Tagged Textiles — Corridor8

Showing 18 posts

A small bronze sculpture of a girl holding rings in a boat-like form, perched on top of a thick square of cardboard on top of a small, long-legged occasional table.

Sheila Gaffney: Embodied Dreaming

20.11.2024, by Orla Foster

Review

Blenheim Walk Gallery, Leeds Arts University

Leeds

A woman lies on a soft-looking, red blanket on the floor in the middle of a railway concourse; a commuter carrying a rolling suitcase steps over her.

Helen Stratford: Public S/Pacing

10.07.2024, by Debbie Rolls

Review

Sheffield

A large well lit gallery space. The wall in the background is covered in a repeat pattern wallpaper. There is an abstract picture on this wall. To the right are a series of unframed prints of repeating patterns, in different colours. In the foreground are a number of plinths with ceramics displayed.

Jacqueline Poncelet: In the Making

15.04.2024, by Michele Allen

Review

Middlesbrough Institute of Modern Art

A textile work with text reading 'I'M TENDING TO MY GRIEF'

Grief Must Be Love with Nowhere to Go: In Conversation with Emily Simpson and Chris Alton

11.03.2024, by Amelia Crouch

Interview

Sheffield

Four screens in a dark room show characters in brightly coloured costumes against a starry sky

Eelyn Lee & Collaborators: Four Quadrants of the Sky 四大神獸

08.01.2024, by Emma Bolland

Review

Sheffield

Three sculptural forms against a grey wall - a ceramic face, a knitted woollen torsa, a figure made from draped pink fabric on an aluminium frame.

Contested Bodies

06.12.2023, by Eliza Goodpasture

Review

The Stanley & Audrey Burton Gallery, University of Leeds

Orange and white striped wall with towel hanging on rail to the left, broom propped up against the wall to the right

Garth Gratrix: Cheeky Felicia

28.11.2023, by Even Allen

Review

Two stacks of publications on a grey plinth. The jackets read 'SOFT''

Fiona Larkin and Ian Giles: Soft Structures

26.11.2023, by Lesley Guy

Review

Middlesbrough Institute of Modern Art

Two hands touch a knitted blanket. The blanket is cream with blue woven text. The only word that can be made out is 'HELGA'.

Memorial Gestures

13.07.2023, by Alice Bradshaw

Review

Holocaust Centre North

Layers of white gauze fabric hanging in a gallery, printed with images of skeletal grey trees.

We Live, Like Trees, Inside the Footsteps of Our Ancestors

07.07.2023, by Chloe Elliott

Review

Leeds Arts University

Sculptures in a white wall gallery space with a concrete floor and blue ceiling beams

Rosie Edwards: Genetic Material

13.04.2023, by Nia Thomas

Review

Cross Lane Projects

Kendal

An ariel photograph of a group of people in colourful clothes having a picnic on fabric squares in a rectangular formation, in the middle of a moorland path.

Artist A & Artist B: In the Pockets of a Parachute

28.09.2022, by Danielle Ash

Artlab Contemporary Print Studios

Preston

The Birley Project Space

A plastic bag filled with soil sits in the middle of 4 concentric circles made of pieces of dried corn and beans.

Marwa Arsanios: Who Is Afraid of Ideology?

12.07.2022, by Jessica Piette

Review

Leeds

Leeds Arts University

A gallery space with six flags on poles in a circle. The flags are made from fabric, ribbons and recycled materials. Mounted on the wall behind, a video shows a figure holding a flag on a beach.

Andrew Omoding: Welcome to Me, Scarborough. To See and Hold My Work

09.06.2022, by Joanna Jowett

Review

A free-embroidered quilt of hexegons with text written in some of them and cell like structures across them.

Between Houses

22.11.2021, by Sheena Hussain

Wakefield

Lubaina Himid BALTIC Gateshead Great Exhibition of the North

Lubaina Himid: Our Kisses are Petals

19.06.2018, by Rosie Minney

Review

BALTIC Centre for Contemporary Art

Gateshead

A view of the exterior of a university building. A sculptural work spells out: 'we need to talk' across the front and steps.

So What of the Future

02.07.2017, by Saffron Ward

Review

Leeds

University of Leeds Project Space

Sarah-Joy Ford on Cut Cloth

01.07.2017, by Elspeth Mitchell

Interview

The Portico Library