Tagged photography — Page 2 of 2

A selection of photographs, personal documentation and ephemera, including a passport.

Eulogy

07.08.2019, by Joanna Byrne

Review

Leeds

Leeds Central Library

An old photograph of a shoreline scene, with a ship docked close to the land. Bulbous shapes have been collaged onto the image.

Karl Vickers: Publicly-Funded Minerals

27.07.2019, by Joanna Byrne

Review

Assembly House

Leeds

John Peter Askew Northern Gallery for Contemporary Art Sunderland

John Peter Askew: We

01.07.2019, by Dave Pritchard

Review

NGCA

Sunderland

209 Women at Open Eye Gallery

30.04.2019, by Claire Walker

Review

Liverpool

Open Eye Gallery

Trees Yan Wang Preston Frank Forest China Side Gallery Newcastle

Yan Wang Preston: Forest

16.04.2019, by Dave Pritchard

Review

Newcastle upon Tyne

Side Gallery

Zoe Childerley: Beyond the Pale

10.11.2018, by Dave Pritchard

Review

Berwick-upon-Tweed

Dan Holdsworth: Continuous Topography

06.11.2018, by Grace Denton

Review

NGCA

Sunderland

New Brighton Revisited at The Sailing School Gallery

24.08.2018, by Denise Courcoux

Review

Liverpool

The Sailing School Gallery

It’s all Material – Snapshot to WeChat: A Migration of Identity

30.05.2018, by Callan Waldron-Hall

Review

Liverpool

Open Eye Gallery

Neither Land Nor Sea: Contemporary and Historical representations of Blackpool’s Piers

22.05.2018, by Robbie di Vito

Review

Blackpool

Grundy Art Gallery

Roy Voss: The Way Things Are & All the World’s a Sunny Day

14.05.2018, by Daniel McMillan

Review

Blackpool

Grundy Art Gallery

Fiona Crisp: Material Sight

25.04.2018, by Dave Pritchard

Review

NGCA

Sunderland

Two figures wearing large rock masks stand in a landscape.

Conroy/Sanderson: Here I Am

23.03.2018, by Lucy Holt

Review

Millennium Gallery

Sheffield

Another Look: The Pier Head – Tom Wood at Open Eye Gallery

12.03.2018, by Kenn Taylor

Review

Liverpool

Open Eye Gallery

A darkened room with three artist's films showing a man, some bookshelves and a view through a round window.

Madiha Aijaz: These Silences Are All the Words

27.02.2018, by Fiona Allen

Review

Leeds

The Tetley

The Pier Head – Tom Wood at Open Eye Gallery

11.02.2018, by Aoife Robinson

Review

Liverpool

Open Eye Gallery

John Stezaker

09.02.2018, by Jordan Harrison-Twist

Review

Manchester

The Whitworth

Rob & Harriet Fraser: The Long View

06.02.2018, by Dave Pritchard

Review

Great North Museum: Hancock

Newcastle upon Tyne

What is Socially Engaged Photographic Practice?

25.10.2017, by Eli Regan

Review

Liverpool

Open Eye Gallery

All Roads Lead to Wigan Pier

18.10.2017, by Eli Regan

Review

Leigh

The Turnpike

Culture Shifts: Local at Open Eye Gallery

16.10.2017, by Grace Edwards

Review

Liverpool

Open Eye Gallery

Portraying a Nation: Germany 1919–1933

04.09.2017, by Jenny Gleadell

Review

Liverpool

Tate Liverpool

Bruce Rae: Shipbuilding on the Tyne

24.08.2017, by Selina Oakes

Review

Newcastle upon Tyne

Side Gallery

A photographic portrait of two young black women, standing in front of a sign and arrow that reads 'ladies'.

Anita Corbin: Visible Girls Revisited

09.08.2017, by Orla Foster

Review

Artlink

Hull

A wall in a gallery with exhibition text and resources.

Mother River: Yan Wang Preston

24.06.2017, by Abi Mitchell

Review

Bradford

Impressions Gallery

View of an exhibition with several works hung on the walls, and centrally on a plinth a large bench with tall back.

Everything Flows

20.06.2017, by David McLeavy

Review

Millennium Gallery

Sheffield

A sun lounger chair in a gallery, with two works behind it on the wall.

Stella Baraklianou: Island. The Wind Constantly

16.05.2017, by Karen Tobias-Green

Review

Leeds

Set the Controls for the Heart of the Sun

LOOK/17: Liverpool International Photography Festival

18.04.2017, by Jack Roe

Review

Museum of Liverpool

Open Eye Gallery

Rodney Graham: That’s Not Me

04.04.2017, by Nathan Anthony

Review

BALTIC Centre for Contemporary Art

Gateshead

Photograph of a moorland landscape with blue clouded sky above. In the foreground a white sheet is caught on a wooden stick, and billows out across the foreground.

Ailsa Read: The Witches Walk

03.03.2017, by Karen Tobias-Green

Review

Leeds

Leeds College of Art

On Our Backs: An Archive

25.01.2017, by Niomi Fitzsimmons Fairweather

Review

Newcastle upon Tyne

The NewBridge Project

Tina Hage: The Place Here

29.05.2015, by Daniel McMillan

Review

Manchester

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