Showing 16 posts

sheets of blue with black drawn scales and waving lines

Paper Goes Swimming: Alicia Paz’s Women in Print Residency

30.07.2025, by Susannah Thompson

A large white wall gallery space with assemblages of objects spread around the space, chiffon prints of the doors to public bathrooms hung from the ceiling.

Paula Chambers: Still. Stray. Stowaway.

18.07.2025, by Stella Baraklianou

human hands rolling brown clay on a wooden surface

Inside the Building, a Body: Emily Speed’s Women in Print Residency

08.06.2025, by Eloise Oui

A closeup of a turner print seen through a magnifying glass

Turner: In Light and Shade Special Anniversary Celebration Event

12.05.2025, by Neil Greenhalgh

A wooden table covered with a row of wooden sticks and small prints of mouths on pieces of paper standing upright

The Caravan Press and All the Better to Hear You With

06.05.2025, by Francesca Brooks

The artist sits at a workbench touching a deep green sheet of paper with one of her hands

Flower is a Cloud: Sana Obaid’s Women in Print Residency

22.03.2025, by Nina Newbold

A white walled gallery with three large bright paintings on the walls and cardboard signs propped up on the floor around the space

Street Sellers: Lubaina Himid’s Women in Print Residency

12.02.2025, by Harpreet Kaur

A print of a red block with rows of lighter shade and ribbons of traps curled at the top and bottom

Translating Textiles into Print: Jenny Steele’s Women in Print Residency

04.12.2024, by Iona Glen

the litho stone with drawing on its face and a hand swirling a liquid around the surface

Stepping Stones: Helen Cammock’s Women in Print Residency

01.08.2024, by Marjorie H. Morgan

Two people watch a film on the large screen; the footage is of the canopy of trees seen from a forest floor

Oliver Ressler: Hothouse Planet Breakout

04.06.2024, by Sarah Pennington

Installation view of ‘Shaken, Not Stirred’ (1992) by Tony Heaton. Image courtesy of the Grundy Art Gallery, photograph by Matt Wilkinson,

Strange Loops: altered by Tony Heaton

20.09.2022, by Daniel Newsham

Keith Haring at Tate Liverpool

14.07.2019, by Julia Johnson

Charles Rennie Mackintosh, Making the Glasgow Style: ‘A very poor idea of reality’

20.04.2019, by Ed Montana-Williams

An abstract image made up out of hundreds of small squares. Like mosaic tiles or pixels. Mostly in shades of blue and black with a small pattern of light blue tiles running down the middle.

Mike Collier and Bennett Hogg: A Dawn Chorus

09.02.2019, by Dave Pritchard

Foldyard Dave Watson Morag Eaton

Foldyard: Another Field | Gardens and Uncultivated Spaces

31.01.2018, by Dave Pritchard

The Manchester Print Fair

30.09.2013