yellow with flecks of white; deep and lighter green leaves on brown branches with red berries

Preserving Hole: Bláithín Mac Donnell, Aled Simons and Tom Cardew

26.09.2024, by Hilary White

A white woman with brown hair wearing black in a dark space filed with triangular shapes holds two glowing drum sticks as though mid stroke. She is looking down to the drums out of frame.

Mishka Henner: The Conductor

29.05.2024, by Jack Nicholls

A group of people of various ages and races sit around the room listening, some lie back with arms cross and all have their eyes shut

SHOP & The Future of Listening by Niki Colclough

13.03.2024, by James McColl

A light skinned person with greying hair has their hands on a round pine table, they are wearing headphones, they are looking at the table in contemplation. Behind them is a drawing of a coastal landscape attached to a pine board with bulldog clips. There are blue and black bean bags near the table.

Blue Futures: In conversation with Suzy O’Hara

12.12.2023, by Christie Yung-hei Chan

A gallery space with white painted walls and concrete floor. Light enters the windows along the back wall. There are several artworks in the gallery: a modified pool or snooker table, a sofa and arm chair, a green curtain, and a set of antlers mounted to the wall.

Luke Beech: Winner Breaks First

27.07.2023, by Emma Curd

A still from a CGI video essay. The background is black with small white lines marking out space, and navigation tools at the side of the screen. A 3D model of a mountain is in the centre, with green plants growing among white and grey rock.

Kyriaki Goni: Data Garden

18.03.2023, by Alasdair Milne

A photograph of two large screens displayed like an open book, in a darkened room, lit with soft red light. On the screens are black and white, grainy images of waves, curled and crashing. on either side of the screens are potted plants, the foliage is highlighted in the red light.

Zinzi Minott: Black on Black

22.08.2022, by Mymona Bibi

An illustration of a hand reaching out toward a shiny CD disc, against a warm orange background.

The body feeling

10.12.2021, by Callan Waldron-Hall

Cinema Paradiso: Shorts Programme

12.01.2020, by Isabel Taube

An artist's film screened in a gallery space. On screen is a view of a person's legs in blue light. In the surrounding gallery is a neon green work lighting the room.

Simeon Barclay: Bus2move

12.11.2018, by Laura Clarke

Invisible Flock’s AURORA at Toxteth Reservoir

07.10.2018, by Denise Couroux

Matt Stokes Gogmagog Bell Bells Trinity Church Sunderland

Matt Stokes: Gogmagog – The Voices of the Bells

08.08.2018, by Dave Pritchard

Preview: COSMOS at bluedot 2018

15.07.2018, by Jacob Bolton

Helen Shaddock Word South Shields

Helen Shaddock: Themselves Here Together

16.06.2018, by Sarah Davies

Kate Liston Hatton Gallery Newcastle University

Kate Liston: Feel After the New See

08.05.2018, by Lesley Guy

Fiona Crisp Safe Haven NGCA

Fiona Crisp: Material Sight

25.04.2018, by Dave Pritchard

A person looks at an artwork mounted on the gallery wall. The work shows a person's back, overwritten with text.

Queerology: What Have You Done For Me Lately?

22.03.2018, by Alice Bradshaw

Two people stand in a darkened room, with a white light shining through them.

Anthony McCall: Solid Light Works

20.03.2018, by Gertrude Gibbons

Sick ardour Anna Barham ex-libris Gallery Newcastle University George Vasey

Anna Barham: Sick Ardour

16.03.2018, by Adam Heardman

Serena Korda Missing Time BALTIC Centre for Contemporary Art Gateshead

Serena Korda: Missing Time

23.02.2018, by Rosie Minney

Abandon Normal Devices 2017 (2/2): AUDIO

02.11.2017, by Jacob Bolton

View of an exhibition with several works hung on the walls, and centrally on a plinth a large bench with tall back.

Everything Flows

20.06.2017, by David McLeavy