Showing 18 posts

A wall with wood panelling in the lower half. On the upper half a collection of photographs, collages and drawings are arranged, with gold painted arrows and symbols connecting them.

Emily Hesse: The Witches’ Institution (W.I.)

27.07.2022, by Joanna Byrne

A large, high ceilinged gallery space with a polished pine floor. Large colourful abstract paintings cover most of the wall space. In one section of the gallery are hung small framed photographs.

Glaucus and Scylla: A Collaborative Painting Project

23.06.2022, by Christie Yung-hei Chan

Photograph showing audience interaction with the tracing screen described in the article.

Convenience Gallery: In Cahoots

15.04.2022, by Reece Griffiths

One Cell At A Time

10.12.2021, by Christie Yung-hei Chan

Satelliser - a dance for the gallery, at Baltic

Janine Harrington: Satelliser – a dance for the gallery

08.11.2021, by Kate Liston

An image of wooden block engraved in upper case letters are arranged in a short stack. They say: 'Whisper a secret to something. See if they whisper back?'.

Idit Nathan and Helen Stratford: Further Afield

14.10.2021, by Joanna Jowett

Taus Makhacheva: Hold Your Horses

16.03.2020, by Pamela Crowe

A City That Welcomes Art: Three Sheffield artists reflect on winning major prizes

28.02.2020, by Orla Foster

Continuation and/or duration

08.12.2019, by Michael Orr

Happy Ending

02.11.2019, by Daniel Newsham

TOTALLER: TOT-TOT-TOTALALAZOLA!

26.02.2019, by Christopher Little

Who’s Seen Jerome?

06.02.2019, by Saffron Ward

A City of Two Tales (Leeds to Manchester)

10.05.2018, by Jordan Harrison-Twist

Making, A Life: The Peter Hodgson Retrospective, with Peter and friends

20.02.2018, by Claire Walker

Jill & Josh & Their Dead Petz

06.01.2018, by Saffron Ward

The ‘thinking-business’

17.05.2017, by Laura Rushton

PISIN: Works from the Carl Mooncalf Collection

04.03.2017, by Lisa-Marie Dickinson

PRISM – Lionel Dobie Project, The SWAYS Bunker

19.09.2013