Rachel Graves

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Showing 19 entries

An installation view in a white walled gallery space. Several wall based works are shown around the walls with a small display case in front. The works seem to be a combination of abstract paintings in different primary colours and text-based printed matter.

Common Ground: Sleaford’s Shared Stories

24.08.2026, by Colette Griffin

Review

Sleaford Museum

The Hub

A close up view of a broken red brick, with rough textures, tiny stones and other fragments visible.

Oliver Benoit: Roots Through Ruins

19.08.2026, by Jazz Singh Swali

Review

Coreset

Nottinghamshire

Chico da Silva, And the soul is for the birds Installation view, Nottingham Contemporary, 2026. Photo: Jules Lister.

Chico da Silva: And the soul is for the birds

12.07.2026, by Pamela Vivas

Review

Nottingham Contemporary

Detail of a textile artwork. Bright, multicoloured pieces of fabric have been knotted and bunched tightly together. A metal object with bells is pressed into the fabric.

Matrika: She Who Makes Worlds by Saroj Patel

29.06.2026, by Pamela Vivas

Review

New Art Exchange

'Jason and the Adventure of 254' at Attenborough Arts Centre, 2026, a Wellcome Collection exhibition. Photography by Reece Straw, 2026.

Jason Wilsher-Mills: Jason and the Adventure of 254

26.06.2026, by James Steventon

Review

Attenborough Arts Centre

Leicester

A woven textile piece is suspended from a metal frame in the centre of the gallery. Threads of green, bright reds and pinks form an abstracted image that perhaps resembles a disintegrating map of some kind. The edges of the weaving are left untrimmed and threads of different colours hang down.

Raisa Kabir: I only dance, I wish we could sing

04.05.2026, by Ruth Charnock

Review

Sleaford

The Hub

Becky Beasley, 'A Gentle Man (Part II) (1975-2029)' installation view at QUAD, Derby. Photograph by Nigel Green.

Becky Beasley: A Gentle Man (Part II) (1975-2029)

20.04.2026, by Suzanne Golden

Feature

Derby

QUAD

David John Scarborough, 'Earth-Stepper' (2026)

David John Scarborough: Earth-Stepper

11.04.2026, by Wingshan

Review

Fermynwoods Contemporary Art

Northamptonshire

Online

Installation view, Material Worlds: Contemporary Artists and Textiles, Attenborough Arts Centre. A Hayward Gallery Touring exhibition. Photography © Reece Straw

Attenborough Arts Centre: A Decade of Exhibitions

02.03.2026, by Anna Li

Review

Attenborough Arts Centre

A dinner table is set for a handful of unseen guests. The dinner plates have luminous images and colours projected onto them.

Maya Chowdhry and Alison Clare: What’s Eating Our Reality

23.02.2026, by Zara-Louise Stubbs

Review

Fermynwoods Contemporary Art

The Core at Corby Cube

Basel Abbas & Ruanne Abou-Rahme: Prisoners of Love: Until the Sun of Freedom, 2025, Installation view at Nottingham Contemporary. Photo: Michael Pollard. Courtesy of Nottingham Contemporary.

Basel Abbas and Ruanne Abou-Rahme, Prisoners of Love: Until the Sun of Freedom

10.12.2025, by Amrit Doll

Review

Nottingham Contemporary

Installation View, Up Town Again, Two Queens, 2025. Photo by Jules Lister, 2025, courtesy the artists and Two Queens.

Up Town Again

13.11.2025, by Alexander Mobbs-Iles

Review

Leicester

Installation view showing Dining Room section of exhibition. Photo by Jules Lister.

William English & Sandra Cross: To Farse All Things

07.11.2025, by Wayne Burrows

Review

Bonington Gallery, Nottingham Trent University

A double height gallery space with white walls and concrete pillars containing a range of different artworks in a variety of media and sizes.

13 Beautiful Horses

02.10.2025, by Paige Costinescu

Review

Leicester

Leicester Gallery, De Montfort University

A gallery with walls painted in mid-brown and dark terracotta, with a variety of different works including a large painting, a video piece on a wall mounted screen and several sculptural works in the foreground on a low plinth.

FOREST

24.09.2025, by Wingshan

Review

Nottingham Castle Museum & Art Gallery

A large globe constructed of wire with continents outlined in red neon light sits on the gallery floor. Behind, a large pile of brown paper, hessian and fabric is layered up into the corner of the room.

We Grown-Ups Can Also Be Afraid: Creativity in Times of Crisis

25.08.2025, by Jennifer Brough

Review

Attenborough Arts Centre

Leicester

Two large wedge-shaped inflatables sit on the patterned stone floor of an English stately home. They have cartoon eyes and layers of bright colours running through the wedges, resembling slices of cake with bloody teeth.

Pepperpot The Mole & Final Boss: Bruce Asbestos’s Pop Cultural Follies

16.08.2025, by Wayne Burrows

Feature

Ilam Park

Wentworth Woodhouse

Three rotating lightbulbs hung from the ceiling of a church have been captured with a slow shutter speed, so that the arc of their movement is drawn into the photograph.

Tobias Zehntner: Halo

19.05.2025, by Colette Griffin

Review

Fermynwoods Contemporary Art

Northamptonshire

A vintage leather suitcase is balanced on top of a tarpaulin wrapped object which is bound together by knotted ropes. A second sculpture of a similar kind can be seen in the background, and a green line is traced across the wall.

Maia Ruth Lee: Human Life in Motion

25.04.2025, by Vivien Chan

Review

Primary