Showing 1–36 of 70 posts

Exploration — 04.06.2020

Reflections of a curator in lockdown

Middlesbrough Institute of Modern Art, Middlesbrough

by Aidan Moesby

Review — 04.05.2020

Why Are We Here? With Black Artists & Modernism

Middlesbrough Institute of Modern Art, Middlesbrough

by Sara Makari-Aghdam

Interview — 25.03.2020

Chris Alton: Throughout the Fragment of Infinity That We Have Come to Know

The NewBridge Project : Gateshead

by Lesley Guy

Review — 16.03.2020

Taus Makhacheva: Hold Your Horses

The Tetley, Leeds

by Pamela Crowe

Review — 28.02.2020

Empathic viewing in Mieke Bal’s Don Quichotte: Sad Countenances

Leeds Arts University, Leeds

by Jaroslava Tomanova

Review — 25.02.2020

Paula Chambers: Shoplifting in Woolworths and Other Acts of Material Disobedience

The Civic; Barnsley

by Jay Drinkall

Review — 12.01.2020

Collecting the act of collecting in Harlan Whittingham’s films

The Tetley, Leeds

by Jaroslava Tomanova

Review — 22.12.2019

Slow Painting

Leeds Art Gallery, Leeds

by Derek Horton

Review — 07.12.2019

Nii Obodai: Of Natural Magic 

Beverley Art Gallery

by Jay Drinkall

Review — 29.11.2019

Edward Allington: Things Unsaid 

Henry Moore Institute, Leeds

by Tessa Norton

Review — 28.11.2019

Christopher Nunn – Borderland: Stories from Donbas

Impressions Gallery, Bradford

by Daniel Potts

Interview — 27.10.2019

The Dirt I’m Made Of: Two Interviews about OUTPUT Gallery

OUTPUT Gallery, Liverpool

by Callan Waldron-Hall

Review — 17.10.2019

A new gallery for Leeds. BLANK_ opens with Rhian Cooke: Divide by Two

BLANK_, Leeds

by Abi Mitchell

Review — 05.10.2019

Ecstatic Rituals

Humber Street Gallery, Hull

by Richard Hudson-Miles

Review — 02.10.2019

Footnotes on Equality

Artlink, Hull

by Paul Drury-Bradey

Review — 30.09.2019

Frances Disley: The Cucumber Fell in the Sand

Humber Street Gallery, Hull

by Tessa Norton

Review — 26.09.2019

Alex Farrar: Fall, slump, drop on a bedside cabinet in water […]

Bloc Projects, Sheffield

by Jessica Piette

Review — 22.09.2019

What is the Matter? Materials, Commodities, Narratives

Kelham Island Museum, Sheffield

by Orla Foster

Review — 17.09.2019

Ashley Holmes and R.I.P. Germain: Double 6

Leeds Town Hall, Leeds

by Super BLACK: Omari Swanston-Jeffers

Review — 16.09.2019

Michael Shaw: INF23

Left Bank, Leeds

by Karen Tobias-Green

Review — 09.09.2019

Yorkshire Sculpture International at the Henry Moore Institute

Henry Moore Institute, Leeds

by Pamela Crowe

Review — 30.08.2019

How to be a Dyslexic Artist & Other Stories

The Tetley, Leeds

by Daniel Potts

Interview — 30.08.2019

East Leeds Project: an interview with Kerry Harker and Claire Irving

East Leeds Project, Leeds

by Joanna Jowett

Review — 07.08.2019

Collette Rayner: Tests on Previsualisation. Tests on Dredging. Tests on Floaters.

Two Queens, Leicester

by Louis D'Arcy-Reed

Review — 07.08.2019

Eulogy

Leeds Central Library, Leeds

by Joanna Byrne

Feature — 01.08.2019

Pavilion Artists Moving Image Network: Screening Weekend

Pavilion & Hyde Park Picture House, Leeds

by Nina de Paula Hanika

Review — 27.07.2019

Karl Vickers: Publicly-Funded Minerals

Assembly House, Leeds

by Joanna Byrne

Review — 26.07.2019

James Thompson and Annabel Taylor-Munt: Parallel Architectures IIIII

Leeds Town Hall, Leeds

by Catriona McAra

Interview — 08.07.2019

Annabel McCourt: Suffering Arcadia

Scarborough Art Gallery; Scarborough

by Martha Cattell

Review — 28.06.2019

Nika Neelova and Holly Hendry at The Tetley

The Tetley, Leeds

by Karen Tobias-Green

Review — 01.05.2019

Ilana Halperin: Minerals of New York

Leeds Arts University, Leeds

by Lauren Velvick

Review — 20.04.2019

Charles Rennie Mackintosh, Making the Glasgow Style: ‘A very poor idea of reality’

Walker Art Gallery, Liverpool

by Ed Montana-Williams

Review — 03.04.2019

Kannan Arunasalam: The Tent

The Tetley, Leeds

by Amelia Crouch