Showing 11 posts

The artist sits at a workbench touching a deep green sheet of paper with one of her hands

Flower is a Cloud: Sana Obaid’s Women in Print Residency

22.03.2025, by Nina Newbold

A white walled gallery with three large bright paintings on the walls and cardboard signs propped up on the floor around the space

Street Sellers: Lubaina Himid’s Women in Print Residency

12.02.2025, by Harpreet Kaur

A print of a red block with rows of lighter shade and ribbons of traps curled at the top and bottom

Translating Textiles into Print: Jenny Steele’s Women in Print Residency

04.12.2024, by Iona Glen

the litho stone with drawing on its face and a hand swirling a liquid around the surface

Stepping Stones: Helen Cammock’s Women in Print Residency

01.08.2024, by Marjorie H. Morgan

Two people watch a film on the large screen; the footage is of the canopy of trees seen from a forest floor

Oliver Ressler: Hothouse Planet Breakout

04.06.2024, by Sarah Pennington

Installation view of ‘Shaken, Not Stirred’ (1992) by Tony Heaton. Image courtesy of the Grundy Art Gallery, photograph by Matt Wilkinson,

Strange Loops: altered by Tony Heaton

20.09.2022, by Daniel Newsham

Keith Haring at Tate Liverpool

14.07.2019, by Julia Johnson

Charles Rennie Mackintosh, Making the Glasgow Style: ‘A very poor idea of reality’

20.04.2019, by Ed Montana-Williams

An abstract image made up out of hundreds of small squares. Like mosaic tiles or pixels. Mostly in shades of blue and black with a small pattern of light blue tiles running down the middle.

Mike Collier and Bennett Hogg: A Dawn Chorus

09.02.2019, by Dave Pritchard

Foldyard Dave Watson Morag Eaton

Foldyard: Another Field | Gardens and Uncultivated Spaces

31.01.2018, by Dave Pritchard

The Manchester Print Fair

30.09.2013