Tagged archive — Corridor8

Showing 18 posts

A white gallery with two large traditional nudes interspersed with smaller artworks

Linder: The Return of Linderland

25.09.2026, by Amie Kirby

Review

Blackpool

Grundy Art Gallery

A yellow wall with many works on paper hung along it, including a big silver square, some smaller works in frames and a long blue print

Reflections: Sangat and the Self

07.09.2026, by Joseph Conway

Review

Flanagan stands in front of the MARTIN COLLINS sign in black and white, he has light skin and dark hair with trimmed facial hair and wears a white shirt

You can never really return home: Elliott Flanagan Interview

01.09.2026, by Andrew McMillan

Interview

Burnley

The Salon

A wide view of the gallery, at the end of the room a painting of golden drapes with smaller paintings in browns and skin tones to the left

Louise Giovanelli: From Here to Here to Here

21.06.2026, by Kirsty Jukes

Review

Blackpool

Grundy Art Gallery

A painting of blue and pink skies with a shrouded figure in the foreground

Jayne Simpson: LION

05.03.2026, by Natalie Russett

Review

Blackpool

Grundy Art Gallery

A warmly lit gallery interior, there are small trees or patches of bamboo, arranged around the sapce. Two people sit in the middle of the space, on beanbags, listening.

Lintukoto and The Flowers Stand Silently, Witnessing

15.12.2025, by Silvia Hassouna

Newcastle upon Tyne

The NewBridge Project

Two small white children play in the water with a toy boat

Juliet Klottrup: An Archive

05.11.2025, by Kyle Nathan Brown

Review

Cumbria

Windermere Jetty Museum

A black and white photo of a smiling woman playing a drum, pasted onto a cream coloured wall.

Resounding Diasporic Sonic Worlds

28.08.2025, by Christie Yung-hei Chan

Review

Newcastle upon Tyne

The NewBridge Project

Two men stand in front of a red banner

Going Back Brockens: Monuments and Rhetoric After the Miners’ Strike

13.08.2025, by Kate Liston

Review

Bishop Auckland

a horse rider standing still on calm wet sands

Sankey: Lives Through the Lens: The Workers and The Binding Tide

02.08.2025, by Anthony Ellis

Review

Barrow-in-Furness

Signal Film & Media

Three large drawings on dark paper, with text and images in many colours but with an overall blue tone, part of a larger series, hang in an airy mill building.

Memorial Gestures

09.07.2025, by Alice Bradshaw

Review

Farsley

Sunny Bank Mills

a colourful textile work depicting a group of people and animals moving trough a landscape with a horse-drawn caravan

Małgorzata Mirga-Tas

16.05.2025, by Chantal Oakes

Review

A view of a wall with large strips of photographs hanging from a rail at the top down to the wooden floors. There are some smaller 10 by 15 cm sized black and white photos arranged around between the larger strips. In the foreground, to the bottom right, is a trestle table, the top a large sheet of board. There are a number of A4 sized paper documents under perspex displayed on it.

No Going Back

24.05.2024, by Benjamin Barra

Review

East Street Arts

Leeds

Two hands touch a document amongst several laid out on a table.

Memorial Gestures 2024

02.04.2024, by Alice Bradshaw

Review

Holocaust Centre North

Two hands touch a knitted blanket. The blanket is cream with blue woven text. The only word that can be made out is 'HELGA'.

Memorial Gestures

13.07.2023, by Alice Bradshaw

Review

Holocaust Centre North

A photograph of two large screens displayed like an open book, in a darkened room, lit with soft red light. On the screens are black and white, grainy images of waves, curled and crashing. on either side of the screens are potted plants, the foliage is highlighted in the red light.

Zinzi Minott: Black on Black

22.08.2022, by Mymona Bibi

Review

BALTIC Centre for Contemporary Art

Gateshead

Radical Civics: Ciara Phillips’ Press Room

31.03.2019, by Rachel Bennett

Review

Liverpool

A close up of a work of art showing different textures and patterns. There is a section with a grid, and small pieces of painted canvas.

Construction House: Radical Materials

28.03.2019, by Orla Foster

Review

Sheffield