Showing 18 posts

Review — 31.03.2020


The Turnpike, Leigh

by Isabel Taube

Review — 17.09.2019

Ashley Holmes and R.I.P. Germain: Double 6

Leeds Town Hall, Leeds

by Super BLACK: Omari Swanston-Jeffers

Review — 09.08.2019

John Akomfrah: Ballasts of Memory

BALTIC Centre for Contemporary Art, Gateshead

by Sara Makari-Aghdam

Review — 17.03.2019

Simeon Barclay: Life Room

Holden Gallery, Manchester

by Jazmine Linklater

Review — 19.01.2019

The Ground Beneath Your Feet

Castlefield Gallery, Manchester

by Claire Walker

Review — 19.10.2018

Joy Labinjo: Mid-conversation

Gallery North, Newcastle upon Tyne

by Laura Rushton

Review — 19.08.2018

The Future Is Bright, The Past Is Colourful

Paradise Works, Salford

by Robbie di Vito

Review — 07.08.2018

Declan Colquitt & Michaela Cullen: Double Dropping on a Phantom Island

The NewBridge Project : Gateshead, Gateshead

by Lesley Guy

Review — 19.06.2018

Lubaina Himid: Our Kisses are Petals

BALTIC Centre for Contemporary Art, Gateshead

by Rosie Minney

Review — 04.04.2018

Joy Labinjo: Gatherings

GOLDTAPPED, Newcastle upon Tyne

by Rosie Minney

Review — 06.12.2017

These Northern Types

Left Bank, Leeds

by Jay Drinkall

Review — 18.10.2017

All Roads Lead to Wigan Pier

The Turnpike, Leigh

by Eli Regan

Review — 17.10.2017

This is Human

HOME, Manchester

by Emma Bosworth

Review — 26.06.2017

Vertigo Sea

Whitworth Art Gallery, Manchester

by Selina Oakes

Feature — 02.06.2017

Art, Audience and Economy: How should we value the arts in the North of England?

BALTIC Centre for Contemporary Art, Gateshead; Hepworth Wakefield, Wakefield; Tate Liverpool, Liverpool

by Tom Hopkin

Review — 23.05.2017


PAPER Gallery, Manchester

by Hannah Allan

Feature — 11.04.2017

Things, Money, Art, Work, Class

by Matthew de Kersaint Giraudeau

Feature — 09.02.2017

What if John Wayne were a woman?

Leeds College of Art, Leeds

by Elspeth Mitchell